Konur is a 2008 Icelandic novel by Steinar Bragi. It enjoyed considerable critical and commercial success, was nominated for the Nordic Council's Literature Prize, and has been widely translated.
Synopsis
The novel is set in Reykjavík during the boom that preceded the 2008–11 Icelandic financial crisis. The protagonist of the novel is Eva, an Icelander who spent most of her formative years in California, and works as an artist. Largely estranged from her family, recently abandoned by her long-term partner Hrafn, and implicitly without a very successful career, Eva moves from New York to Reykjavík, taking up the offer of an Icelandic banker, Emil Þorsson, to house-sit his flat, in one of the new developments on Sæbraut, opposite the sculpture Sólfar. After a series of somewhat strange encounters with neighbours which serve as opportunities to develop Eva's character and back-story, and to build narrative tension, Eva finds herself locked into the flat, a situation that persists for most of the novel. It emerges that the flat is full of hidden cameras and it is implied that Eva is in fact part of an art installation by a famous Serbo-Croatian artist, Joseph Novak. Eva is forced to follow instructions she receives by telephone to put her face into a face-shaped impression in the bedroom wall; while wearing this 'mask' she loses consciousness and generally finds herself unable to remember what happens to her. The third-person narrative is recounted largely from the point of view of Eva while not wearing the mask, during which time she often drinks heavily or takes sedatives. Eva makes attempts to escape, but is unsuccessful. The narrative focuses on the psychological torment inflicted on Eva by her imprisonment and her efforts to understand what happens to her while wearing the mask. It is hinted that she is variously sexually abused; paraded as a celebrity at parties for the elite of the banking and art worlds; reunited with Hrafn; and eventually celebrated herself as a successful artist. Aspects of the story are continued in Steinar Bragi's 2009 .
Analyses
has read the novel in relation to the 2008–11 Icelandic financial crisis: In the assessment of Jürg Glauser, Konur is 'one of the books most obviously pessimistic about culture that have appeared in iceland in recent years'. He finds that the novel, 'a relentless story of the exploitation of the female body by contemporary art and media, draws an even deeper link between modern city architecture and the decay of the ethical foundations of society. In this text, contemporary architecture has reached an almost apocalyptic dimension and represents evil in itself'. Other commentary too has focused on the novel's explorations of warped domestic spaces and the status of women. The novel has also been analysed by Örn Orri Ólafsson in relation to horror fiction and Victorian Gothicism, and by Viðar Þorsteinsson as an exploration of life under neoliberalism during the Icelandic banking boom.
Bibliographic details of the original and translations
