Jupiter et Sémélé is a painting by the FrenchSymbolist artist Gustave Moreau. It depicts a moment from the classical myth of the mortal woman Semele, mother of the god Dionysus, and her lover, Jupiter, the king of the gods. She was treacherously advised by the goddessJuno, Jupiter's wife, to ask him to appear to her in all his divine splendor. He obliged, but, in so doing, brought about her violent death by his divine thunder and lightning. The painting is a representation of "divinized physical love" and the overpowering experience that consumes Semele as the god appears in his supreme beauty which has been called "quite simply the most sumptuous expression imaginable of an orgasm". Of this work, Moreau himself wrote, "Semele, penetrated by the divine effluence, regenerated and purified by this consecration, dies struck by lightning and with her dies the genius of terrestrial love, the genius with the goat hooves".
Description
Moreau described his canvas thus:
"In the midst of colossal aerial buildings, with neither foundations nor roof-tops, covered with teeming, quivering vegetation, this sacred flora standing out against the dark blues of the starry vaults and the deserts of the sky, the God so often invoked appears in his still veiled splendor."
Moreau's work depicts an intricate, intense, and startling mystical world, haunting and heavily laden with symbolic imagery. Its iconography is drawn from the ancient myth, from Symbolist writings and from his own personal interpretations, which are deliberately meant to be mysterious and ambiguous. Jupiter is represented conventionally, seated “in Majesty” with the hapless and bloodied Semele astride his right thigh. His gaze is severe, wide-eyed and fixed straight ahead in fierce prepossession. His throne and surrounding court, however, present an unorthodox and extravagant profusion of architectural and vegetal elements which — while depicted in fine, realistic, even jewel-like, detail — give the overall impression of a dream-like fantasy world. Everywhere a profusion of vivid colors vies with dark shadows for prominence. Countless teaming gods, goddesses and allegorical figures seem to exist at different scales, independent of, and oblivious to, one another. The eye must accommodate bizarre shifts in proportion as it ranges across the canvas. Among the figures are three immediately at the feet of Jupiter: a figure of "Sadness", a Great Pan, and a female “Death” holding aloft a white lily. Jupiter's right foot rests on a snake biting its own tail. A frightful Hecate, with her polos and crescent moon, appears in the lower left corner. Among the other figures are a three-headed demon and several winged, angelic figures.
