Irma Vep


Irma Vep is a 1996 film directed by the French director Olivier Assayas, starring Hong Kong actress Maggie Cheung in a story about the disasters that result as a middle-aged French film director attempts to remake Louis Feuillade's classic silent film serial Les vampires. Taking place as it does largely through the eyes of a foreigner, it is also a meditation on the state of the French film industry at that time.
The film was screened in the Un Certain Regard section at the 1996 Cannes Film Festival.

Plot

Cheung is employed to play the film-within-the-film's heroine, Irma Vep, a burglar, who spends most of the film dressed in a tight, black, latex rubber catsuit, defending her director's odd choices to hostile crew members and journalists. As the film progresses, the plot mirrors the disorientation felt by the film's director. Cheung the character is in many ways seen by other characters as an exotic sex object dressed in a latex catsuit; both the director and Cheung's costume designer Zoe have crushes on her.
The film makes reference to iconic figures in French film history: Louis Feuillade, Musidora, Arletty, François Truffaut, the Groupe SLON, Alain Delon, and Catherine Deneuve. Thematically, the film questions the place of French cinema today. It is not a "mourning for cinema with the romantic nostalgia" but "more like the Mexican Day of the Dead: remembrance as an act of celebration," so that "It is less a film about re-presenting the past, than it is a film about addressing the present, specifically the place of France within the global economy."

Cast

The idea for the film was born out of an attempted collaboration among Assayas, Claire Denis, and Atom Egoyan, who wanted to experiment with the situation of a foreigner in Paris. In the 1915 original serial, written and directed by Louis Feuillade, Irma Vep was played by French silent film actress Musidora. Much of the film depicts set-related incidents that echo scenes in Truffaut's La nuit americaine, to which Irma Vep owes a large thematic debt.
However, Assayas publicly stated that although he considers La nuit americaine a great film, it is more about the fantasy of filmmaking than the reality. Assayas credits Rainer Werner Fassbinder's Beware of a Holy Whore as a greater inspiration.
Assayas married Cheung in 1998. They divorced in 2001. They again collaborated in 2004 on the film Clean.