Leading Lady tells the story of an aspiring British actress, Jodi Rutherford, who persuades Kobus Willemse, a farmer from Brandfort, to prepare her for a role in a major film as an Afrikaans war heroine. In return, Jodi undertakes to arrange and direct the annual concert at the Willemse farm. Jodi's interaction with the quirky, small-town citizens of Brandfort and the stubborn Kobus teaches her that there is more to life than Hollywood's: lights, camera, and action... or is there?
Leading Lady was released to cinemas in South Africa on November 29, 2014 and amassed a total of R7.9 million rands at the box office. Shortly after, Leading Lady was released in North America by MarVista Entertainment and Tomcat Films as distribution agents. While DVD sales in South Africa have amassed a total of over 20 000 units locally, the North American release secured distribution mainly through online streaming platforms, namely Netflix and Amazon Prime Video in the USA and Canada territory.
Critical reception
Debashine Thangevelo from IOL writes: "Leading Lady is an infectiously charming tale that, in exploring the cultural clashes of two nationalities, provides oodles of hilarious moments amid dramatic undertones. It’s not trying to be anything more than an unfussy, relatable and entertaining distraction." A review via the entertainment website Spling writes: "Leading Lady is a captivating and compelling romantic comedy and passion project from Henk Pretorius. From cast to crew, there's an understanding and love for the characters and film, presenting a pleasing story with heart, humour and intrinsic entertainment value. Ultimately, solid performances, steady direction, artful cinematography and a typical-yet-not-so-typical 'romcom' script drive an enjoyable and satisfying film." Mike McCahill from The Guardian writes "Both the blandest of romcoms and a film about film-making that displays zero feel for the way films are made." "Getting from A to B necessitates countless insipidly scored montages, and while director Henk Pretorius fills the frame with veldt, early glimpses of Big Ben establish the wider lack of ambition. It’s tourist-trap cinema, for gullible eyes only."
