The parish was established in 1866. It was formed from portions of St. Stephen the Martyr, St. Michael's, Holy Cross, Cathedral and St. Columba's parishes. The first pastor was Father John Larkin, formerly of County Galway, Ireland by way of St. Michael's. He purchased a small frame Episcopal churchon the corner of Broadway and 37th St. The old name was retained and the chapel converted for use until a new church building could be constructed. The present edifice was dedicated on February 13, 1870. As the city rapidly expanded northward the community, known as the "Tenderloin", teemed with immigrants from Europe. In 1872, A parochial school adjoining the church was built, staffed by the Sisters of Charity. Later, the Christian Brothers were enlisted to provide instruction. By the early 1900s the area was known for newspaper publishing and theaters. Holy Innocents was called the "actor's church". Eugene O'Neill, the playwright, was baptized in the church in 1888. Pastor Rev. Dr. Richard Brennan transferred here in 1890 from being pastor since 1875 of St. Rose of Lima's Old Church, after the death of the former pastor, Rev. Larkin.The parish debt being paid off, the church was consecrated by Archbishop Corrigan on February 12, 1901. In the early 1900s, the parish owned three buildings behind the church, one serving as the rectory and the others bringing in some income from boarders. By 1910, the area went through a profound change as the tenements were rapidly replaced by imposing commercial buildings. With its congregation dispersed, Holy Innocents faced financial difficulties. On December 18, 1924 The New York Times reported that the Church had sold the three buildings "as a site for a twenty-story office building." The property was purchased by Morris Rosenstein, a dealer in cotton fabric, with a business on Bleeker Street. Rosenstein built a twenty-storey storage and loft building at 135-9 West 36th Street to designs by the eminent Emery Roth. When Joyce Kilmer's daughter Rose was stricken with infantile paralysis shortly after birth, Kilmer would stop by the church "every morning for months" on his way "to the office and prayed for faith".
Present day
In addition to serving as a regional parish, the church has since 2009 been a location for daily Mass in the 1962 Roman Missal form, recognized in Pope Benedict XVI's 2007 motu proprioSummorum Pontificum as an extraordinary form of the Roman Rite. While most churches have more Masses on Sundays than on weekdays, Holy Innocents' has three Masses on Sundays, three on Saturdays, but on Monday to Friday five each day. Holy Innocents is the oldest church in the Garment District.
Pastors
Rev. John Larkin
Rev. Dr. Richard Brennan former pastor of St. Rose of Lima's Old Church from 1875-1890
Rev. Michael C. O'Farrell
Rev. Msgr. Aloysius C. Dineen
Rev. George Rutler
Rev. Leonard Villa
Rev. James L.P. Miara
Architecture
Designed by Patrick C. Keely in the Gothic Revival style, the cornerstone was laid on June 20, 1869. The building was constructed of Ohio and Belleville mixed stone. The interior is noted for the high altar of white marble that is surmounted by a fresco of the Crucifixion by Constantino Brumidi. The church was dedicated on Sunday, February 13, 1870; music provided by the Seventh Regiment Band. During Father O'Farrell's tenure two side altars of Carrara marble were installed. The Church has twenty stained glass windows from Munich; however subsequent building in the area has somewhat dimmed the interior.
"The Return Crucifix"
According to a popular account, one day, artist Charles Bosseron Chambers stopped by Holy Innocents for Mass. Afterwards he observed a young man praying before a life-size crucifix and immediately made a quick sketch. In later speaking to the man, Chambers learned that he was a Frenchman who had drifted away from religion since coming to New York, but was now heading back to fight in World War I, and had prayed for a return to the faith. Chambers produced an oil painting from the sketch, which was subsequently "...reproduced by one of the largest publishing companies in color and sepia, and decided success." After the war, Chambers was later able to make contact with the soldier, who told him that having survived the war, he had entered a monastery. The refurbished crucifix, now termed "The Return Crucifix", is one of two shrines at the church, the other being of Our Mother of Perpetual Help, the Madonna of New York. There is also a stained glass rendition of Chamber's painting in the choir loft.
