La Musique Populaire is an American indie pop band. Members Ryan Bassler and Eric Haugen formed a band called Lorenzo Music in 1992, which grew from a live quartet to a live 22 member pop orchestra, called the Lorenzo Music Philharmonic. Faced with legal action from the actor of the same name, so they changed it to La Musique Populaire before the release of their debut, Auntie Canada in 1996. As part of the Americanindie pop scene of the 1990s, they are defined by their electic sound, like contemporaries Ween and The Magnetic Fields. On their website, LMP lists as their influences: ABBA, The Archies, The Beatles, The Beach Boys, Christopher Cross, Hall and Oates, Rupert Holmes, Haysi Fantayzee, Billy Joel, Rodd Keith, Orchestral Manoeuvres in the Dark, Prefab Sprout, The Rock-afire Explosion, Squeeze, Paul Williams, Wham, and Steve Winwood. During this time, the band recorded tracks to various compilation release and an EP, Onar Sheriff, which, as of 2020, remains unreleased. By 2000, the band moved to Evanston, Illinois, where they started on several projects in a studio they called "Eckhouse 2000". Their main project was A Century of Song, a six-CD box set chronicling the 20th century through song. Other projects recorded included two EPs, The New Body Language and Meeting Up and Making Friends and two albums, What'll We Do At the Zoo and Love Conquers Alda. In 2001, LMP moved to Chicago, where they continued to recording projects in a new space, Shiny Vibes. Most of the material eventually were released through Polyholiday Records, with the exception of What'll We Do At the Zoo. Their most famous project, A Century of Song, was considered by LMP as their most ambitious project. As it was about the songs that defined the 20th century, the band covered that ranged from hits, like We Built This City by Starship, to the esoteric, like Aquarius by Boards of Canada. Some songs were covered straightforward, whereas others in different genres than intended. The album received positive reviews, with Greg Adams of AllMusic stating that LMP covered the century "with irreverence, humor, and impressively accomplished and inventive arrangements." Douglas Wolk of the Seattle Weekly called it "pretty funny" remarking that "it sounds like everyone's having a great time. " As of 2014, Bassler and Haugen continue to record material La Musique Populaire, but none of their material has been released publicly. Their most recent release, You Ain't Nuttin' If You Ain't Struttin, had art from Sandy Hoffman, who did the cover of The London Muddy Waters Sessions.
