Léon Damas


Léon-Gontran Damas was a French poet and politician. He was one of the founders of the Négritude movement. He also used the pseudonym Lionel Georges André Cabassou.

Biography

Léon Damas was born in Cayenne, French Guiana, to Ernest Damas, a mulatto of European and African descent, and Bathilde Damas, a Métisse of Native American and African ancestry. In 1924, Damas was sent to Martinique to attend the Lycée Victor Schoelcher, where he would meet his lifelong friend and collaborator Aimé Césaire.
In 1929, Damas moved to Paris to continue his studies. There, he reunited with Césaire and was introduced to Leopold Senghor. In 1935, the three young men published the first issue of the literary review L'Étudiant Noir, which provided the foundation for what is now known as the Négritude Movement, a literary and ideological movement of French-speaking black intellectuals that rejects the political, social and moral domination of the West.
In 1937, Damas published his first volume of poetry, Pigments. He enlisted in the French Army during World War II, and later was elected to the French National Assembly as a deputy from Guiana. In the following years, Damas traveled and lectured widely in Africa, the United States, Latin America and the Caribbean. He also served as the contributing editor of Présence Africaine, one of the most respected journals of Black studies, and as senior adviser and UNESCO delegate for the Society of African Culture.
In 1970 Damas and his Brazilian-born wife Marietta, moved to Washington, D.C., to take a summer teaching job at Georgetown University. During the last years of his life, he taught at Howard University in Washington and served as acting director of the school’s African Studies program. He died on January 22, 1978, in Washington and was buried in Guyana. Although the political aspect of his poetry held less appeal in the later years of the twentieth century, Damas’s reputation was on the rise. His poems, which sometimes experimented with typography and with the sound of words, were astonishingly modern for their time, and they seemed to anticipate the black poetry, both English and French, of a much later timeframe.

Works

Books