Knick Knack


Knick Knack is a 1989 American computer-animated short film produced by Pixar and directed by John Lasseter. The short is about a snow globe snowman who wants to join the other travel souvenirs in a summer-themed party. However, the glass dome that surrounds him prevents him from doing so, thus leading to his many attempts to break out of his snow globe. Knick Knack is Pixar's fourth short and the final short produced during the company's tenure as a hardware company.
The short stands out from Lasseter's other early short films at Pixar in its reliance on pure comedy to drive the story. It was inspired by Tom and Jerry, Looney Tunes, and the work of animators Chuck Jones and Tex Avery. Lasseter and his wife, Nancy, collected snow globes and also enjoyed souvenirs from distant places and those elements made their way into the short as well. Singer Bobby McFerrin improvised the a cappella vocal jazz soundtrack to the film while watching a rough cut which was eventually left unchanged in its final edition.
Knick Knack premiered at the 1989 SIGGRAPH convention in Boston and was presented in 3D. The short has enjoyed positive reviews since its debut, and has been screened as a part of numerous film festivals.

Plot

On a bookshelf filled with vacation-themed souvenirs, a snowman named Knick, who resides in a Nome, Alaska snow globe, wants to reach a "Sunny Miami" knick knack that shows a pretty blonde girl in a blue bikini. Knick tries several unsuccessful methods to break out of the globe, culminating in detonating TNT explosives, which cause the globe to fall over the shelf's edge. Knick notices an emergency exit in the base and frees himself just before he and the globe fall into a fishbowl. Here Knick sees a pretty mermaid souvenir from "Sunny Atlantis" and runs toward her, but before he can reach her, the globe settles to the bottom and traps him again, much to his annoyance.

Background

In 1988, Pixar's third short film, Tin Toy, won the Academy Award for Best Animated Short Film, the first computer-animated film to claim the award. It was also the first win for the hardware company, which was still struggling to sell its main product: the Pixar Image Computer. The key animator and director behind Tin Toy, John Lasseter, had once worked at Disney several years prior but was fired by unknowingly stepping on his superiors' toes with his support for computer animation. Now, Disney took notice of the Oscar win for Tin Toy and began a campaign to win Lasseter back.
Lasseter turned the studio's offer for a directorial position down, remarking to Pixar co-founder Ed Catmull, "I can go to Disney and be a director, or I can stay here and make history." Jeffrey Katzenberg, the then-head of Walt Disney Studios, had a reputation for being difficult and controlling. In contrast, Lasseter received complete creative freedom at Pixar's small animation division and was highly respected by his colleagues. In addition to capturing Disney's interest, Pixar owner Steve Jobs' interest in the animation group was invigorated, and he approved production of another short.

Production

After the headaches of animating Billy the baby in Tin Toy, Lasseter backed away from depicting human characters. The team all agreed to do something simpler that would not "drive us all crazy," according to producer Ralph Guggeinheim. When watching Who Framed Roger Rabbit during the production of Tin Toy, Lasseter became inspired to create a Chuck Jones-type of cartoon. Rather than to challenge the limitations of the computer as they had done in the previous shorts, the animators wanted to make a short based on geometric shapes instead, which was a strength of the computer. In a discussion with the group, Lasseter brought up famed Warner Bros. and MGM director Tex Avery, noting that his cartoons were wild and exuberant, yet not necessarily very complex. Lasseter collected snow globes and also enjoyed souvenirs from distant places; from those elements, Knick Knack—the only pure comedy among Lasseter's early short films at Pixar—began to fall into place.
The rest of the team were also fans of Tom and Jerry cartoons and the work of Chuck Jones, and found the idea of cartoonish violence appealing. Animator Flip Phillips and production coordinator Deirdre Warin simultaneously hit on the idea of the snow globe falling into a fishbowl. Craig Good came up with the idea of an "iris out," a shrinking circle at the close, as a reference to Looney Tunes. A skeleton on the shelf in the short was a 3D model from an Ohio State University skeleton data set called George, though the Pixar team stretched George's arms for comic effect. Also distorted were the two female characters—the bikini-attired woman and a mermaid—whose breasts were ultra-exaggerated thanks to a technical director who was a pinup enthusiast.
The singer Bobby McFerrin created the musical soundtrack, an a cappella vocal jazz track which he improvised while watching a rough cut of the film. As the rough cut ended, the placeholder credits read blah-blah-blah-blah, so he sang those words and it remained in the film's score. McFerrin did the score for free out of a belief that the film was cool to be involved with. Gary Rydstrom of Lucasfilm created the sound effects for the short.

Release and later re-releases

Knick Knack premiered at the 1989 SIGGRAPH in Boston. It was one of the last pieces of animation that Lasseter would animate personally during Pixar's years as an independent company. In 1990, it won the Best Short Film award at the Seattle International Film Festival. When Lasseter presented it at the London Film Festival in 1991, The Independent of London called it "a four-minute masterpiece" and The Guardian hailed Lasseter as "probably the closest thing to God that has ever graced the electronic images community." In 2001, Terry Gilliam selected it as one of the ten best animated films of all time. After Knick Knack, Pixar took a break from animated shorts and re-focused on animating television commercials to build income and hire new animators.
The film has been released in two versions, and each of these have been shown in both 3-D and 2-D. The original version was shown in 3D in 1989 at the SIGGRAPH program, and was released on the VHS and LaserDisc, Tiny Toy Stories, and also on the Toy Story deluxe CAV LaserDisc edition. The short was later released on May 30, 2003 in theaters with Finding Nemo. For this release, the film was re-rendered with design adjustments for the woman on the "Miami" knick knack and the mermaid in the fish bowl. Both characters now have much smaller breasts and the mermaid is now wearing a seashell bra rather than just starfish pasties. Lasseter defended the changes by saying, "It wasn’t big bad Disney coming in and insisting we do this … it was our own choice. It was just crossing the line for me personally as a father. So I made the decision to reduce breast size."
This updated version is preceded with the message "In 1989, six years before Toy Story, Pixar Animation Studios made this short film." This version was first made available with the Finding Nemo DVD. This version is subsequently on Nemo's Blu-ray, the Pixar Short Films Collection – Volume 1 DVD and Blu-ray, and on digital services that feature Pixar's shorts including Disney+. A 3-D version of the new edition played to the public as a short attached to the 2006 Disney Digital 3-D release of The Nightmare Before Christmas.