Kanika Bandyopadhyay joined Sangit Bhavana as a teacher and in due course became Head of the Department of Rabindrasangeet and later its Principal. She was made Professor Emeritus of Visva-Bharati. Since 1943, Kanika had been a regular artiste of the Calcutta station of All India Radio and gave performances at the national level in the musical programmes arranged by other stations as honoured artiste. Her gramophone records came out even in the lifetime of the Poet and there are over 300 gramophone discs to her credit. She was also a singer of Bhajans, Nazrulgeeti and Atulprasad's songs. However the first song recorded by her was neither a Tagore song nor a Nazrul Geeti but a Bengali Adhunik song composed by Niharbindu Sen. Kanika was invited to sing by programme organizers not only in India but also in Europe and America and was acclaimed everywhere for her unique rendering of the subtle nuances of emotions expressed in Rabindranath's lyrical compositions. She has written three books on this genre. Her life has been well documented on film by noted film directors. She was associated with the Elmhirst Institute of Community Studies during the last years of her life. She received the highest accolade from Visva-Bharati University, the Desikottama.
Death
Kanika died at the age of 76, on Wednesday 5 April 2000, at SSKM Hospital in Calcutta after a prolonged illness involving lung and cardiac problems. She left behind her a school of music, with numerous students, who bore the legacy of her very own stylization of Rabindrasangeet. Of her students, Rezwana Chowdhury Banya, the singer from Bangladesh, is perhaps the most well-known, for her striking similarity to Kanika's singing style. Indian Prime MinisterAtal Bihari Vajpayee gave a condolence speech saying that Kanika "was among the best exponents of Rabindra Sangeet. Generations of music lovers were charmed by her golden voice."
Excerpt from obituary
In his obituary: "Nightingale of Rabindrasangeet is no more" published on 5 April 2000, Sankar Ray beautifully summarises his experience of Kanika Bandyopadhyay as a singer: My memory takes me back to a rainy evening in 1960. All India Radio was broadcasting a programme directly from Santiniketan Ashramik Sangha. Amidst heavy rain, a melodious voice reverberated around. It was Kanika Bandyopadhyay rendering Saghana Gahana Ratri Jharichhey Shrabanadhara. I still remember the melodious voice of Mohardi as she used to be known....For those for us whose youth had been conditioned by the aesthetic and cultural traditions set out by singers like Kanika Bandyopadhyay, Debabrata Biswas, Subinoy Ray, and Rajeshwari Dutta, it is difficult to write on Mohardi. Next time when I shall go to Shantiniketan, no more shall I have the opportunity to be amidst the melodious breeze that carried her voice as often she used to sing from her house there. Farewell, Mohardi, you remain as ever-lit star in the horizon of our aesthetic sense.
Musical style
Kanika Bandyopadhyay was a contemporary of other notable exponents of Rabindrasangeet, namely Hemanta Mukhopadhyay, Chinmoy Chattopadhyay, Suchitra Mitra, Debabrata Biswas, Sagar Sen, Sumitra Sen, Santidev Ghosh and Subinoy Roy. In particular, her musical style has often been compared and contrasted with that of Suchitra Mitra. While both singers excelled in songs of love and worship, Kanika's oeuvre was melodious yet melancholy, plaintive yet soul-stirring, whereas Suchitra was bold and strong in her renditions.
Personal life
Kanika was married in 1945 to Birendra Chandra Bandypadhyay, former deputy librarian of Viswa Bharati University and a renowned poet. The couple had no children; but later she adopted her younger sister's only son Priyom. In her later life, Kanika receded to a reclusive lifestyle and led the simple life of an ashramite in Santiniketan.
