Karl Marx (composer)
Karl Julius Marx was a German composer and music teacher.
Life
Karl Marx was born in Munich, the son of Josef Marx and his wife Emilie, née Eheberg. After early violin and piano lessons, Marx first studied natural sciences at the Ludwig Maximilian University in Munich in 1916. His encounter with Carl Orff, with whom he took private composition lessons after the World War I, was decisive for his decision to turn to music professionally. From 1920 to 1922, Marx studied composition with Anton Beer-Walbrunn and conducting with and Siegmund von Hausegger at the Akademie der Tonkunst in Munich. From 1924 to 1935, Marx was solo repetiteur in Felix von Kraus's singing class. From 1935 to 1939, he led his own interpretation class for lieder and oratorio singers at the Akademie der Tonkunst in Munich, where he also taught harmony and form theory from 1929 to 1939. From 1928 to 1939, he conducted the choir of the Munich Bachverein. During this time, his first settings of texts by Rainer Maria Rilke were composed, and Marx had his first great success with Rilke's motet Werkleute sind wir, Op. 6 at the Tonkünstlerfest 1928 in Schwerin and at the festival of the International Society for Contemporary Music 1929 in Geneva. Subsequently, his works were performed by leading interpreters, including the Piano Concerto, Op. 9 by Edwin Fischer under Eugen Jochum, the Viola Concerto, Op. 10 in Berlin under Hermann Scherchen, and the Passacaglia, Op. 19 by the Berliner Philharmoniker under Wilhelm Furtwängler.In 1932, Marx was awarded the music prize of the city of Munich. After 1933, he was exposed to defamation by the Nazi press and his name gradually disappeared from concert programs. Since he did not belong to the Nazi Party, he had no further professional future to expect at the Academy of Music. He accepted a call to the newly founded Hochschule für Musikerziehung in Graz, where he taught theory of form and composition from 1940 to 1945.
The compositional focus increasingly shifted to choir and lay music, including the Rilke cantata to words from the Stundenbuch, Op. 43, 1942. One of Marx's most famous songs is Jeden Morgen geht die Sonne auf to the words of.
The assertions made by Michael Hans Kater in his controversial book The Twisted Muse about Marx's alleged Nazi past do not stand up to scrutiny and can only be described as a falsification of history.
From 1946 to 1966, Marx taught harmony, counterpoint and composition at the Staatliche Hochschule für Musik in Stuttgart and from 1955 as head of the department for school music. The cantata Und endet doch alles mit Frieden to words from the novel Hyperion by Friedrich Hölderlin for soloists, choir and orchestra, Op. 52, was premiered in 1953. Marx was appointed to the German Music Council in 1954. In 1963, he was guest of honour of the German Academy Villa Massimo in Rome for three months. In 1966, he was awarded the Federal Cross of Merit 1st Class. Marx died in 1985 in Stuttgart at the age of 87.
Works (selection)
Works for orchestra
- Passacaglia, Op.19
- Festliches Vorspiel, Op. 34/1
- 15 Variations on a German folk song "Was wolln wir auf den Abend tun", Op. 34/2
- Music for string orchestra after alpine folk songs
- Partita for string orchestra on "Es ist ein Ros entsprungen"
- Festliches Vorspiel
- Concerto for String Orchestra,
- Fantasia sinfonica, Op. 67,
- Fantasia semiseria, Op. 75
- Reflections for string orchestra on the motet "Lord, you search me" according to Psalm 139, Op. 77a
Concertante
- Concerto for two violins and orchestra in A minor, Op. 5
- Concerto for piano and orchestra in E minor, Op. 9
- Concerto for viola and orchestra in C minor, Op. 10
- Concerto for violin and orchestra in C major, Op. 24
- Concerto for flute and string orchestra in E-flat major, Op. 32
- Fantasia concertante for violin, cello and orchestra, Op. 68
Music for wind instruments
- Divertimento for 16 wind instruments, Op. 21
- Tower music for three trumpets and three trombones; timpani ad lib. Op. 37/1
- Wind music in four movements for three trumpets and three trombones
Chamber music
Duos
- Sonatina in G for violin and piano, Op. 48/2
- Sonatina in C for flute and piano, Op. 48/3
- Sonatina in D for soprano recorder and piano, Op. 48/4
- Sonatina in G for alto recorder and piano, Op. 48/6
- Music in three movements for violin and piano, Op. 53/1
- Sonata for violoncello and piano, Op. 62/1
- Six miniatures for oboe d'amore and harpsichord, Op. 62/2
- Elegy for viola da gamba and harpsichord, Op. 62/4 New version for bass clarinet and piano, Op. 62/4a
- Duo Domestico for violin and viola, Op. 81/2
Trios
- Trio for flute, violoncello and piano, Op. 61
- Variations on a Sound, Scherzo and Kanzone for Piano, Violin and Violoncello, Op. 73
- Trio for Piano, Violin and Violoncello on Songs from the South Seas, Op. 78
Quartets
- String Quartet in G minor, Op. 7
- Music in two movements for recorder quartet or other instruments, Op. 53/2
- Twelve Variations on "Nun laube, Lindlein, laube" for recorder quartet or other instruments, Op. 53/3
- Six variations on "Es taget vor dem Walde" for four guitars
- Music for recorder quartet after German folk songs
- Partita on "Ein feste Burg" for string quartet or string orchestra
- Quartettino for soprano recorder, oboe, viola da gamba and harpsichord, Op. 62/3
- Capriccio for string quartet, Op. 86/1
- Tango nostalgico for string quartet, Op. 86/2
Quintet to Septet
- Eighteen Variations on an Old English Folk Song for Two Recorders in F, Oboe, Violin, Viola and Violoncello, Op. 30
- Divertimento in F major for flute, violin, viola, violoncello and piano, Op. 21a
- Chamber music for seven instruments, Op. 56
- Quintet for flute, oboe, clarinet, horn and bassoon on songs from the South Seas, Op. 69
Solo Instruments
- Three Etudes for Alto Recorder
- Fantasy for violin alone
- Partita on "Was Gott tut" for flute solo
Piano music
- Piano music after folk songs, Op. 40
- Sonatina in A for piano, Op. 48/1
- Sonatina in E for piano four hands, Op. 48/5
- Piano music after folk songs, second episode, Op. 59
Organ music
- Variations for organ, Op. 20
- Toccata for organ, Op. 31
Playing music for amateurs
- Ein kleines Flötenbuch for singing and playing for two recorders, violin, voice ad lib., Op. 27a
- Kleine musikalische Reise in songs and dances for flutes and violins or other instruments, voices ad lib., Op. 27b
- Kleine Weihnachtsmusik for three recorders or other instruments, Op. 27c
- Small Suite after Dances from Leopold Mozart's Sheet Music for Wolfgang for Recorder Quartet, String Quartet or other Instruments
- Music for string quartet or orchestra with wind instruments ad lib.
- Klavierbüchlein für Peter
- Flötenbüchlein für Klaus, 16 short pieces for soprano recorder and piano
- Second Suite after piano pieces from Leopold Mozart's Notenbuch für Wolfgang for recorder quartet, string quartet or other instruments
- Balletische Partita after piano pieces from the "Musical Flower Booklet" by Joh. Casp. Ferd. Fischer for recorder quartet, string quartet or other instruments
Vocal music
Mixed Choir
With orchestra
- Rilke cantata to words from the "Stundenbuch" for soprano, baritone, mixed choir and orchestra, Op. 43
- Und endet doch alles mit Frieden, cantata to words from the "Hyperion" by Friedrich Hölderlin for solos, choir and orchestra, Op. 52
- Raube das Licht aus dem Rachen der Schlange, Cantata to words of Hans Carossa for baritone, choir and orchestra, Op. 57
- Schweige unseres Alltags Plage, Cantata to words by Albrecht Goes for Choir, Single Voices and Orchestra
With string or chamber orchestra or single instruments
- Die heiligen drei Könige for soprano, mixed choir and instruments, Op. 28
- Maienkantate über ein altes Tanzlied aus dem Rheinlande for mixed choir and instruments
- Kantate zum Erntefest to words of Heinz Grunow for precentor, choir and instruments, Op. 38
- Von Opfer, Werk und Ernte, cantata after poems by Hermann Claudius for choir, singers and instruments, Op. 36
- Auftrag und Besinnung, cantata for school dismissal after various poets for mixed choir and small orchestra
- Von den Jahreszeiten der Liebe to Verses by Mascha Kaléko for Choir and Seven Instruments, Op. 60
- Als Jesus von seiner Mutter ging, Passion cantata about an old melody from Buchenland for soprano, baritone, mixed choir and instruments
- Versöhnender, cantata about a fragment from the preliminary stages of the "Friedensfeier" by Friedrich Hölderlin for mixed choir and string orchestra, Op. 70/2
- Wunder über Wunder, Three poems by Joseph von Eichendorff for mixed voices and piano, Op. 79
Choir a capella
- Three mixed choirs after poems by Rainer Maria Rilke, Op. 1
- Four madrigals for mixed choir, Op. 3
- Three Songs for mixed choir after Christian Morgenstern, Op. 4
- Werkleute sind wir, motet for eight-part mixed choir a capella after words from the "Stundenbuch" by Rainer Maria Rilke, Op. 6
- Three Songs for mixed choir after Rainer Maria Rilke, Op. 11
- Mensch, was du liebst, motet for two choirs a capella after Angelus Silesius, Op. 12
- Songs after old texts for mixed voices after different poets, Op. 13
- Leben begehren ist der Welt Trost allein, Op. 15/1
- Um diese Welt ist's also getan, Op. 15/2
- two motets for four-part mixed choir after old poems and book Hiob Four songs after texts by Klabund, Op. 16
- Three choral songs after words of Matthias Claudius, Op. 18b
- Spruch "Blumen reicht die Natur" after J. W. von Goethe for four mixed voices
- Chorliederbuch after poems of Hermann Claudius for mixed choir, Op. 39
- Novembertag after words of Christian Morgenstern for mixed choir
- Three choirs after poems by Fritz Diettrich for four-part mixed choir, Op. 46
- Three songs after poems by Rainer Maria Rilke for mixed choir, Op. 47
- Gott, schweige doch nicht also, motet for mixed voices after words from the 83rd Psalm, Op. 51/1
- Wenn mein Stündlein vorhanden ist, motet for four mixed voices, Op. 51/2
- Heitere Verse by Wilhelm Busch and Eugen Roth for mixed voices, Op. 54
- Bist du auch Meere weit after Ludwig Derleth
- Abschiedslied by Georg von der Vring, two love songs from, Op. 42, versions for mixed choir
- Gedenke an deinen Schöpfer, Motet after Prediger 12 for four mixed voices, Op. 51/3
- Quattuor Carmina Latina after Catull and Horace for mixed choir, Op. 64
- Choir cycle 1974 according to words of J. W. von Goethe, Matthias Claudius, Joseph von Eichendorff, Martin Opitz and Albrecht Goes, Op. 71
- Five chants after Mörike, Schiller, J. Paul and Goethe for mixed choir, Op. 74
- ...meiner Sehnsucht grüner Kahn, four poems by Jörg Modlmayr for mixed choir, Op. 76
- Herr, Du erforschest mich, Motette after words from the 139th Psalm for mixed choir, Op. 77
- Nachlese, nine songs for mixed choir, Op. 80
- Five English Poems for four mixed voices, Op. 82
- Wandrers Nachtlied – Phenomenon after Goethe's poem for mixed choir, Op. 83
- Sechs Sprüche from the "Cherubinischer Wandersmann" by Angelus Silesius for mixed choir, Op. 84
- Two motets after Joh. G. Herder for mixed choir, Op. 85
- Missa brevis for mixed choir, Op. 87
Liturgical music
- Deutsche Liedmesse for three mixed voices and three instruments
- Deutsches Proprium vom Feste Mariä Himmelfahrt for soprano, mixed choir and organ ad lib.
- Fünf kleine Festmotetten for three mixed voices with instruments ad lib.
- Such, wer da will, ein ander Ziel, motet for three voices and instruments ad lib.
- Lobt Gott, den Herrn der Herrlichkeit, motet for three mixed voices and 2 violins ad lib.
- Mein schönste Zier und Kleinod bist, Choralkantate for parish singing, mixed choir and four-part wind choir
- Nun freut euch, lieben Christen gmein, Choralkantate for congregational singing, mixed choir and five-part wind choir
- Meine Seele erhebt den Herrn,
- Befiehl du deine Wege, motet for three-voice choir and parish singing, instruments ad lib.
- Sei Lob und Ehr dem höchsten Gut for three choirs, instruments ad lib.
- Psalms 18, 64, 91, 135, 147, Baruch's Song of Praise for cantor, choir and organ
- A large number of song sets a capella and with different instruments ad lib.
- A number of organ preludes and accompanying movements
Cantatas and songs for amateurs
- Lob des Sommers, small cantata for three voices and three instruments after words from the 17th century
- Tanzlied im Maien for voices and instruments
- Gehn täglich viele Leute , song cantata for choir and instruments
- Musik, du edle Trösterin, cantata after different poets for mixed voices and instruments
- For what we have received, "Ormesby Grace", grace for three mixed voices
- Morgenlied eines Bauersmanns for three mixed voices
- Zeit der Reife for three mixed voices
- Hochzeitsgesang for four mixed voices
- Frühling, der die Welt umblaut for three mixed voices
- Täglich zu singen and other old and new songs for four mixed voices, 11 arrangements and 8 with own melody after texts by Matthias and Hermann Claudius, Simon Dach et al.
Song cantatas and song arrangements for amateurs
- Weihnachtskantate about the song "Vom Himmel hoch, o Engel kommt" for three singing and three instrumental voices
- Frau Musica singt for three mixed voices and two instruments
- Wie schön blüht uns der Maien for us for three mixed voices
- Es geht eine dunkle Wolk herein for four mixed voices
- Sagt an, wer ist doch diese for three mixed voices and violin ad lib.
- Laßt uns erfreuen herzlich sehr for three mixed voices
- Und unser lieben Frauen for three mixed voices
- Der Winter ist vergangen, Jetzt kommen die lustigen Tage, Und in dem Schneegebirge, O Tannenbaum, Wenn alle Brünnlein fließen, Jetzt kommt die fröhliche Sommerzeit, Der Kuckuck auf dem Turme saß , seven song cantatas for mixed choir and instruments
- Ei wohl eine schöne Zeit, Old and New Songs in Movements for Three Mixed Voices
- Schoon Jonkfrouw, ik moet u klagen, Al onder de Weg and four other Flemish folk songs for three or four voices, with and without instruments
- A la claire fontaine and two other French folk songs
- I will give my love an apple, cantata for three-part mixed choir and instruments
- Derby Ram, cantata for three-voice choir and instruments
- Jardin d'amour for four mixed voices Au clair de la lune for three-part mixed choir and instruments
- Sù, saltè, ballè, putele, cantata about a Venetian folk song for mixed choir and instruments
- Es liegt ein Schloß in Österreich, small cantata after an old folk ballad for solo voices, mixed choir and instruments
- J'ai tant pleuré for mixed choir
- Ého, ého, ého for mixed choir
- Mamma, o mamma dimmi for mixed voices
- Jetzt kommt die Zeit for four mixed voices
Choir for equal voices
With orchestra
- Ihr müßt wandern unermüdlich, cantata in the words of Hans Carossa for female voices and instruments, Op. 57a
- Halt dich hoch über dem Leben, Cantata in the words of Joseph von Eichendorff for female voices and instruments, Op. 58
A capella and with single instruments
- Four songs after texts by Klabund for four-part women's choir, Op. 16
- Abendständchen for women's choir and soprano recorder
- Das kleine Federspiel, cantata to words from "Des Knaben Wunderhorn" for three-part women's choir and two soprano recorders
- Eleven male choirs after poems by Ludwig Derleth from "Der fränkische Koran"
- In dieses Herbstes Stunden, songs and songs after various poets, Op. 55
- Pfirsichblüte for three female voices in "Lieber Nachbar", Old and New Songs in Sentences for
Equal voices
- Three poems by Hermann Hesse for women's choir, Op. 66
- Proprium zum Ostersonntag for three-voice women's choir
Cantatas and songs for amateurs
- Schein uns, du liebe Sonne , Glück for three female voices
- Juchhe, der erste Schnee, Wie hoch ist der Himmel, two cantatas for children's choir and instruments
- Endlich ist es nun soweit for three equal voices
Song cantatas and song arrangements for amateurs
- All mein Gedanken and other song movements for three female voices in "Lieber Nachbar"
- Kein schöner Land, Die Gedanken sind frei and other song movements for men's choir in "Nagels Männerchorbuch"
- Ihr kleine Vögelein for three-part women's choir and instruments
- Freut euch, ihr Schäfersleut und Widewidewenne, two children's cantatas for voice and instruments
- The Tailor and the Mouse, cantata for children's choir and instruments after an English folk song
- Sur le pont d'Avignon, Song Cantata for equal voices and instruments
- Lavender's Blue, English Folk Song for children's choir and instruments
- Il était un petit navire, cantata for three-voice choir and instruments
Solo singing
With orchestra
- Gebete der Mädchen zur Maria, Song Cycle after Rainer Maria Rilke for Soprano and String Orchestra, Op. 2
- Rilke-Kreis for mezzo-soprano and chamber orchestra, Op. 8
- Three Songs to Words by Stefan George for Middle Voice and Chamber Orchestra, Op. 22
- Fragment from "Mnemosyne" by Friedrich Hölderlin for soprano and string orchestra, Op. 70/1
- Die Entschlafenen to words of Friedrich Hölderlin for soprano and string orchestra, Op. 70/3
With single instruments
- Die unendliche Woge , small chamber cantata for tenor, clarinet and violoncello, Op. 14
- Neuer Rilke-Kreis, five songs from "Buch der Bilder" for a middle voice, two flutes, two violas and two violoncellos, Op. 17
- Vier Gesänge vom Tage after different Poets for Bass and String Quartet, Op. 25
- Botschaft, cantata to words of Friedrich Georg Jünger for one soprano voice, two alto recorders and string quintet, Op. 41a
- Drei Liebeslieder for Soprano and String Quartet, Op. 42a
- Da Christus geboren war, Christmas cantata about an old melody for alto, flute, violin, viola da gamba and harpsichord
- Nur einen Schritt noch , cantata for soprano, tenor and baritone solo, four recorders, transverse flute, violin, violoncello and harpsichord, Op. 72
With piano and single instruments
- Rilke-Kreis, five songs for one voice and piano, Op. 8
- Fourteen Songs after Poems by Hermann Claudius for Voice and Piano, Op. 26
- New Songs after Poems by Hermann Claudius for Voice and Piano, Op. 29
- Frühlingstau in deinen Augen , chamber cantata for alto, recorder and piano, Op. 38
- Botschaft, cantata after F. G. Jünger for soprano, two alto recorders and piano, Op. 41
- Love songs after various poets for a singing voice and piano, Op. 42
- Reifende Frucht , Three Duets for Soprano, Alto and Piano, Op. 23
- Fünf Rilke-Lieder from the "Early Poems" for a voice and piano, Op. 45
- Lieder und Sprüche according to Goethe for high Voice and Piano, Op. 49
- Der Panther and Other Rilke Poems for a Low Voice and Piano, Op. 50/1
- Das Karussell and Other Rilke Poems for a High Voice and Piano, Op. 50/2
- Four songs after poems by R. Habetin for soprano, flute and piano, Op. 63
- Three Songs after Poems by Goethe for Tenor and Piano, Op. 65
Canons a capella and with instruments (selection)
- Nacht bricht an to four voices, also Dutch, French and English
- Sonne ist hinabgestiegen to four voices, also Dutch and French
- Schläft ein Lied in allen Dingen to four voices, also in French and English
- Kuckuck sitzt auf hoher Buchen to two voices in the lower quarter, also French and Finnish
- Laßt uns tanzen to three voices, also Finnish Sine musica nulla vita to four voices
Literature
- Art. Marx, Karl Julius, in: Kürschners Deutscher Musiker-Kalender 1954. Walter de Gruyter & Co, Berlin 1954, Sp. 797-799.
- Saalfeld, Ralf von: Karl Marx, sein Schaffen und seine Bedeutung. Zeitschrift für Musik, Regensburg, 98th year, issue 5, May 1931.
- Strobel, Heinrich: Die neue Münchener Schule, Berliner Börsenzeitung of August 2, 1932.
- Blumberger, Leonhard: Begegnung mit Karl Marx. Dortmunder Zeitung of February 2 and 9, 1936.
- Blumberger, Leonhard: Karl Marx. Zeitschrift für Hausmusik, Vol. 6, Issue 1, January/February 1937.
- Schmidt-Garre, Helmut: Der Komponist Karl Marx. Die Musikwoche, Berlin, Vol. 5, No. 29, dated July 17, 1937.
- Schmidt-Garre, Helmut: Zeitgenössische Instrumentalkonzerte.. Allgemeine Musikzeitung, 65th year, Leipzig, dated 7 January 1938.
- Scholz, Horst-Günther: Das Chorschaffen von Karl Marx. Die Musikpflege, Leipzig, Vol. 9, Issue 12, March 1939.
- Blumberger, Leonhard: Rundfunk-Echo. Newspaper from 5/6 August 1939.
- Schmidt-Garre, Helmut: Karl Marx.. Allgemeine Musikzeitung, Leipzig, Vol. 66, No. 34 of 25 August 1939.
- Oehlmann, Werner: Wandel der Innerlichkeit. The Reich, Berlin, December 3, 1940.
- Bollert, Werner: Karl Marx, der Fünfzigjährige. Musica, Kassel 1948, issue 5.
- Schweitzer, Gottfried: Karl Marx Der Chor, VIII, August 1951
- Wöhler, Willi: Karl Marx – Abriß eines Lebens und Schaffens. Salve Hospes – Braunschweiger Blätter für Kunst und Kultur, 1st Vol., Issue 8, October 1951, of which reprints in: Festblätter zum 14. Deutschen Sängerbundesfest in Stuttgart 1956, Issue 4, January 1956 and: Wiesbadener Tagblatt, August 1956.
- Oberborbeck, Felix: Karl Marx. Hausmusik, Kassel 1957, Issue 4/5.
- Sydow, Kurt: Karl Marx 60 years. Musik im Unterricht, Mainz, November 1957.
- Honolka, Kurt: Karl Marx 60 years. Musica, Kassel 1957, issue 11. Kautzsch, Christof: Hausmusik bei Karl Marx. "Singt und spielt, Schweizer Blätter für Volkslied und Hausmusik, Zurich, Vol. 25, Issue 1, January 1958, reprint of which in: Hausmusik, Kassel 1958, Issue 2.
- Metzger, Hans-Arnold: Das geistliche Vokalwerk von Karl Marx. Württembergische Blätter für Kirchenmusik, Waiblingen, 25th year, No. 1, January/February 1958.
- Karkoschka, Erhard : Festschrift Karl Marx, Stuttgart 1967, in which among other things: Willi Wöhler, Karl Marx – outline of his life and work; Josef Friedrich Doppelbauer, Die a-capella-Chorwerke; Martin Gümbel, Marginalien zur Hölderlinkantate opus 52; Erhard Karkoschka, Neue Methoden der musikalischen Analyse und einigen Anwendungen auf späte Instrumentalwerke von Karl Marx; Rainer Zillhardt, Das Trio für Klavier, Flöte und Violoncello opus 61; Willi Wöhler, Anmerkungen zur Instrumentation Marxscher Orchesterwerke; Heinrich Deppert, Karl Marx' essays, lectures and analyses; Willi Wöhler, Karl Marx und seine Dichter; catalogue of works.
- Karkoschka, Erhard: Über späte Instrumentalwerke von Karl Marx, Musica 26, Kassel 1972, pp. 542 ff Gudrun Straub, Günther Weiß, Josef Friedrich Doppelbauer: Karl Marx, Komponisten in Bayern, Volume 3; in which among others: G. Straub, Life and Work of Karl Marx, G. Weiß, Conversation with Karl Marx, J. F. Doppelbauer, The Works of Karl Marx, Catalogue of Works and Discography. Tutzing 1983..
- Fellmann, Berthold: Marx, Karl. In: Neue Deutsche Biographie. Volume 16, Duncker & Humblot, Berlin 1990,, pp. 344-346.
- Rottensteiner, Gudrun: Art. Karl Marx, in Komponisten der Gegenwart
- Riemann 3, p. 303; Die Musik in Geschichte und Gegenwart 11, p. 1239; 16, p. 17
Documents and publications
- Letters by Karl Marx, in the collection of the Leipzig music publisher C. F. Peters in the State Archive Leipzig
- Analyse der Klaviersonate B-Dur von W. A. Mozart, Stuttgart 1966.
- Zur Einheit der zyklischen Form bei Mozart, Stuttgart 1971, with 134 examples of music. Neue Musik – Ausdruck unserer Zeit. Hausmusik, Vol. 13, 1949, pp. 29–38.
- Der Neue Liedsatz. Hausmusik, Vol. 15, 1951, pp. 117–125.
- Einführung in ein zeitgenössisches symphonisches Werk: Béla Bartók, Musik für Saiteninstrumente, Schlagzeug und Celesta.. Musikerziehung in der Schule, Mainz 1965, pp. 216–232.
- Schulmusik zwischen Kunst und Wissenschaft. Musica, vol. 12, 1958, p. 511-514.
- Grenzen des Verständnisses und der Ausführbarkeit in den Bereichen der Gebrauchsmusik. Hausmusik, 24th year 1960, pp. 116–124.
- Kassel Music Festival. Hausmusik, 25th year 1961, pp. 169–179.
- Über die zyklische Sonatensatzform, zu dem Aufsatz von Günther von Noé . Neue Zeitschrift für Musik, 125th year 1964, pp. 142–146.
- Einige Anmerkungen zu Schuberts Forellenquintett und Oktett. Neue Zeitschrift für Musik, 132nd year 1971, pp. 588–592.
- Über thematische Beziehungen in Haydns Londoner Symphonien. Haydn-Studien, vol. IV, 1976, pp. 1–20.
- Der musikalische Schaffensprozeß. Schwäbische Sängerzeitung, Vol. 31, 1982, pp. 256–260.