Hello, Jaime Reis. We your contributions, but if you have an external relationship with the people, places or things on Wikipedia, you may have a conflict of interest. Editors with a conflict of interest may be unduly influenced by their connection to the topic. See the and for more information. We ask that you:
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In addition, you are required by the Wikimedia Foundation's terms of use to disclose your employer, client, and affiliation with respect to any contribution which forms all or part of work for which you receive, or expect to receive, compensation. See. Also, editing for the purpose of advertising, publicising, or promoting anyone or anything is not permitted. Thank you. Jaime Reis is a composer from Lisbon, Portugal whose music has been presented in Portugal, Poland, Turkey, Brazil, Singapore, Hong Kong, Taiwan, France, Austria, Ukraine and Belgium.
Works
2018 Aera excipere 12 flutes 2018 Sândalo Prata Flute and guitar 2017 Voces excipere 12 soloist voices 2017 Fluxus, pas trop haut dans le ciel 16 channels in a dome distribution. 2017 Fluxus, Dimensionless sound Flute and electronics 2017 Bartolomeu, o voador, Piano and electronics - didactic piece 2017 Inverso Sangue: Cinábrio Violin, viola and cello 2017 Inverso Sangue: Granito Saxophone, violin and cello 2017 Inverso Sangue: Granito Clarinet, violin and cello 2017 Inverso Sangue: Âmbar Clarinet 2016 A Omnisciência é um Colectivo - Part IV Percussion and electronics 2016 Bartolomeu, o voador, Children's choir, recitant and electronics 2016 Sangue Inverso: Obsidiana Flute, clarinet and piano 2016 Sangue Inverso: Magnetite Piano - didactic piece 2016 Sangue Inverso: Ametista Piano and flute 2015 Sangue Inverso: Ametista Piano and recorder 2015 Sangue Inverso: Olho de Tigre Piano, violin, viola and cello 2015 Fluxus, Drag Cello, double bass and electronics 2015 Jeux de l’Espace Electronics 2015 A Omnisciência é um Colectivo - Part III Electronics and piano 2014 GS65 Viola solo 2012/2014 Fluxus, Dimensionless sound Flute glissando headjoint and electronics 2013 Fluxus, Transitional Flow Viola and electronics 2013 Fluxus, Lift Electronics 2010/2011 A Anamnese das Constantes Ocultas Ensemble and electronics 2009/2011 A Omnisciência é um Colectivo - Part II Electronics and wind orchestra 2009 A Omnisciência é um Colectivo - Part I Electronics 2008 Estudos de Densidades II Ensemble - didactic piece 2007 Sinais no Tempo Guitar and electronics 2006 Densidades Emergentes Orchestra 2005 Reificação Espectral Orchestra and electronics 2005 Density Study Robot orchestra 2004 Improvisação sobre três poemas de Al Berto Orchestra 2004 Replicação 2 flutes, 2 percussionists 2003/2004 Phonopolis Electronics 2003 Síntese Orchestra 2003 Lysozyme Synthesis Piano 2002 Calmodulin Synthesis 5 percussionist 2001/2003 Estátua de Pessanha Piano, bass flute and real-time video
Papers
– Akademia Muzyczna Kraków, Três conferências sobre história da Música em Portugal, 2003 – “Breve história do desenvolvimento da tecnologia electrónica aplicada à composição musical”, 4º Encontro da Secção Portuguesa da AES, Universidade de Aveiro, June 2003 – Modelos matemáticos applicados à composição musical – Um meio ou um fim?, Escola Superior de Turismo e Telecomunicações de Seia, 2004 – “Biological models applied to musical composition”, Musical Thinking Today forum, 42. Internationale Ferienkurse für Neue Musik, Darmstadt, 2004 – Graz, Áustria | Hörfest | compositor convidado juntamente com o Miso Ensemble | estreia: Lysozyme Synthesis, 2005 – “Phonopolis” – apresentação da peça nas Listening Rooms da International Computer Music Conference, Barcelona, 2005 – Festivais de Música Electroacústica como produtos de Turismo, June 2006, Escola Superior de Turismo e Telecomunicações de Seia – International Summer School of Systematic Musicology, Gent, Belgium, 2006 – A Música Electrónica de Luciano Berio, March 2007, Conservatório de Música de Seia – “Biological Models and Music Composition”, poster apresentado no congresso “Musica e Genética”, Bologna, Italy, May 2007 – Introdução à História da Música em Portugal, Biblioteca Municipal de Palmela, May 2007 – Model ASEM, Cultural Pillar, Beijing, China, 2008 – Stockhausen Courses, Kürten, Germany, 2009 – moderator of the Forum for Music Educators – Helsinki University, ASEFUAN AGM, Helsinki, Finland, 2010 – participant, 15th ASEF University, Woosuk University, Wanju, Jeonbuk Province, South Korea, 2009 – Model ASEM, guest speaker – “On the Cultural Policies in Portugal”, Sciences Po, Le Havre, France, 2009 – Gulbenkian Foundation – Introdução à obra Luiz Vaz 73, de Jorge Peixinho e Ernesto de Sousa – Lisbon, CAM, 2009 – ASEF's Rapporteur – COP15 – “Arts, Culture and Sustainability: Building Synergies between Asia and Europe” and “Culture | Futures: The Transition to an Ecological Age 2050,” Denmark, December 2009 – Keio University, ASEFUAN AGM, Tokyo, Japan, 2010 – UNICAMP – Composition Lecture, Brazil, September 2010 – Salvador na Bahia, Brazil – UFBA – Composition Lectures – Guest composer at III FIMC – Festival Internacional de Música Contemporânea, September 2010 – Encontro Internacional de Música e Arte Sonora – EIMAS – “De Entretecimento a Omnisciência”, UFRJ /UNIRIO – Juiz de Fora e Rio de Janeiro, September 2010 – Culturgest, Lisboa – “Luís Vaz 73, uma possível reconstituição ou a reconstituição possível?”, Jorge Peixinho – Mémoires... Miroirs, October, 2010 – “Música Electroacústica e Espacialização”, Sociedade Portuguesa de Acústica, Laboratório Nacional de Engenharia Civil – November 2010
