Kyle LeBlanc is an American working overseas in Magnitogorsk, Russia. When he hears his wife being attacked over the phone, Kyle rushes home, but is too late to save her. Sergio Ković, the man who raped and murdered his wife, buys the judge and is found not guilty due to lack of evidence. Enraged, Kyle steals a gun from a security guard and shoots Sergio multiple times in front of the entire court house, killing him. For this, he is sentenced to life in prison without the possibility of parole. He soon befriends fellow American, Billy Cooper, a 21-year-old inmate who is subjected to constant rape and beatings by prison fighter, Andrei, a member of the Russian Mafia with the assistance of the guards, and Malakai, another American prisoner who uses a wheelchair and claims to know the ins and outs of prison life. After getting into a brawl with Andrei, who provoked him in a way similar to his wife's murderer, Kyle is put in solitary confinement. Then he is transferred to a cell with inmate 451, an African-American prisoner, who has the reputation of killing inmates, and the sadistic head of the guards believes he will do the same to Kyle. However, over time they begin to trust one another. The general who runs the prison amuses himself by betting on fights between his prisoners to fill his pockets. After savagely killing Andrei in his first fight, Kyle immediately suffers a mental breakdown as everyone watches in horror. Soon he is continuously forced into more fights because the general and guards know he is a sure thing, as he slowly loses his sanity. At one point 451 asks him, "Do you even know who you are? Probably not." Meanwhile, Billy attempts multiple times to escape the prison, first by running during outside work detail, and again by sneaking off during the Russian Independence Day celebration; the latter fails as he is betrayed by Malakai, who informs the guards because his need of special medicine. 451 discovers his betrayal, and later, in retaliation, pours lighter fluid on him and sets him on fire. As he watches Malakai burn to death, he recalls a memory. He set a teacher on fire whom abused and molested him as a child. After being locked in a cell with prison fighter Valya overnight one night, Billy is raped and beaten to within an inch of his life after he spits in Valya's face. Billy later succumbs to his injuries, but before he dies, he whispers to Kyle, "Don't let them turn you into something you're not." With this advice, Kyle now knows he must fight another battle: the fight for inner peace, as it is the only way he can become the man he once was. Kyle refuses to fight Valya in his next match, and as a result, is hung by his arms outside for all to see. However, seeing Kyle's courage and his ability to stay strong during his punishment, the prison gangs decide to put aside their rivalries and unite, following suit by refusing to fight. Kyle is released soon from his restraints and sent to the infirmary. During his recovery, he dreams of his wife who tells him "Nobody's ever gone as long as there is someone to remember them". Sometime after he is recovered, he is forced into a fight in his own cell block with Miloc, a gargantuan prisoner kept separate from the general population who Kyle kept hearing through the walls from his time in solitary confinement. During the fight, Kyle knocks on a door repeatedly, making Miloc recognize him, as this was his only form of communication, and he embraces him as a friend. A guard orders them to continue at gunpoint. Kyle demands the guards kill him instead, stating he will not fight anymore. Witnessing this, the prisoners begin to protest. Kyle and Miloc turn on the guards and free the prisoners from their cells, igniting a full-scale riot. Miloc is fatally shot protecting Kyle, who comforts him as he succumbs to his wounds. Soon, 451 gives Kyle the evidence of all the murders and corruption that have happened in this prison for the past 20 something years that he has planned to expose to the US government. While the guards are getting the prisoners under control, 451 shows Kyle a secret passage to the prison garage for their next move. It will require Kyle to fight one more time to gain access as he is aware the general will have him executed if he wins. Kyle participates in final fight, which he wins, but the guards have indicated they will kill him afterwards. When two guards take Kyle to the garage, 451 launches an attack and kills one of them while Kyle holds the other at gunpoint and pins him down to the ground. After taking the key to free himself, Kyle takes one of the guards' uniforms to disguise himself and drives off in one of their cars while 451 stays behind to assassinate the general for his misdeeds. His final fate is unknown, but after the movie's final scene cuts to black, the audience is bizarrely told that three months later, the fictional prison was shut down.
Cast
Jean-Claude van Damme – Kyle LeBlanc
Lawrence Taylor – Inmate 451
Marnie Alton – Grey LeBlanc
Alan Davidson - Malakai
Billy Rieck – Coolhand
Jorge Luis Abreu – Boltun
Lloyd Battista – General Hruschov
Michael Bailey Smith – Valya
Robert LaSardo – Usup
Carlos Gómez – Tolik
Chris Moir – Billy Cooper
Valentin Ganev - Bolt
Paulo Tocha – Viktor
Raicho Vasilev - Andrei
Emanuil Manolov - Ivan
Valodian Vodenicharov - Dima
Veselin Kalanovski - Sasha
Atanas Srebrev - Misha
Asen Blatechki - Zarik
Juan Fernández - Shubka
Michail Elenov as Sergio Ković
Milos Milicević as Boo
Yulian Vergov - Solitary Guard
Release
released the DVD in the United States on November 25, 2003.
Reception
Robert Pardi of TV Guide rated it 1/5 stars and called it a "pokey exercise in cellblock sadism" that does not live up Lam's previous work. Jason P. Vargo of IGN rated it 5/10 stars and wrote that it is "strictly for Van Damme fans only". Beyond Hollywood wrote that although the film has many stock characters, it enjoyably plays on the usual conventions of a Van Damme film. Ian Jane of DVD Talk rated it 3/5 stars and called it "a pleasant surprise" and the best of Van Damme's recent films. David Johnson of DVD Verdict wrote that although the film attempts to bring a new facet to Van Damme's films, it only ends up being cliched in different ways than his usual films.