Jean Starobinski
Jean Starobinski was a Swiss literary critic.Biography
Starobinski was born in Geneva, Switzerland. He studied classical literature, and then medicine at the University of Geneva, and graduated from that school with a doctorate in letters and in medicine. He taught French literature at the Johns Hopkins University, the University of Basel and at the University of Geneva, where he also taught courses in the history of ideas and the history of medicine.
His existential and phenomenological literary criticism is sometimes grouped with the so-called "Geneva School". He wrote landmark works on French literature of the 18th century - including works on the writers Jean-Jacques Rousseau, Denis Diderot, Voltaire - and also on authors of other periods. He has also written on contemporary poetry, art, and the problems of interpretation. His books have been translated in dozens of languages.
His knowledge of medicine and psychiatry brought him to study the history of melancholia. He was the first scholar to publish work on Ferdinand de Saussure's study of anagrams.
Jean Starobinski was a member of the Académie des Sciences Morales et Politiques and other French, European and American learned academies. He held honorary degrees from numerous universities in Europe and America.
Starobinski died on 4 March 2019 in Morges, Switzerland, aged 98.Works
- Montesquieu, Paris, Seuil, 1953; reedited, 1994.
- Jean-Jacques Rousseau: la transparence et l’obstacle, Paris, Plon, 1957; Gallimard, 1971.
- Histoire du traitement de la mélancolie, des origines à 1900 Thèse, Bâle, Acta psychosomatica, 1960.
- L’Œil vivant, Paris, Gallimard, 1961.
- L’Invention de la Liberté, Geneva, Skira, 1964.
- Hamlet and Freud in Hamlet and Oedipus by Ernest Jones, introduction by Jean Starobinski, Tel Gallimard, Poche,
- Portrait de l’artiste en saltimbanque, Geneva, Skira, 1970; Paris, Gallimard, 2004.
- La Relation critique, Paris, Gallimard, 1970; coll. «Tel», 2000.
- Les Mots sous les mots: les anagrammes de Ferdinand de Saussure, Paris, Gallimard, 1971.
- 1789: Les Emblèmes de la Raison, Paris, Flammarion, 1973.
- Trois Fureurs, Paris, Gallimard, 1974.
- "La conscience du corps" in Revue Française de Psychanalyse, 1981, n0 45/2,
- Montaigne en mouvement, Paris, Gallimard, 1982. (English edition: Montaigne in Motion, University of Chicago Press, 2009.
- Claude Garache, Paris, Flammarion, 1988.
- Table d’orientation, Lausanne, L’Âge d’homme, 1989.
- Le Remède dans le mal. Critique et légitimation de l’artifice à l’âge des Lumières, Paris, Gallimard, 1989.
- La mélancolie au miroir. Trois lectures de Baudelaire, Paris, Julliard, 1990.
- Diderot dans l’espace des peintres, Paris, Réunion des Musées Nationaux, 1991.
- Largesse, Paris, Réunion des Musées Nationaux, 1994.
- Action et réaction. Vie et aventures d’un couple, Paris, Seuil, 1999.
- La Poésie et la guerre, chroniques 1942-1944, Zoé, Geneva, 1999.
- La Caresse et le fouet, André Chénier, with engravings by Claude Garache, Editart, D. Blanco, Geneva, 1999.
- Le poème d'invitation, La Dogana, Geneva, 2001.
- Les enchanteresses, Seuil, Paris, 2005.
- Largesse, Paris, Gallimard, 2007.
- La parole est moitié à celuy qui parle... : entretiens avec Gérard Macé, Genève, La Dogana, 2009.
- L'Encre de la mélancolie, Paris, Le Seuil, 2012
- Accuser et séduire, Paris, Gallimard, 2012
- Diderot, un diable de ramage, Paris, Gallimard, 2012
- La Beauté du monde – La littérature et les arts, Paris, Gallimard, 2016