Kinemacolor


Kinemacolor was the first successful colour motion picture process, used commercially from 1908 to 1914. It was invented by George Albert Smith in 1906. He was influenced by the work of William Norman Lascelles Davidson and, more directly, Edward Raymond Turner. It was launched by Charles Urban's Urban Trading Co. of London in 1908. From 1909 on, the process was known and trademarked as Kinemacolor. It was a two-colour additive colour process, photographing and projecting a black-and-white film behind alternating red and green filters.

Process

"How to Make and Operate Moving Pictures" published by Funk & Wagnalls in 1917 notes the following:

Premiere

The first motion picture exhibited in Kinemacolor was an eight-minute short filmed in Brighton titled A Visit to the Seaside, which was trade shown in September 1908. On 26 February 1909, the general public first saw Kinemacolor in a programme of twenty-one short films shown at the Palace Theatre in London. The process was first seen in the United States on 11 December 1909, at an exhibition staged by Smith and Urban at Madison Square Garden in New York City.
In 1911, Kinemacolor released the first dramatic film made in the process, Checkmated. The company then produced the documentary films With Our King and Queen Through India, and the notable recovery of £750,000 worth of gold and silver bullion from the wreck of P&O's SS Oceana in the Strait of Dover. With Our King and Queen Through India and the dramas The World, the Flesh and the Devil, and Little Lord Fauntleroy were the first three feature films made in colour. These latter two features were also among the last films released by Kinemacolor.

Success and decline

Kinemacolor enjoyed the most commercial success in the UK where, between 1909 and 1918, it was shown at more than 250 entertainment venues. The system was made available to exhibitors either by licence or from 1913 through a series of touring companies. Although in most cases the system stayed at licensed venues for only a few months there were instances where it remained at a hall for up to two years. 54 dramatic films were produced. Four dramatic short films were also produced by Kinemacolor in the United States in 1912–1913, and one in Japan, Yoshitsune Senbon Zakura.
However, the company was never a success, partly due to the expense of installing special Kinemacolor projectors in cinemas. Also, the process suffered from "fringing" and "haloing" of the images, an unsolvable problem as long as Kinemacolor remained a successive frame process. Kinemacolor in the U.S. became most notable for its Hollywood studio being taken over by D. W. Griffith, who also took over Kinemacolor's uncompleted project to film Thomas Dixon's The Clansman, which eventually became The Birth of a Nation. The 1 reels shot are lost.
The first version of Prizma Color, developed by William Van Doren Kelley in the U.S. from 1913 to 1917, used some of the same principles as Kinemacolor. In the UK, William Friese-Greene developed another additive colour system for film called Biocolour. However, in 1914 George Albert Smith sued Friese-Greene for infringing Kinemacolor's patents, slowing the development of Biocolour by Friese-Greene and his son Claude in the 1920s.

Predecessor process

In 2012, the National Media Museum in Bradford, England publicized its digital restoration of some very early three-colour alternating-filter test films, dated to 1902, made by Edward Raymond Turner. They are believed to be the earliest existing colour film footage. Turner's process, for which Charles Urban had provided financial backing, was adapted by Smith after Turner's sudden death in 1903, and this in turn became Kinemacolor.

List of films made in Kinemacolor