Joseph "Joe" Eula was an American fashion illustrator. He was a prominent illustrator in the 1960s and 70s, having held the post of creative director at Halston for ten years.
In the mid-1950s, Eula started working with Eugenia Sheppard, illustrating her syndicated column Inside Fashion in the New York Herald Tribune. He later went on to work with Ernestine Carter in the London Sunday Times, covering European fashion. This was common practice at the time, since the fashion salons were too small to accommodate photographers and writer–artist pairs had to be present to report on the trends and fashion shows. Among his work for American Vogue and The New York Times, Eula also had a long-standing association with Italian Harper's Bazaar. In this occupation he notably covered Yves Saint Laurent's first and last collections, and was a house artist for several other designers, including Coco Chanel, Hubert de Givenchy, Gianni Versace, Christian Dior and Karl Lagerfeld. He maintained a friendly relationship with some of these distinguished figures of the fashion world, especially with Coco Chanel, whose collections he often drew. He is known to have attended an Yves Saint Laurent couture show on one occasion, only to shout out that it was terrible after a brief time and walk out; his friendship with Yves Saint Laurent and his partner, Pierre Bergé, remained unaffected. He also had close personal and professional relationships with leading figures of other artistic fields, designing a suit for jazz musicianMiles Davis, in addition to the stick-like figures on the cover of his 1960 album Sketches of Spain, concert posters for The Supremes and Liza Minnelli's Liza with a "Z". Being friends with photographer Milton Greene since the 1940s, he shared a flat with him in New York City and worked with him for Life magazine, upon his return from Europe. Parting with Greene in 1968, Eula went into theatre where his work on a Broadway production of Private Lives earned him a Tony Award. He also designed sets and costumes for Dances At a Gathering and later costumes for The Goldberg Variations at the request of Jerome Robbins of the New York City Ballet. Eula would become the creative director at Halston in 1970, helping him mould his line and image to the recognizable qualities defining the brand today. In 1973, he designed the backdrop of a presentation by five American designers to five French couturiers at Versailles. Due to a botched conversion from imperial to metric units, the drapery they were to use came out short. He famously remedied the situation by adding a white paper strip and sketching the Eiffel Tower with black stove paint and a broom. He was to remain at Halston as a creative director for most of the 70s.
Death
Eula died in hospital on October 27, 2004, at the age of 79, in Kingston, New York. He had been hospitalized for pneumonia and a bad reaction to his chemotherapy. At the time of his death, Eula lived in Manhattan and Hurley, New York.
