Kenji Nakagami Kenji Nakagami was a Japanese novelist and essayist . He is well known as the first, and so far the only, post-war Japanese writer to identify himself publicly as a Burakumin , a member of one of Japan’s long-suffering outcaste groups. His works depict the intense life-experiences of men and women struggling to survive in a Burakumin community in western Japan. His most celebrated novels include “Misaki”, which won the Akutagawa Prize in 1976, and “Karekinada”, which won both the Mainichi and Geijutsu Literary Prizes in 1977. During the 1980s Nakagami was an active and controversial figure in the Japanese literary world, and his work was the subject of much debate among scholars and literary critics . As one reviewer put it, "Nakagami was the first writer from the ghetto to make it into the mainstream and to attempt to tell other Japanese, however fictively or even fantastically, about life at the rough end of the economic miracle ." Nakagami was at the height of his fame when he died, of kidney cancer , at the age of 46.Major works "Jukyu sai no chizu" 1974 Misaki 1976Jain 1976Karekinada 1977Hosenka 1980Chi no hate shijo no toki Sennen no yuraku 1982Nichirin no tsubasa 1984Kiseki 1989Sanka 1990Keibetsu 1992Works available in English Hanzo's Bird Nihon Honyakuka Yosei Center, 1983.The Immortal in The Showa Anthology: Modern Japanese Short Stories , Kodansha International , 1985.The Cape and other stories from the Japanese Ghetto Stonebridge Press , 1999.Snakelust Kodansha International, 1999.Works available in French Mille Ans de plaisir , Fayard, 1988.La Mer aux arbres morts , Fayard, 1989.Sur les ailes du soleil , Fayard, 1994.Hymne , Fayard, 1995.Le bout du monde, moment suprême , Fayard, 2000.Miracle , Editions Philippe Picquier , 2004.Le Cap, , Editions Philippe Picquier , 2004Books about Nakagami Mats Karlsson, The Kumano Saga of Nakagami Kenji . Stockholm, 2001. Eve Zimmerman. Out of the Alleyway: Nakagami Kenji and the Poetics of Outcaste Fiction . Harvard, 2008. Anne Thelle. Negotiating Identity: Nakagami Kenji’s Kiseki and the Power of the Tale . Iudicium, 2010. Anne McKnight. Nakagami: Japan, Buraku and the Writing of Ethnicity . University of Minnesota , 2011. Machiko Ishikawa. Paradox and Representation: Silenced Voices in the Narratives of Nakagami Kenji . Cornell University Press , 2020.
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