Jane Sharp


Jane Sharp was an English midwife. Her work The Midwives Book: or the Whole Art of Midwifery Discovered, published in 1671, was the first on the subject to be produced by an Englishwoman.

Life

Little is known of Sharp's life beyond her publication. She is thought to be born in 1641 in Shrewsbury, county town of Shropshire, England, near Wales.
The title page of her book claims that she had been a "practitioner in the art of midwifry above thirty years." She is believed to have practised in London, although Sharp's name does not appear in any Church of England registration books or in witness signatures on any of the almost 500 London midwifery certificates surviving from 1661–1669. Neither does Sharp appear on any registrations of the Catholic Church at the time. Sharp may have been Puritan, which would account for her ability to read and write, for Puritan women, unlike Catholics or Anglicans, were often literate. Her ability to write and to travel to and from London suggest that she may have been economically advantaged, though it is unclear whether she received a formal education.
While no marriage records have been found, it appears that Jane Sharp had either a daughter or a daughter-in-law, for the midwife Anne Parrott of St. Clement Danes in London, bequeathed a small sum to "Sarah Sharp the daughter of Jane Sharp".
Since little is known of her life or there is no record of her death, some believe that Jane Sharp is a pseudonym, which was commonly attached to their work by women of the Early Modern period.

Profession

It is not known whether Sharp received any formal education, but she claims to have practised midwifery for 30 years. As a midwife, Sharp may have been educated, but unlike male surgeons of the time, midwives rarely received formal medical training. Instead they learnt through practice one of a few professions available to women in that period, sanctioned as it was by Anglican and Catholic parishes throughout 16th and 17th centuries. Though men began to enter the field, English social norms at the time saw birthing as a feminine practice and discouraged men from pursuing midwifery. The vast majority of births in Sharp's time took place in the mother's home, where a female midwife would preside. In her practical advice, she urges women to adopt a comfortable position during labour, even an upright birth on a birthing chair.
Beyond this, Sharp's writing extends into medical texts. While women dominated in midwifery, men received formal education to become physicians and surgeons. She wrote for women about their medical issues using the accepted medical knowledge of the period and her own practical experience, so enhancing their medical knowledge in the healing professions.

''The Midwives Book''

The first edition of The Midwives Book, or, The Whole Art of Midwifry Discovered appeared in 1671, with three subsequent editions in 1674, 1724 and 1725. The first two were published by Simon Miller and the third and fourth posthumously by John Marshall as The Compleat Midwife's Companion. Published as a small octavo, The Midwives Book was a lengthy 95,000 words selling for two shillings and sixpence. Its length and price suggest an upper-class target audience, but its content is aimed mainly at practising midwives, to whom it begins with a direct address:

The first edition of The Midwives Book is dedicated to Sharp's "much esteemed and ever honoured friend" Lady Elleanour Talbutt, an unmarried sister of John Talbot, 10th Earle of Shrewsbury, further suggesting Sharp's connection to Western England. The title page of the first edition of The Midwives Book states that Sharp was a "Practitioner in the Art of midwivry above thirty years" at the time of printing. Later editions, including the posthumous The Compleat Midwife's Companion, published in 1724 states that Sharp had practised "above forty years."

Purpose and structure

The Midwives Book was published in 1671, instructing women how to conceive a child, maintain pregnancy, prepare for childbirth, bear a child, and care for a woman after childbirth. Its scope made it a manual not only for midwives, but for women and men to learn about anatomy and sexuality. Most midwifery manuals of the period came from men, some of whom had never witnessed a childbirth, Sharp's book focused on the practices. While providing a practical guide to midwifery, she uses it also as a platform for her views on women's education, male midwives, and female sexuality. It was also notable for its use of the vernacular; Sharp eschewed "hard words... are but the shell" of knowledge.
The manual divides into six parts:
Sharp's writing draws from accepted medical knowledge of the time, suggesting she was well read in scientific and medical publications. By writing in the vernacular, she conveyed surgical and pharmacological techniques to women training to be midwives, so that they need not always depend on male physicians when birthing complications or emergencies arose.
Sharp also employs the technique of commonplacing, a familiar science-writing practice of the time. Similar to scrapbooks and commonplace books included information on other memorable sources, along with notes, quotations, tables and drawings. The use of commonplacing allowed Sharp to integrate existing academic knowledge of anatomy, childbirth and women's health, while adding her practical expertise. She could also affirm and correct medical knowledge on women's anatomy, reproduction and childbirth. For instance, she cites ancient scientific understanding of the humorous body as developed and used by Aristotle, Hippocrates and Galen, which presumed that a woman's menstrual blood feeds a fetus. She then explains the dominant hypothesis of her day, from "Fernelius, Pliny, Columells, and Columbus", who claimed that menstrual blood poisoned a fetus. Her own observations correct both theories: "But to answer all... Hippocrates was mistaken... if the child be not fed with this blood what becomes of this blood when women are with child?" By commonplacing directly from academic sources, Sharp not only places her knowledge in established medical traditions, but legitimates the expertise that comes from practising midwifery, which expands existing medical knowledge.
Thus Sharp challenged and improved on the academic methods of trained male physicians with empirically based corrections from her practical experience, and created an accessible guide to women's anatomy that questioned the authority of academic knowledge.

Personal beliefs

Sharp's book combines the medical knowledge of the time with personal anecdotes and argues that midwifery should be reserved for women, at a time when male midwives were becoming more common. She urged female midwives to learn surgical and pharmacological techniques instead of depending on male physicians when complications arose. Although the knowledge gained by men at universities might carry more prestige, it usually lacked the experience found in female midwives. Culpeper's admission that he had never attended an actual birth is a prime example. Sharp stresses how practice and experience in combination with medical texts produces the best clinician, not theoretical knowledge alone: '"It is not hard words that perform the work, as if none understood the Art that cannot understand Greek. Words are but the shell, that we often break our Teeth with them to come at the kernel."'
In opposing the trend towards male midwives, she expressed a belief that women were naturally inclined toward midwifery. She acknowledged that men had better access to education and tended to have greater theoretical knowledge, but she deplored their lack of practical understanding. She called on female midwives to end their reliance on male doctors entirely and learn how to deal with emergencies and complications themselves. Complaining of the inadequacies in female education, she noted that "women cannot attain so rarely to the knowledge of things as many may, who are bred up in universities."

Other midwifery manuals

The Midwives Book drew on contemporary sources such as Nicholas Culpepper's A Directory for Midwives and Daniel Sennert's Practical Physick, but in doing so corrected misinformation and changed their tone to reflect her own protofeminist views.
The midwifery manuals in England began with The Byrth of Mankynd, a 1540 translation of Eucharius Rösslin's Der Rosengarten. From then until the publication of The Midwives Book, such manuals were dominated by male authors without practical experience. Rather than consult midwives and mothers, they drew on ancient Greek translations and other midwifery manuals written by inexperienced men. Such writers exhibited a grotesque fascination with female sexuality, reflecting an understanding of women as hypersexual, excessive, weak, and inferior beings, valuable solely in terms of usefulness to men.
The introduction to the 1999 publication of The Midwives Book states, "For all the parallels between The Midwives Book and its male equivalents, then, the differences in detail result in a fundamental shift in the way sexuality and gender are conceptualized."

Impact

The Midwives Book: or the Whole Art of Midwifry Discovered gave valuable advice at a time when midwifery faced change. Its popularity indicates that it was probably a household item in the 18th century. It remains in print as a primary source on women, childbirth and sexuality in the Early Modern period.
Karen Cushman's 1991 children's novel The Midwife's Apprentice features a character based on Jane Sharp. It won the Newbery Medal in 1996.