Ivo Tijardović was a Croatian composer, writer, and painter from the Dalmatian city ofSplit. A member of the Unitary National Liberation Front, he served as the 47th Mayor of Split, during the city's World War II occupation by Fascist Italy, as head of its underground resistance government set up by the Yugoslav Partisans of Josip Broz Tito. Tijardović was born in the city of Split and studied music in Split and in Vienna, where he also studied architecture. He graduated from the Zagrebdrama school in 1922. He then worked as conductor and stage designer at the Split Municipal Theatre before joining the music department of the Edison Bell Penkalarecording company in Zagreb. Returning to Split, he became director of the Croatian National Theatre, stage director of the Croatian National Theatre in Zagreb, and director of the State Symphony Orchestra. As a composer, he relied on folklore and a national musical expression, especially of his native region of Dalmatia. He composed eight operettas, the best known of which are Mala Floramye and Splitski Akvarel, which conjure the magic of Split between the two world wars. His operas dealt with historical themes. He also painted and worked as an illustrator. During World War II, when Split was annexed and occupied by Fascist Italy, Ivo Tijardović joined the Unitary National Liberation Front, the umbrella organization and political coalition behind the Yugoslav Partisans resistance movement. He soon became active in the city's interim resistance government set-up by the Partisans, the National Liberation Committee, and on 15 May 1942 he became its president, a post which he held until September 1943. The same year he left the city and joined the Partisans in the countryside. During the remainder of the war, he served as a member of the Croatian parliament, the ZAVNOH, and as President of the Regional National Liberation Committee for Dalmatia. During this period, he reworked the old Split patriotic song "Marjane, Marjane", which soon became the city's anthem in the form he published. He returned to the city after its final liberation in 1944, and revitalized its theatrical scene. He died in Zagreb, SR Croatia, SFR Yugoslavia.
