A young East Ender woman is married to bomb-disposal officer Lenny ; they have a four-year-old son. While the young mother is having an affair with a reporter called Jasper, Lenny, their son, and about 1000 others are killed in a terrorist attack carried out by six suicide bombers at a football match. Both Jasper and Lenny's boss, Terrence Butcher, who is in charge of the anti-terrorist division, try to comfort the mother. Both are also romantically interested in her. Through Jasper's investigation into the bombing, the mother discovers the identity of one of the terrorists. She befriends his teenage son, who only knows that his father is missing since the attacks. When he finds out what his father did, he panics and runs, causing the police to suspect him to be a terrorist. When he tries to take something out of his pocket they think he has a gun or wants to trigger a bomb; they shoot at him, but he is unarmed. The mother, who tried to protect him, is wounded, but not severely. Later, the terrorist's wife and son apologize to the mother for his part in the killings. Terrence confesses to the mother that he knew that a suicide attack was going to happen and could have stopped it, but he did not in order to be able to continue his investigation of the terrorist group. He says that he did not know in which stadium it would happen, and also thought it would be of a smaller scale. Although he knew Lenny and his son would be going, he did not warn them. Sometimes the mother is confused, thinking that nothing has happened to her son. Throughout the film, for therapeutic reasons, she writes a letter addressed to Osama bin Laden, who is assumed to be responsible for the attack. In the film's final scenes, the mother has another son by Jasper, who is seen running to the hospital and asking for her at the nursing station.
Generally, the film received poor reviews. Tom Charity, after viewing the film at the 2008 Sundance Film Festival, gave it one star out of five and called it an "ambitious/opportunistic effort that misses the mark, from the one-dimensional characters to the craven plotting and sentimental tone." Philip French called it an "ambitious British picture on an urgent topical subject is torpedoed by a poor script." Time Out gave it two stars out of six, saying "there are so many things wrong with writer-director Sharon Maguire’s first film since Bridget Jones's Diary in 2001 that it's hard to know where to start, but the fatal problem is that this is a film with an identity crisis"; the film at times seems like a "study of guilt and grief" and at other times a "conspiracy thriller" but "ends up being a compendium of bizarre diversions, most of which are utterly surplus to the film’s half-cocked desire to stick with the experience and emotions of its main character."
