"It Hurts to Be in Love" was originally intended to be sung by Howard Greenfield's long-running songwriting partner Neil Sedaka, but Sedaka's record label at the time, RCA Victor, refused to release Sedaka's new recording because he had not recorded it in their studios, as stipulated by his contract. Sedaka attempted another recording of this song in RCA's studios, but the results were unsatisfactory. Greenfield and Helen Miller, the song's co-writers, offered it to Gene Pitney instead, and he took the existing musical track, replacing Sedaka's lead vocal track with Pitney's own. Everything else was Sedaka's, including his own arrangement and backing vocals, piano-playing, and usual female backup singers. Pitney ended up with a top ten hit in the Billboard Hot 100 for himself and his record label, Musicor, in 1964. The personnel on the original recording included Artie Kaplan on saxophone, Bill Suyker, Charles Macy, and Vinnie Bell on guitar, Milt Hinton on bass, Artie Butler on organ, Gary Chester on drums, and Toni Wine on backing vocals. In the US, "It Hurts to Be in Love" spent 16 weeks on the Billboard Hot 100, peaking at No. 7, also reaching No. 7 on the Cash BoxTop 100, and No. 6 on Record Worlds "100 Top Pops". The song also reached No. 2 on Canada's RPM Top 40-5s and No. 36 on the UK's Record Retailer chart. Although not characteristic of Pitney's pop sound, as heard in "Town Without Pity" and " Liberty Valance," AllMusic noted that "It Hurts to Be in Love" "was about as close as any of his major hits came to straight-ahead rock & roll." In 2007, Razor & Tie Records released the original Sedaka demo as part of the anthology albumThe Definitive Collection.
Chart history
Weekly charts
Year-end charts
Dan Hartman version
In 1981, American singer-songwriter and musician Dan Hartman released a version of the song on his fourth studio albumIt Hurts to Be in Love. The song was the second single from the album and reached No. 78 on the US Billboard Hot 100. It also reached No. 48 on the BillboardDisco Top 100 chart.
Critical reception
In a review of It Hurts to Be in Love, John Smyntek of the Detroit Free Press noted: "Hartman doesn't even bother to change the arrangement so he knows a good thing when he hears it." The Morning Call felt Hartman's version "sounds remarkably similar to the original". Dave Marsh of Rolling Stone considered Hartman's rendition "a terrific version". People felt Hartman's version of the "frothy pop tune does little to improve on the original".