Joseph and the Amazing Technicolor Dreamcoat


Joseph and the Amazing Technicolor Dreamcoat is a musical comedy with lyrics by Tim Rice and music by Andrew Lloyd Webber. The story is based on the "coat of many colours" story of Joseph from the Bible's Book of Genesis. This was the first Lloyd Webber and Rice musical to be performed publicly; their first collaboration, The Likes of Us, written in 1965, was not performed until 2005.
The show has only a few lines of spoken dialogue; it is almost entirely sung-through. Its family-friendly story, familiar themes and catchy music have resulted in numerous stagings. According to the owner of the copyright, the Really Useful Group, by 2008 more than 20,000 schools and amateur theatre groups had staged productions.
Joseph was first presented as a 15-minute "pop cantata" at Colet Court School in London in 1968, and was published by Novello and recorded in an expanded form by Decca Records in 1969. After the success of the next Lloyd Webber and Rice piece, Jesus Christ Superstar, Joseph received amateur stage productions in the US beginning in 1970, and the first American release of the album was in 1971. The musical had its professional premiere, as a 35-minute musical, at the Edinburgh International Festival in 1972. While still undergoing various modifications and expansions, the musical was produced in the West End in 1973. In 1974, its full modern format was performed at the Haymarket Theatre in Leicester and was also recorded that year. The musical was mounted on Broadway in 1982. Several major revivals, national tours, and a 1999 direct-to-video film starring Donny Osmond followed.

Synopsis

Act I

Joseph and the Amazing Technicolor Dreamcoat is based on the story of Joseph from the Bible's Book of Genesis.
A Narrator opens the show by introducing Joseph, the dreamer. Joseph sings an inspiring, but seemingly meaningless song to the audience. The Narrator then draws the audience's attention to Joseph's father Jacob and his 12 sons. Jacob favors Joseph over his other sons, and he gives Joseph a multi-colored coat to show his affection for him. Joseph is ecstatic about this gift, while his brothers look on with jealousy.
The brothers’ jealousy is compounded by Joseph's dreams, which suggest that he is destined to rule over them. To stop this from happening, they try to kill him by throwing him down a well, before changing their minds and selling him as a slave to some passing Ishmaelites. The Narrator comments on how powerless Joseph was to stop this.
To hide what they have done, Joseph's brothers and their wives tell Jacob that his beloved son has been killed by a goat. As proof, they show him Joseph's coat, which they have torn to pieces and covered in goat's blood. When the devastated Jacob exits, the brothers and wives cheerfully celebrate Joseph's departure.
Meanwhile, Joseph is taken to Egypt. There he is bought as a slave by the wealthy Potiphar. He works hard and is promoted, eventually running the household. Joseph catches the eye of Mrs. Potiphar and although he turns down her advances, Potiphar sees them together and jumps to the wrong conclusion. Heartbroken, he throws Joseph in jail.
A miserable Joseph laments his situation. Two prisoners, both former servants of the Pharaoh, are put in his cell. Joseph interprets their strange dreams and predicts the Butler will return to Pharaoh's service, while the Baker will be executed. Upon hearing his prophecies, the other prisoners encourage Joseph to follow his own dreams.

Act II

The Narrator opens the second act with news that there's a glimmer of light for Joseph in jail: Pharaoh himself had a run of crazy dreams and nobody can interpret them. Pharaoh's Butler tells him of Joseph's skills deciphering dreams. Pharaoh has Joseph brought to him and describes his dream involving seven fat cows, seven skinny cows, seven healthy ears of corn, and seven dead ears of corn.
Joseph deduces that there will be seven plentiful years of crops followed by seven years of famine. Impressed with what he hears, Pharaoh puts Joseph in charge of preparations for the famine and the former slave becomes the second most powerful man in Egypt, Pharaoh's right-hand man.
Meanwhile, Joseph's family back home is now starving and poor, having lost their farm and living off of scraps in a brothel. Joseph's brothers regret what they did to him and how they lied to their father, thinking that things might have turned out differently if Joseph was still with them. Hearing that Egypt still has food, they travel there to beg for supplies.
In Egypt, the brothers beg for food from Joseph, not realizing who he is. Joseph gives them sacks of food, but puts a golden cup in the one belonging to Benjamin, his youngest brother, whom he has never met. When the brothers attempt to depart, Joseph stops them, accusing them of theft. Each brother empties his sack, and when the cup is found in Benjamin's sack Joseph accuses him of stealing. The other brothers beg Joseph to take them prisoner instead and let Benjamin go free.
Joseph sees that his brothers have changed and reveals who he really is. Joseph sends for his father Jacob. Upon meeting Jacob for the first time in years, Joseph sings "Any Dream Will Do" again, and the lyrics are revealed to be a vague overview of the story. Jacob gives Joseph his coat back
In some productions, the cast perform a medley of songs from the show.

Production

Development and early vocal performances, publication, and recordings 1968–1971

The 17-year-old budding musical-theatre composer Andrew Lloyd Webber was contacted by the 20-year-old aspiring pop-songwriter Tim Rice in 1965, and they created their first musical, The Likes of Us. They produced a demo tape of that work in 1966, but the project failed to gain a backer.
In the summer of 1967, Alan Doggett, a family friend of the Lloyd Webbers who had assisted on The Likes of Us and who was the music teacher at the Colet Court school in London, commissioned Lloyd Webber and Rice to write a piece for the school's choir. Doggett requested a "pop cantata" along the lines of Herbert Chappell's The Daniel Jazz and Michael Hurd's Jonah-Man Jazz, both of which had been published by Novello and were based on the Old Testament. The request for the new piece came with a 100-guinea advance from Novello. This resulted in Joseph and the Amazing Technicolor Dreamcoat, a retelling of the biblical story of Joseph, in which Lloyd Webber and Rice humorously pastiched a number of pop-music styles.
The piece was first presented as a 15-minute pop cantata at Colet Court School in London on 1 March 1968. Lloyd Webber's composer father William arranged for a second performance at his church, Westminster Central Hall, with a revised and expanded 20-minute format; the boys of Colet Court and members of the band Mixed Bag sang at this performance in May 1968. One of the children's parents in that audience was Derek Jewell, a Sunday Times music critic; he reviewed the piece in the newspaper, calling it a new pop oratorio and praising its innovation and exuberance. By its third performance, at St Paul's Cathedral in November 1968, the musical had been expanded to 35 minutes.
Novello published the lyrics and sheet music of the 20-minute version at the beginning of 1969, as the third of their Old Testament pop cantatas. Decca Records, which had already recorded the St Paul's Cathedral version of the musical in the summer of 1968, released the recording in 1969, credited to the Joseph Consortium, following the Novello publication. David Daltrey, front man of British psychedelic band Tales of Justine, played the role of Joseph and lead guitar, and Tim Rice was Pharaoh. Other vocalists included members of the Mixed Bag group, such as Terry Saunders and Malcolm Parry, and the choir of Colet Court School.
A 32-minute recording of the musical with 19 tracks was issued in the US on Scepter Records in 1971. It was a reissue of the 1969 Decca UK album, capitalising on the success of 1970's Jesus Christ Superstar in the US. It featured Daltrey as Joseph, Rice as Pharaoh, William S. Lloyd Webber on the Hammond organ, Alan Doggett conducting, and the Colet Court choir as the chorus.

Early stage performances

First American amateur productions 1970–1973

Lloyd Webber and Rice used the popularity of their subsequent musical, the rock opera Jesus Christ Superstar, to promote Joseph, which was advertised in America as a "follow-up" to Superstar. The rock opera's title song "Superstar" had been an international hit single released in late 1969, and "I Don't Know How To Love Him", another hit from Jesus Christ Superstar, was released 1 May 1970. The first American production of Joseph was an amateur stage production in May 1970, at Cathedral College of the Immaculate Conception in Douglaston, Queens, New York City. Following this, other schools and colleges sought to produce the piece.

Young Vic UK production and move to West End and Leicester 1972–1974

In late August and September 1972, Joseph was presented at the Edinburgh International Festival by the Young Vic Theatre Company, directed by Frank Dunlop. It starred Gary Bond in the title role, Peter Reeves as the narrator, and Gordon Waller as Pharaoh; Alan Doggett was the music director. In October the production played at London's Young Vic Theatre, and in November at the Roundhouse. The production was part of a double bill called Bible One: Two Looks at the Book of Genesis. Part I was Dunlop's reworking of the first six of the medieval Wakefield Mystery Plays, with music by Alan Doggett. Part II was Joseph and the Amazing Technicolor Dreamcoat. The Young Vic Joseph was recorded for an LP released on the RSO label in 1972. This production of Joseph, still a 35-minute musical, was also broadcast in the UK by Granada Television in 1972.
In February 1973, theatre producer Michael White and impresario Robert Stigwood mounted a further expanded version of the Young Vic production at the Albery Theatre in the West End, where it ran for 243 performances. The mystery plays that had preceded the original Young Vic productions were dropped, and instead the musical was preceded by a piece called Jacob's Journey, with music and lyrics by Lloyd Webber and Rice and a book by television comedy writers Ray Galton and Alan Simpson. Jacob's Journey, which contained a great deal of spoken dialogue, was eventually phased out in favour of a sung-through score that became part of Joseph. The first production of the show in its modern, final form was at the Haymarket Theatre in Leicester, which presented the musical several times from 1974 through 1978.

Irish productions, 1974–1978

Starting in 1974, Irish stage and screen producer Noel Pearson mounted an Irish production of Joseph, starring Tony Kenny in the title role and with Pearson playing Jacob , which ran off-and-on for several years on several stages, starting in the Olympia Theatre in Dublin, moving on to Limerick and then the Gaiety Theatre in Dublin, followed by several other venues over the next 4 years . A cast recording was produced by Ram Records .

Professional US productions, including Broadway, 1974–1984

In 1974, Joseph and the Amazing Technicolor Dreamcoat was performed at the Playhouse in the Park in Philadelphia. The musical ran at the Brooklyn Academy of Music in New York in 1976 and in 1977 as "holiday fare". In the 1976 production, which opened on 30 December, direction was by John Dunlop, with a cast that featured Cleavon Little as the Narrator and David-James Carroll as Joseph. In the 1977 production, running in December through 1 January 1978, staging was by Graciela Daniele, with Carroll as Joseph, Alan Weeks as the Narrator and William Parry as Pharaoh/Elvis. In 1979, Joseph made its Connecticut debut at the historic Downtown Cabaret Theatre ahead of moving to New York City.
Joseph received an Off-Broadway production at the Entermedia Theatre, running from 18 November 1981 through 24 January 1982. Directed by Tony Tanner, the cast starred Bill Hutton as Joseph, Laurie Beechman as the Narrator, and Tom Carder as Pharaoh.
The production transferred to Broadway at the Royale Theatre on 27 January 1982 and ran through 4 September 1983, with 747 performances. This production was recorded on the Chrysalis label, and is the first to feature the Prologue. The producers were Gail Berman and Susan Rose, who were the youngest producers on Broadway. The show received several Tony Award nominations including Best Musical and Best Original Score. Allen Fawcett replaced Hutton as Joseph in June 1982. David Cassidy took over the role of Joseph in March 1983 and also performed in the touring cast in 1983–1984.

1990s

With Jason Donovan in the lead, the expanded show was restaged in 1991 at the London Palladium with Steven Pimlott as director and Anthony Van Laast as choreographer, winning the 1992 Laurence Olivier Award for set design. The cast album of this production was the #1 UK album for two weeks in September 1991, and the single "Any Dream Will Do" from it was also the #1 UK single for two weeks in June–July 1991. When Donovan left, former children's TV presenter Phillip Schofield portrayed Joseph.
The musical opened in Toronto at the Elgin Theatre in June, 1992 until September that same year, with Donny Osmond as Joseph and Janet Metz as the Narrator. A major Australian production, based on the 1991 UK version, opened on 31 December 1992 at the State Theatre in Melbourne. It featured Indecent Obsession lead singer David Dixon as Joseph and Tina Arena as the Narrator. The musical then played seasons in Brisbane and Sydney through 1993.
The show was revived in the United States in 1993, playing in Los Angeles at the Pantages Theatre for 18 weeks, and in San Francisco at the Golden Gate Theatre for an 8-week run, before moving to Broadway, where it played for 231 performances at the Minskoff Theatre from 10 November 1993 to 29 May 1994. The cast featured Michael Damian, Kelli Rabke, Clifford David, and Robert Torti.
Patrick Cassidy and Debbie Gibson performed 16 shows between December 6–16, 1999, at the Shubert Theatre in Chicago, IL. Students from Lake Bluff Middle School performed as part of the dream Choir.

2000s

A production starring Stephen Gately, "with cartoon cut-out sets and props and naff panto choreography", previewed in Oxford in December 2002, before moving to Liverpool over Christmas 2002. This production reached the West End at the New London Theatre in March 2003.
A US national tour began in September 2005 in Milwaukee, Wisconsin, starring Patrick Cassidy.
A 2007 revival of the London Palladium production at the Adelphi Theatre starred a Joseph cast with the winner of BBC One's Any Dream Will Do, presided over by Lloyd Webber. This was the second reality talent show to search for a West End star, capitalising on the success of the 2006 BBC–Lloyd Webber series, How Do You Solve a Problem Like Maria?. Viewers voted for Lee Mead as Joseph. Mead had given up his ensemble role in The Phantom of the Opera, where he also understudied Raoul. The new Joseph production, which began on 6 July 2007, used Steven Pimlott's original direction, with Preeya Kalidas as the Narrator.

2010s

The long-running UK touring production was re-cast in 2010 with Keith Jack taking on Joseph in July 2010 opposite Jennifer Potts as narrator.
A new North American touring production began on 4 March 2014 in Cleveland, Ohio starring Diana DeGarmo as the Narrator and Ace Young as Joseph.
The 2016 UK touring production starred Joe McElderry as Joseph and Lucy Kay as the Narrator. The tour started again in February 2019 with Jaymi Hensley taking the lead role, with Trina Hill portraying the Narrator.
In November 2018 it was announced that Joseph would return to the London Palladium for a limited run over the summer in 2019 to celebrate the show's 50th anniversary. Sheridan Smith starred as the Narrator and Jason Donovan played Pharaoh, with the title role of Joseph being played by drama school graduate Jac Yarrow. The production ran from 27 June 2019, opening 11 July, to 8 September. The success of this production led to it being announced to make a return the following year.

2020s

On February 17, 2020, a 50th anniversary concert production of Joseph was staged at Lincoln Center's David Geffen Hall in New York City. Produced by Manhattan Concert Productions, directed by Michael Arden conducted by Stephen Oremus, and accompanied by the New York City Chamber Orchestra with over 300 singers, the one night only sold-out concert presentation starred Noah Galvin as Joseph along with Eden Espinosa, Alex Newell, and Jessica Vosk sharing the central role of The Narrator. Additional casting included Chuck Cooper as Jacob, Andy Karl as Potiphar, Orfeh as Mrs. Potiphar, and Merle Dandridge as The Pharaoh.
The production is due to return to the London Palladium in 2021, playing a limited season from 1 July to 5 September. The production which was postponed from 2020 due to the COVID-19 pandemic will see Yarrow and Donovan return to the roles of Joseph and Pharaoh respectively.

Characters

Musical numbers

;Act I
;Act II
Lloyd Webber used a variety of musical styles, including parodies of French ballads, Elvis-themed rock and roll, western music, 1920s Charleston, Calypso, jazz and 1970s go-go.
"Prologue" was first included in the 1982 Broadway production; the inclusion of "Any Dream Will Do" at the start of the show dates from the 1991 revival. The UK touring production circa 1983–1987 included an additional song "I Don't Think I'm Wanted Back at Home", which was originally part of Jacob's Journey.

Awards and nominations

Original Broadway production

1991 London revival

2003 London revival

2019 London Revival

Film adaptation

In 1999, a direct-to-video film adaptation of the same title starring Donny Osmond was released, directed by David Mallet and based on Steven Pimlott's 1991 London Palladium production. Osmond had toured North America in the role after opening the Toronto revival in 1992. In the film, Maria Friedman appears as the Narrator, Richard Attenborough as Jacob, Ian McNeice as Potiphar, Joan Collins as Mrs. Potiphar and Robert Torti as Pharaoh.