"I Want You " is a song by the English rock bandthe Beatles, written by John Lennon. The song closes side one on their 1969 album Abbey Road. The song is an unusual Beatles composition for a variety of reasons, namely its length, minimal lyrics, a three-minute descent through repeated guitar chords over a rising background of synthesized white noise, and an abrupt ending. It was the first song recorded for the Abbey Road album but one of the last songs to be finished, on 20 August 1969, the last time all four Beatles were together in the studio.
Composition
Lennon wrote the song about his love for Yoko Ono. It begins in time, with an arpeggio guitar theme in D minor, progressing through E7 and B7 before cadencing on an A augmented chord. In this chord sequence, the F note is a drone. The bass and lead guitar ascend and descend with a riff derived from the D minor scale. As the last chord fades, a verse begins in time, based on the A and D blues scales, with Lennon singing "I want you / I want you so bad..." The two blues verses alternate, before the reappearance of the E7 chord, and McCartney playing a notably aggressive bass riff. This would function, throughout the song, as a transition to the main theme. The main theme repeats with Lennon singing "She's so heavy", with a long sustain on the last word. The second set of verses are rendered instrumentally with lead guitar. Another repeat of the "She's So Heavy" theme is followed by Lennon singing a livelier repeat of the "I Want You" verse. During the next E7 transition, Lennon lets loose a primal scream of "Yeah", until his voice breaks. The song's coda consists of a three-minute repetition of the "She's So Heavy" theme, with the arpeggios double tracked, intensifying with "white noise" fading in as the theme continues; this consists of multi-tracked guitars from Lennon and Harrison, Moog white-noise from Lennon, and drums and bass from Starr and McCartney respectively. In the middle of the 15th repetition of the theme, the song abruptly ends.
Recording
The song was rehearsed several times during the Get Back/Let It Be sessions; the basic track and Lennon's guide vocal were recorded at Trident Studios on 22 February 1969, shortly after shooting for the Let It Be film ended. Lennon played the lead guitar, as George Harrison stated: Lennon and Harrison overdubbed multi-tracked heavy guitars on 18 April 1969. Billy Preston's Hammond organ and Ringo Starr's congas were added on 20 April 1969. "I Want You" received the "She's So Heavy" vocals on 11 August, and thus the title became "I Want You ". "'She's So Heavy' was about Yoko," Lennon told Rolling Stone. "When you're drowning, you don't say, 'I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me.' You just scream." Three takes from 22 February were edited into a master, which was overdubbed, mixed down on 18 April, and overdubbed on 18 April, 20 April, 8 August and 11 August. Different overdubs were made to the second generation tape on 8 August. The mix is the third generation for 4:37 and then the second generation tape, which has white noise produced by the Moog synthesizer played by Lennon and additional drums added on 8 August. The final overdub session for "I Want You ", which included the final mixing and editing, was the last time all four Beatles worked in the studio together. The final master lasted 8:04, but Lennon decided on a surprise ending. During the final edit with the guitars, drums and white noise climaxing endlessly, he told recording engineerGeoff Emerick to "cut it right there" at the 7:44 mark, bringing the song to an abrupt end. On the Beatles' remix album Love, the three-minute guitar coda from "I Want You " is attached to "Being for the Benefit of Mr. Kite!", and snippets of that song and "Helter Skelter" are mixed in with the repeated guitar riff. The abrupt ending of the original is retained, but it cuts to wind-like white noise, not to silence as on the original. The mix also included the organ solo and the guitar solo from the trident studio outtake.
Reception and legacy
in 2015, Josh Hart and Damian Fanelli, writing for Guitar World, placed the song 34th in their list of the 50 Heaviest Songs Before Black Sabbath, and called the song a "bluesy rocker" that "might have inadvertently started doom metal." Similarly, in 2018, Jo Kendall of Classic Rock magazine commented that the song pre-dated "Black Sabbath's creation of doom rock by several months" and noted the "Santana-like Latin blues section" in the song. James Manning, of Time Out London, describes the song as the foundation for stoner rock.
