Sir John Tusa is a British arts administrator, and radio and television journalist. He is co-chairman of the European Union Youth Orchestra from 2014. chairman, British Architecture Trust Board, RIBA, from 2014.From 1980 to 1986 he was a main presenter of BBC 2's Newsnight programme. From 1986 to 1993 he was managing director of the BBC World Service. From 1995 to 2007 he was managing director of the City of London's Barbican Arts Centre.
Early life
Born in Zlín, Czechoslovakia, in March 1936, Tusa moved to England with his family in 1939. His father, also John Tusa, was managing director of British Bata Shoes, established by the Czechoslovak shoe company, which, following its international pattern, also created a pioneering work-living community around its factory in East Tilbury, Essex. Two days before the German occupation of Czechoslovakia on 15 March 1939, Tusa senior flew out of Czechoslovakia on a Bata company plane, via Poland, Yugoslavia and France. He then became general manager of the Bata factory and its associated village in East Tilbury, living in the nearby village of Horndon-on-the-Hill where his son grew up. Tusa junior was educated at St Faith's School, Cambridge, Gresham's School, Holt, and Trinity College, Cambridge, where he gained a first class degree in History.
Career
In 1960, he joined the BBC as a trainee. After presenting the BBC's 24 Hours and later Newsnight, he became managing director of the BBC World Service from 1986 to 1993. Tusa was President of Wolfson College from January to October 1993. He was then a newsreader on BBC's One O'Clock News for two years during the mid-1990s. He anchored the BBC's coverage of the D-Day 50th anniversary celebrations in June 1995, and of the Hong Kong handover on 30 June 1997. From 1995 until 2007 he was managing director of the Barbican Arts Centre in the City of London. For several years, he was chairman of the board of the Wigmore Hall in London and was appointed chairman of the University of the Arts London in 2007. For many years he sat on the governing Council of Imperial College London, on the strength, was then offered vice-chancellor positions at Reading and then York University. But Tusa was first and foremost a journalist; he decided that he did not have the financial expertise. In 1987 he had been rejected for the position of Director-General of the BBC for the same reason. He was announced as having accepted the position of chairman with the Victoria and Albert Museum on 18 June 2007, but stepped down from the post a month later, recognising a conflict of interest with his position at the University of the Arts London. In 2013, it was announced that Tusa would be leaving his post at University of the Arts London from August that year, and that Sir John Sorrell CBE would be the new chairman. Tusa continues to write and broadcast widely. He has written two books jointly with his historian wife Ann Tusa: The Nuremberg Trial and The Berlin Blockade. His writings on the arts include Art Matters, On Creativity, and The Janus Aspect: Artists in the C20. John Tusa's Engaged with the Arts: Writings from the Frontline was published in 2007. It explores ways that the arts can be encouraged within a cultural and political climate in which funding is constantly under threat. Since his retirement from his BBC World Service post, John Tusa has been critical of some BBC policies. He deprecated the former director general John Birt's focus and management style and has been vociferous about subsequent decisions to pare down World Service activities in Europe, including the Czech section. From January 2009 to 2014, Tusa was chair of the Clore Leadership Programme. From 2000 until 2005, Tusa interviewed 55 major figures in the arts for BBC Radio 3. From October 2009 until the end of the year Tusa presented a 91-part series on BBC Radio 4. Day By Day used original archive news material to track events on a daily basis from 1989, including the fall of the Berlin Wall. In February 2010 he became honorary chairman of theartsdesk.com. In 2014, he became co-chairman of the European Union Youth Orchestra. Tusa is a strong defender of spending on the arts and argues that cuts in arts funding do more harm than good.
Conversations with the World; BBC Books 1990 A World in Your Ear; Broadside Books 1992 Art Matters; On Creativity; The Janus Aspect; Engaged with the Arts; Pain in the Arts; Making a Noise: Getting It Right, Getting It Wrong in Life, Arts and Broadcasting; Co-author – with Ann Tusa: The Nuremberg Trial; Macmillan 1983 The Berlin Blockade; Hodder and Stoughton 1988.
