The first bands that Colla was involved with from Fairfield, CA were The Furlanders, The Yewess Army and Cottonmouth. In the early seventies he relocated to Marin County, CA and joined Sound Hole as a singer and saxophonist. Sound Hole was successful at a local level and became Van Morrison's backing band for a time. Other members of Sound Hole were drummerBill Gibson and bassistMario Cipollina, who also eventually ended up with Huey and The News. Sound Hole was the major local competition to Huey's band, Clover. After Sound Hole, Colla was enlisted as sax man/arranger with Sly and the Family Stone, recording and touring with Sly for a few years. In the late 1970s Sound Hole and Clover alumni merged to form a new group, the American Express, which later became known as Huey Lewis and the News. For the News, Colla became saxophonist, rhythm guitarist, backing singer and songwriter. Colla was drawn to San Francisco from the Sacramento Valley during the 1960s Summer of Love. Like many others, Colla patronized the Avalon Ballroom and the Fillmore Auditorium, eventually pursuing his idols and musical dreams over the Golden Gate Bridge into Marin County.
"I moved to Marin because that's where all the musicians moved after the San Francisco scene blew up. For a start-up musician in the seventies, it was a hot-bed of musical activity; a great place to be and be heard." He says. "Then I beat the odds. We not only started a great band, but actually became successful at it!"
Colla co-wrote hit songs such as "The Heart of Rock & Roll", "If This Is It", "The Power of Love", and "Back in Time". Lewis and Colla co-produced the band's 2001 albumPlan B, and they are currently working on a new HLN project.
Solo career
Colla embarked upon a solo career to expand his personal musical horizons, releasing his first solo album Lucky Devil in the mid 1990s. He released his second solo album, I Hear Voices, in 2012, which takes a more vocal approach than Lucky Devil, and he is currently working on an a cappella version of the same CD.
Appraisal
Earbuzz.com calls the quality of Colla's vocal performance "compelling and soulful", reminiscent of the blue-eyed Philly Sound, with "a beautiful pop subtlety", adding that "fans of pop, western movers, Americana, and guitar rockabilly have struck the mother lode of music and will fall in love with the entire CD". EarBuzz continues to say "Equally impressive is that Colla produced, performed, and wrote all of the tracks without his signature sax playing – further magnifying his abilities as a singer/songwriter of substance and talent ".
Discography
Colla also produced or performed on these records: