Larissa Reissner


Larissa Mikhailovna Reissner was a Russian writer and revolutionary. She is best known for her leadership roles on the side of the Bolsheviks in the Russian Civil War that followed the October Revolution and for her friendships with several of the Russian poets of the early 20th century.

Biography

Larissa Reissner was born in Lublin, Poland, into the family of Michael Andreevich Reisner, a law professor in Lublin, and Ekaterina Alexandrovna Khitrova.
She spent her early childhood in Tomsk, where her father was appointed Professor of Law at the University in 1897. Between 1903 and 1907, she and her family resided in Berlin, Germany, where the family fled because of the father's political activity, with Larisa attending a primary school in the Zehlendorf district. In the aftermath of the 1905-06 Russian Revolution, they moved to Saint Petersburg where she passed her final school exams with a gold medal in 1912 and went on to study at St Petersburg University, including studying courses at the Faculty of Law and Philology as well as psychoneurology at the Bekhterev Research Institute.
During the First World War, she published an anti-war literary journal, Rudin, financially supported by her parents who pawned their possessions to fund it.

Affair with Gumilyov

At the age of 20, Reisner met the poet Nikolai Gumilyov, then aged 29, in the audience at a cabaret called the 'Comedian's Halt', which opened in October 1915, and they became lovers, with nicknames for one another. She called him 'Gafiz'; he called her 'Lefi'. He was her first lover; she idolised him, and tried to imitate his poetry. She also met Gumilyov's wife, the poet Anna Akhmatova, at the Comedian's Halt and burst into tears of gratitude when Akhmatova shook hands with her. Akhmatova later said: "What was this all about?... How could I have known then that she was having an affair with Gumilyov? And even if I had known - why wouldn't I have given her my hand?" He wrote passionate letters to her while he was away on war service, and may also have offered to marry her, but during 1916 she learnt that he was simultaneously having an affair with another woman. They met for the last time in April 1917, and in his last postcard to her, urged her not to get involved in politics.

Revolution and the civil war

After the February Revolution, Larisa began to write for Maxim Gorky's paper Novaya Zhizn. She also took part in the Provisional Government's spelling reform programme, teaching at workers' and sailors' clubs in Petrograd.
A week after the Bolshevik Revolution, Reisner helped the newly appointed People's Commissar Anatoly Lunacharsky to issue an appeal to anyone Petrograd's artists and cultural workers to assemble at an evening meeting in the Smolny Institute, where the Bolshevism had their headquarters, to show support for the regime. The turn out was so poor that "there was enough room to sit on one sofa" - but it included three major figures in Russian culture, the poets Alexander Blok and Vladimir Mayakovsky and the theatre director Vsevolod Meyerhold, who spent hours discussing how to organise the intelligensia. Later, she worked at the Smolny Institute with Lunacharsky, cataloguing art treasures.
She became a member of the Bolshevik Party in 1918, marrying Fyodor Raskolnikov in the summer of that year. During the Civil War, she was a soldier and a political commissar of the Red Army. She served as chief of an intelligence section of the Volga River flotilla in August 1918 battle for Sviazhsk. During 1919, she served as the Commissar at the Naval Staff Headquarters in Moscow.

Relations with poets

Reisner was on friendly terms with Osip Mandelstam, who prevailed upon her in 1918 to accompany him in approaching Felix Dzerzhinsky, head of the feared Cheka to plead for the life of an aristocratic art historian - whom neither of them knew - who was under sentence of death. Mandelstam was evidently impressed both by her determination - he described her as "heavy artillery" - and by the elegance of her movements. "She danced along like a wave on the sea," he said. In 1921, Reisner invited Mandelstam and his wife Nadezhda to accompany her to Afghanistan. They wanted to go, but Raskolnikov, who did not like Mandelstam, vetoed the idea.
In 1920, she took revenge on Gumilyov for his infidelity, by arranging for the rations he was receiving from the Baltic Fleet to be cancelled. She sent a bag of rice to Anna Akhmatova, who was close to starvation, and met her to complain bitterly about how Gumilyov had treated her. After the meeting, in Reisner's flat overlooking the Neva, she gave Akhmatova a lift home in her horse drawn cab, and told her: "I would give everything, absolutely everything to be Anna Akhmatova." She presumably meant that she wished she had Akhmatova's poetic gift, but Akhmatova was not flattered. She told Lydia Chukovskaya: "stupid words, aren't they? What does that mean - everything? Three windows on the Neva?" While she was in Kabul, Reisner learnt that Blok had died, and wrote a passionate letter to Akhmatova, saying: "Now, when he no longer exists, your equal, your only spiritual brother...Most tender poet. are you still writing poems?...don't be silent- do not die while still alive."
Shortly afterwards, she heard that Gumilyov had been executed, and wished that she had been on hand to intervene and save his life. Her mother, who was in Russia, also bitterly regretted not realising the danger Gumilyov was in when she heard that he had been arrested. Nadezhda Mandelstam believed that Reisner might have saved Gumilyov, because "the one thing Larisa could not overcome was her love of poetry...Larisa not only loved poetry, but she also secretly believed in its importance, and for her the only blot on the Revolution's record was the shooting of Gumilyov...I somehow believe that if she had been in Moscow when Gumilyov was arrested, she would have got him out of jail, and is she had been alive and still in favour with the regime during the time when M was being destroyed, she would have moved heaven and earth to try and save him.""

International Affairs

In 1921, while married to Raskolnikov, she and her husband traveled to Afghanistan as representatives of the Soviet Republic, carrying out diplomatic negotiations.
In October 1923 she traveled illegally to Germany to witness the revolution there first-hand and write about it, producing collections of articles entitled Berlin, October 1923 and Hamburg at the Barricades.
During her stay in Germany she had become Karl Radek's lover. On her return to Russia she and Raskolnikov divorced in January 1924. The failure of the German revolution provoked furious arguments in the USSR about whose fault it was. Aino Kuusinen, wife of Otto Kuusinen, secretary of the Comintern described one such dispute that broke out when visitors gathered in her husband's flat:
It has also been suggested that she was briefly the lover of Liu Shaoqi, who rose to be the third most powerful leader in communist China. This story appears to have originated from a biography of Liu, by a German communist named Hanes Heinrich Wetzel, a book scathingly likened by one reviewer to Ian Fleming's novel From Russia with Love. Reisner was in Kabul during the entire time that Liu was in Moscow, where the 'affair' is supposed to have been conducted.

Final Years

During 1924-1925, she worked as a special correspondent for Izvestiya, first in the Northern Urals where she adopted a boy by the name of Alyosha Makarov. Her later writings came from Hamburg, whilst she was visiting a malaria clinic in nearby Wiesbaden. She also wrote articles on a corruption scandal in Byelorussia.
During this time, she also worked on Leon Trotsky's Commission for the Improvement of Industrial Products.
Larissa Reissner died on 9 February 1926, in the Kremlin Hospital, Moscow, from typhoid; she was 30 years old.

Tributes

In his autobiography My Life Bolshevik leader and founder of the Red Army Leon Trotsky paid tribute to her:
Almost every memoirist who knew Reisner, apart from Trotsky, felt moved to remark on her beauty. Anna Akhmatova described her as "a beautiful young woman" later remarking: "No-one would ever have imagined I would outlive Larisa..She wanted so much to live; she was cheerful, healthy, beautiful." Nadezhda Mandelstam remembered her as "beautiful in a heavy and striking Germanic way." The critic Viktor Shklovsky variously described her as "the young lovely", and "beautiful" Alexander Barmine described her as "a slender young woman with auburn curls and the beauty of a Minerva without her helmet." Alexander Voronsky wrote that "her noble face was both strong-willed and feminine, reminding one of the legendary Amazons, and was framed by chestnut...this beautiful and truly rare example of the human species."