Journey to the End of the Night


Journey to the End of the Night is the first novel by Louis-Ferdinand Céline. This semi-autobiographical work follows the life of Ferdinand Bardamu.
Journey to the End of the Night is a semi-autobiographical novel. It tells the story of Bardamu and his doppelgänger Robinson in a grotesque journey through life, through the world and through death. Bardamu survives the First World War, wanders through the jungles of colonial Africa, lives in the unnatural world of industrial America, and heals the poor in a Parisian suburb, all the while constantly encountering Robinson.

Literary style

Céline's first novel is remarkable for its style, making extensive use of ellipsis and hyperbole. His writing has the flow of natural speech patterns and uses the vernacular, while also employing more erudite elements. This has influenced French literature considerably. The novel enjoyed popular success and a fair amount of critical acclaim when it was published in October 1932. The critic Albert Thibaudet said in January 1933 that it was still a common topic of conversation at dinner parties in Paris.

Influence and legacy

Among writers in English indebted to the novel was Will Self, who claimed that it, more than any other, inspired him to write fiction.
Céline's literary style also greatly influenced Joseph Heller's Catch-22; others influenced by him include Samuel Beckett, Henry Miller and Charles Bukowski.
Jacques Tardi illustrated the 1988 edition with 130 drawings. In 2003 the novel was ranked 51st on The Guardian's list of "100 Greatest Novels of All Time".
Paolo Sorrentino's 2013 film The Great Beauty opens with a quote from Journey to the End of the Night. The film concludes with a visual of the last paragraph of the book, passing under bridges, arches, and locks along the city's river.

Publication history

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