Howard Da Silva
Howard Da Silva was an American actor, director and musical performer on stage, film, television and radio. He was cast in dozens of productions on the New York stage, appeared in more than two dozen television programs, and acted in more than fifty feature films. Adept at both drama and musicals on the stage, he originated the role of Jud Fry in the original 1943 run of the Rodgers and Hammerstein musical Oklahoma!, and also portrayed the prosecuting attorney in the 1957 stage production of Compulsion. Da Silva was nominated for a 1960 Tony Award as Best Featured Actor in a Musical for his work in Fiorello!, a musical about New York City mayor LaGuardia. In 1961, Da Silva directed Purlie Victorious, by Ossie Davis.
Many of his early feature films were of the noir genre in which he often played villains, such as Eddie Harwood in The Blue Dahlia and the sadistic Captain Francis Thompson in Two Years Before the Mast. Da Silva's characterization of historic figures are among some of his most notable work: he was Lincoln's brawling friend Jack Armstrong in both play and film versions of Abe Lincoln in Illinois written by Robert Sherwood; Benjamin Franklin in the 1969–1972 stage musical 1776 and a reprisal of the role for the 1972 film version of the production; Soviet leader Nikita Khrushchev in The Missiles of October ; Franklin D. Roosevelt in The Private Files of J. Edgar Hoover ; and Louis B. Mayer in Mommie Dearest.
Da Silva's American television character work included the defense attorney representing the robot in The Outer Limits episode "I, Robot", and district attorney Anthony Cleese in For the People. For his performance as Eddie in the Great Performances production of Verna: USO Girl, the actor received a Primetime Emmy Award for Outstanding Performance by a Supporting Actor in a Comedy or Drama Special.
In the 1970s, Da Silva appeared in 26 episodes of the radio series, the CBS Radio Mystery Theater.
Early life
Da Silva was born in Cleveland, Ohio, the son of Bertha and Benjamin Silverblatt, a dress cutter. His parents were both Yiddish-speaking Jews born in Russia. His mother was a women's-rights activist. Before beginning his acting career on the stage, he was employed as a steelworker.Da Silva was a graduate of the Carnegie Institute of Technology and studied acting with Eva Le Gallienne beginning in 1928 at the Civic Repertory Theatre. He changed his surname to the Portuguese Da Silva.
Career
Da Silva appeared in a number of Broadway musicals, including the role of Larry Foreman in the legendary first production of Marc Blitzstein's musical, The Cradle Will Rock. Later, he costarred in the original 1943 stage production of Rodgers and Hammerstein's Oklahoma!, playing the role of the psychopathic Jud Fry. He was the easygoing Ben Marino who opposed Tammany Hall in the Pulitzer winning musical Fiorello!.following a performance of the Tony Award-winning musical in the East Room of the White House
In 1969, Da Silva originated the role of Benjamin Franklin in the musical 1776. Four days before the show opened on Broadway, he suffered a minor heart attack but refused to seek medical assistance because he wanted to make sure critics saw his performance. After the four official critic performances were over, the cast left to go to the cast party and Da Silva went to the hospital and immediately took a leave of absence from the production. While Da Silva recuperated, his understudy, Rex Everhart, took over the role and performed on the cast recording. Da Silva was able to reprise his role in the 1972 film version and appeared on that soundtrack album.
Da Silva did summer stock at the Pine Brook Country Club, located in the countryside of Nichols, Connecticut, with the Group Theatre formed by Harold Clurman, Cheryl Crawford and Lee Strasberg in the 1930s and early 1940s.
Da Silva appeared in over 60 motion pictures. Some of his memorable roles include a leading mutineer in The Sea Wolf, playing Ray Milland's bartender in The Lost Weekend, and the half-blind criminal "Chicamaw 'One-Eye' Mobley" in They Live by Night. He also released an album on Monitor Records of political songs and ballads entitled Politics and Poker.
Da Silva returned to the stage, and was nominated for the 1960 Tony Award for Best Featured Actor in a Musical for his role as "Ben Marino" in Fiorello!. After being blacklisted, Da Silva and Nelson left Los Angeles for New York to perform in The World of Sholom Aleichem.
Da Silva was nominated for the British BAFTA Film Award for Best Foreign Actor for his performance as Dr. Swinford in David and Lisa. Da Silva portrayed Soviet Premier Khrushchev in the television docudrama The Missiles of October. He won the Emmy Award for Outstanding Performance by a Supporting Actor in a Comedy or Drama Special for his role as Eddie in with Sissy Spacek.
Da Silva's TV guest appearances, after the era in which blacklisting was strongest, include such programs as The Outer Limits, Ben Casey, The Man from U.N.C.L.E., The Fugitive, Gentle Ben, Mannix, Love, American Style, Kung Fu, and Archie Bunker's Place.
Da Silva also played President Franklin D. Roosevelt in The Private Files of J. Edgar Hoover, Hollywood mogul Louis B. Mayer in Mommie Dearest, and American statesman Benjamin Franklin in 1776, as well as a documentary depicting the life of Ben Franklin shown at Franklin's house in Philadelphia. He appeared in two different film adaptations of F. Scott Fitzgerald's 1925 novel, The Great Gatsby. In the 1949 production with Alan Ladd as Gatsby, Da Silva played garage owner George Wilson; in the 1974 film with Robert Redford, Da Silva was Meyer Wolfsheim, the flamboyant gambler with the interesting cufflinks. In his final appearance on screen, Da Silva played a New York photographer fascinated with the reclusive Greta Garbo in the film Garbo Talks, directed by Sidney Lumet.
He also did voice acting in 26 episodes of the popular 1974–82 radio thriller series CBS Radio Mystery Theater. In 1978, he recorded linking narration for episodes of the British television program Doctor Who broadcast in the United States.
Blacklisting
Da Silva became one of hundreds of artists blacklisted in the entertainment industry during the House Committee on Unamerican Activities investigation into alleged Communist influence in the industry. Following his March 1951 testimony in which he repeatedly invoked his Fifth Amendment rights, his lead performance in the completed feature film Slaughter Trail was re-shot with actor Brian Donlevy. Da Silva continued to find work on the New York stage, but did not work in feature films again until 1961 when he appeared in David and Lisa. He was eventually cleared of any charges in 1960, but not before his career in television had also stalled, with no work between 1951 and 1959 when he appeared in The Play of the Week. The brief respite was followed by another television career void until his appearance in a 1963 episode of The Defenders. That was the beginning of the end of Da Silva's blacklist, and the show's producer Herb Brodkin paired Da Silva with William Shatner when he created the television series For the People.Personal life and death
Da Silva married actress Marjorie Nelson in 1949. Da Silva and Nelson divorced in 1960. He married twice more and had a total of two sons and three daughters.Da Silva died of lymphoma, aged 76, in Ossining, New York.
Acting credits
Stage
Film
Television
| Year | Title | Role | Notes | Refs. |
| 1950 | My Heart's in the Highlands | |||
| 1951 | My Heart's in the Highlands | |||
| 1959 | Dupont-Dufour Sr. | Thieves Carnival | ||
| 1963 | Peter Cole | The Bagman | ||
| 1963 | East Side/West Side | Wallace Mapes | I Believe E Except After C | |
| 1963 | Dr. McClendon | Disaster Call | ||
| 1964 | Arnold Fermuller | The Man Who | ||
| 1964 | Thurman Cutler | I, Robot | ||
| 1965 | For the People | Anthony Celese | 13 episodes | |
| 1965 | Ben Casey | Ulysses Pagoras | The Day They Stole Country General | |
| 1965 | Ben Casey | Cantor Nathan Birmbaum | A Nightingale Named Nathan | |
| 1966 | Captain Basil Calhoun | The Foreign Legion Affair | ||
| 1966 | Gonzales | To Hang a Dead Man | ||
| 1966 | Pete Dawes | Death is the Door Prize | ||
| 1967 | N.Y.P.D. | Dimitchik | Old Gangsters Never Die | |
| 1967 | Gentle Ben | Phillip Garrett | Battle of Wedlow Woods | |
| 1968 | Mannix | Aram Karmalis | You Can Get Killed Out There | |
| 1972 | Keep the Faith | Rabbi Mossman | TV film | |
| 1973 | Love, American Style | Doctor Wazanskyi | Love and the End of the Line | |
| 1973 | Kung Fu | Otto Schultz | The Hoots | |
| 1974 | Smile Jenny, You're Dead | Lt. Humphrey Kenner | TV film | |
| 1974 | Nikita Khrushchev | TV film | ||
| 1976 | Boss Tweed | Stop, Thief! | ||
| 1977 | Insight | Arnstein – Violinist | Arnstein's Miracle | |
| 1978 | When the Boat Comes In | Host | American broadcast | |
| 1978 | Great Performances | Eddie | Verna:USO Girl | |
| 1980 | Power | Jack Eisenstadt | TV film | |
| 1980 | Conklin | TV film | ||
| 1983 | Archie Bunker's Place | Abe Rabinowitz | The Promotion | |
| 1983 | Masquerade | General Breznin | Pilot | |
| 1984 | American Playhouse | Critic | The Cafeteria |
Radio
| Year | Date | Title | Ep. No. |
| 1974 | July 31 | "The Only Blood" | 125 |
| 1974 | Dec 5 | "The Body Snatchers" | 183 |
| 1974 | Dec 24 | "A Very Private Miracle" | 191 |
| 1975 | Jan 14 | "Faith and the Faker" | 205 |
| 1975 | Feb 14 | "The Shadow of the Past" | 223 |
| 1975 | Mar 20 | "The Doppelganger" | 242 |
| 1975 | Apr 18 | "A Challenge for the Dead" | 259 |
| 1975 | May 8 | "Taken for Granite" | 270 |
| 1975 | June 6 | "The Transformer" | 287 |
| 1975 | July 2 | "Come Back with Me" | 301 |
| 1975 | Aug 5 | "Hung Jury" | 321 |
| 1975 | Aug 19 | "Welcome for a Dead Man" | 329 |
| 1975 | Sept 18 | "The Coffin with the Golden Nails" | 346 |
| 1975 | Sept 28 | "The Other Self " | 354 |
| 1975 | Oct 23 | "The Sealed Room Murder" | 366 |
| 1975 | Nov 17 | "The Moonlighter" | 380 |
| 1975 | Nov 28 | "The Frammis" | 387 |
| 1975 | Dec 15 | "Burn, Witch, Burn" | 396 |
| 1976 | Jan 19 | "There's No Business Like" | 418 |
| 1976 | Feb 19 | "Goodbye, Benjamin Flack" | 434 |
| 1976 | Apr 24 | "The Prince of Evil" | 475 |
| 1976 | Aug 30 | "The Night Shift" | 511 |
| 1976 | Oct 22 | "Somebody Help Me!" | 540 |
| 1976 | Dec 14 | "The Smoking Pistol" | 565 |
| 1977 | Jan 4 | "This Breed Is Doomed" | 577 |
| 1977 | Feb 25 | "Legend of Phoenix Hill" | 607 |
Howard Da Silva provided linking narration for North American broadcasts of Doctor Who.
Specifically, he provided continuity announcements for episodes from season 12 through season 15, ostensibly to help North American audiences get acclimatized to the nature of serial storytelling, which was then uncommon on non-soap-operatic television in the United States and Canada. His narration accompanied the earliest runs of Doctor Who as broadcast on American PBS stations and Canadian broadcasters like TVOntario during the 1970s and early 1980s. Typically, after Doctor Who had been run on a station for a while, the linking narration was removed as unnecessary. Nevertheless, the announcements were so familiar a part of some viewers' experience of Doctor Who that they became a standard extra feature on BBC DVD releases of early Tom Baker serials.