Jack Smith (film director)


Jack Smith was an American filmmaker, actor, and pioneer of underground cinema. He is generally acclaimed as a founding father of American performance art, and has been critically recognized as a master photographer, though his photographic works are rare and remain largely unknown.

Life and career

Smith was raised in Texas where he made his first film, Buzzards over Baghdad, in 1952. He moved to New York in 1953.
The most famous of Smith's productions is Flaming Creatures. The film is a satire of Hollywood B movies and tribute to actress Maria Montez, who starred in many such productions. However, authorities considered some scenes to be pornographic. Copies of the movie were confiscated at the premiere and it was subsequently banned. Despite not being viewable, the movie gained some notoriety when footage was screened during Congressional hearings and right-wing politician Strom Thurmond mentioned it in anti-porn speeches.
Smith's next movie Normal Love was the only work in Smith's oeuvre with an almost conventional length, and featured multiple underground stars, including Mario Montez, Diane di Prima, Tiny Tim, Francis Francine, Beverly Grant, John Vaccaro, and others. The rest of his productions consists mainly of short movies, many never screened in a cinema, but featured in performances and constantly re-edited to fit the stage needs.
Apart from appearing in his own work, Smith worked as an actor. He played the lead in Andy Warhol's unfinished film Batman Dracula, Ken Jacobs's Blonde Cobra, and appeared in several theater productions by Robert Wilson.
He also worked as a photographer and founded the Hyperbole Photographic Studio in New York. In 1962, he released The Beautiful Book, a collection of pictures of New York artists, that was re-published in facsimile by Granary Books in 2001.
After his last film, No President, Smith created performance and experimental theatre work until his death on September 25, 1989 from AIDS-related pneumonia.
In 1978, Sylvère Lotringer conducted a 13-page interview with Smith in Columbia University's philosophy department publication of Semiotext called Schizo-Culture: The Event, The Book.
In 1987, Smith was awarded an honorary Doctor of Humane Letters degree from Whittier College.

Estate

In 1989, New York performance artist Penny Arcade tried to salvage Smith's work from his apartment after his long bout with AIDS and subsequent death. Arcade attempted to preserve the apartment as Smith had transformed it – an elaborate stage set for his never-to-be-filmed epic Sinbad in a Rented World – as a museum dedicated to Jack Smith and his work. This effort failed.
Until recently, Smith's archive was co-managed by Arcade, alongside the film historian J. Hoberman via their corporation, The Plaster Foundation, Inc. Within ten years of Smith's death, the Foundation, operating largely without funding but through donations and good will, was able to restore all of Smith's films, create a major retrospective curated by Edward Leffingwell at PS 1, the Contemporary Arts Museum, now part of MOMA, put his films back into international distribution, and publish several books on Jack Smith and his work.
In January 2004, the New York Surrogate Court ordered Hoberman and Arcade to return Smith's archive to his legal heir, estranged, surviving sister Sue Slater. Hoberman and Arcade fought to dismiss Slater's claim, arguing that she abandoned Jack's apartment and its contents; the Plaster Foundation created the archive and took possession of the work only after 14 years of repeated, documented attempts at communication with her. In a six-minute trial, Judge Eve Preminger rejected the Foundation's argument and awarded the archive to Slater.
By October 2006, the foundation still refused to surrender Smith's archive to the estate, claiming money owed them for expenses associated with managing the archive—and hoping Smith's work would be bought by an appropriate public institution that could safeguard his legacy and keep the works in the public eye. According to curator Jerry Tartaglia, the dispute was resolved as of 2008, with the purchase of Smith's estate by the Gladstone Gallery.

Legacy

Smith was one of the first proponents of the aesthetics which came to be known as 'camp' and 'trash', using no-budget means of production to create a visual cosmos heavily influenced by Hollywood kitsch, orientalism and with Flaming Creatures created drag culture as it is currently known. Smith was heavily involved with John Vaccaro, founder of The Playhouse of the Ridiculous, whose disregard for conventional theater practice deeply influenced Smith's ideas about performance art. In turn, Vaccaro was deeply influenced by Smith's aesthetics. It was Vaccaro who introduced Smith to glitter and in 1966 and 1967, Smith created costumes for Vaccaro's Playhouse of The Ridiculous. Smith's style influenced the film work of Andy Warhol as well as the early work of John Waters. While all three were part of the 1960s gay arts movement, Vaccaro and Smith refuted the idea that their sexual orientation was responsible for their art.
In 1992, performer Ron Vawter recreated Smith's performance "What's Underground about Marshmallows" in Roy Cohn/Jack Smith which he presented in a live performance and which was later released as a film directed by Jill Godmilow and produced by Jonathan Demme.
Playwright Richard Foreman was influenced by Smith.
Tony Conrad produced two CDs from the Jack Smith tape archives subtitled 56 Ludlow Street that were recorded at 56 Ludlow Street between 1962 and 1964.
In 2017, Jerry Tartaglia directed a documentary called Escape from Rented Island: The Lost Paradise of Jack Smith which is a film essay concerning the works of Jack Smith, aimed at the artist's most devoted followers.

Selected filmography

;By Jack Smith
;With Jack Smith as actor
;About Jack Smith