Legião Urbana


Legião Urbana was a Brazilian rock band formed in 1982 in Brasília, Distrito Federal. The band primarily consisted of Renato Russo, Dado Villa-Lobos and Marcelo Bonfá. In its earlier days, Legião Urbana also had a full-time bassist, Renato Rocha, but he left the band due to creative divergences.
While Legião Urbana disbanded officially in 1996, after frontman Renato Russo's death, it is one of the most famous Brazilian rock bands, alongside Os Paralamas do Sucesso, Titãs and Barão Vermelho.

History

The beginning

found Legião Urbana in 1982 in Brasília, after leaving his previous band Aborto Elétrico. Aborto Elétrico broke up due to repeated disagreements between Russo and brothers Flávio and Fê Lemos, his bandmates. After Aborto Elétrico split and Russo created Legião Urbana, the two brothers would also go on to found Capital Inicial.
Legião Urbana was initially formed by Renato Russo Marcelo Bonfá, Eduardo Paraná and Paulo Paulista, but Paraná and Paulista would quickly leave the band. Ico Ouro Preto replaced Paraná as the guitarist. Dado Villa-Lobos replaced Ouro Preto in 1983. In the beginning of 1984, Renato Rocha joined the group as the bass player, after Renato Russo couldn't play any instrument because of a suicide attempt that injured his wrist. Renato Russo would then focus on the vocals. He also played keyboards and acoustic guitar.
Many elements helped shape the identity of Legião Urbana. Consciously or not, Renato Russo was heavily influenced by The Smiths and U2, particularly The Smiths lead singer Morrissey, with his extremely personal lyrics and idiosyncratic on-stage performance. He was also influenced by Joy Division's Ian Curtis.
Thematically, Russo and the other members were also influenced by literature, especially that of Portuguese poet Luís de Camões, whose poetry is featured in more than one of the band's songs.

Legião Urbana (1985)

Legião Urbana's self-titled first album was recorded and released in 1985. The album included the hits "Será", "Ainda É Cedo" and "Geração Coca-Cola". The album was released on the EMI label, and the band would stay with this record label for their entire career, with both positive and negative experiences. Most of the songs on the album sounded like U2's first record Boy, also using xylophones effects and The Edge's distinctive guitar style.

Dois (1986)

In 1986, the band released Dois. The lyrics, melodies and personality of Renato Russo brought the band considerable notoriety in Brazil, especially among the younger generation which had grown up under the fear of the authoritarian Brazilian Military Dictatorship. The songs Tempo Perdido, Quase sem Querer, Eduardo e Mônica, Andrea Doria and "Índios" were particularly popular.

Que País é Este (1987)

The band's success was cemented in 1987, with Que País É Este. They developed a devoted following, and the band came to carry the nickname "Religião Urbana", something Renato Russo professed to hate.
This was the heaviest album Legião Urbana released during its existence. The only one which can in fact be classified as Punk rock. Two of the songs, "Conexão Amazônica" and the Dylan-esque "Faroeste Caboclo" – the latter with 168 different lines and ten minutes long – were censored because they contained what was then considered obscene content. "Faroeste Caboclo" was a huge success, nevertheless. Others, such as Que País é Este?, Eu Sei, Química, Angra dos Reis and Mais do Mesmo were hits.
In the first concert in Brasília after the release of their first album, 200 people were wounded in a riot. The band would never again perform publicly in Brasília, the city from which Russo and other band members hailed.

As Quatro Estações (1989)

In 1989, before the release of As Quatro Estações, Renato Rocha decided to quit under pressure from Bonfá and Villa-Lobos. Russo returned to play bass, but he joined three touring musicians. Although this album had the most financial success of any released by the group, many fans disliked the big changes in the band's style, especially punk rock fans. The songs would now talk about love and soul. "Pais e Filhos", about broken, intact, happy and dysfunctional families, included the lyrics "É preciso amar/as pessoas como se não houvesse amanhã/Porque se você parar/pra pensar/Na verdade não há". In "Meninos e Meninas", Russo hinted that he was bisexual, something he would confirm later.

1990s

V was released in December 1991, considered the band's darkest and most introspective album until then; at this point, the band was appearing less and less in public, doing only a few concerts. The album ran a long gamut of emotions and topics, with songs about drug abuse, the confused sentiments of a soul consecrated to a life of celibacy, and even the bizarre, classic French film The Golden Age.
"Metal Contra as Nuvens" clocked in at 11 minutes and is the longest song ever recorded by the band. Some of the more popular entries on the album are O Teatro dos Vampiros, Sereníssima, Vento no Litoral, and O Mundo Anda Tão Complicado. One year after V, EMI released Música P/ Acampamentos, which is a compilation of rarities and live material. A previously unreleased song, A Canção do Senhor da Guerra, which was to be in Dois and was rejected by EMI, turned into an immediate hit. The album had got featuring keyboardist Carlos Trilha and bassist Bruno Araújo, later the recording, Araújo left the band, and joined bassist Tavinho Fialho and guitarist Sérgio Serra.
The band released O Descobrimento do Brasil in November 1993. "Giz", "Perfeição", "Vinte e Nove", "Vamos Fazer um Filme" and "La Nuova Gioventù" are the main hits of the CD, though the album as a whole received a rather chilly critical reception.
"Perfeição" was a scathing rebuke of Brazilian government and society, inviting the listener to celebrate everything stupid, evil and ugly about the country. The song compares Brazil to a house of marked cards, a den of thieves, and a State that is not a nation, but the song explodes any pretensions of moral superiority towards the end by remarking on, above all else, the stupidity of the person singing the song. After the energy and anger of the main body of the song, this final section is almost wistful. The music continues to race ahead, but the vocal seems to be trying to pull it back, simultaneously celebrating and undercutting the belief that perfection is achievable, at least in the heart. The song's popular success is emblematic of the political changes that had taken place in Brazil since the band's inception: it certainly could not have been distributed during the days of Brazil's military dictatorship.
The band members confessed that the track "Giz" was one of Renato Russo's favorite songs among all Legião Urbana's discography.
The same year, Russo released a solo album in English, The Stonewall Celebration Concert.
A Tempestade, ou O Livro dos Dias was recorded between January and June, 1996 and released on September 20, 1996. This would be the last album released before Renato Russo's death less than a month later. This album surpassed V in terms of introspection and sadness in the lyrics, probably related to the state of Russo's health.

Disbanding

In January 1995 the band performed its last concert. In December Renato Russo released his second solo album, Equilibrio Distante.
A posthumous album recorded between January and June, 1996 and released on July 18, 1997. Most of the tracks are leftovers from A Tempestade, which was originally planned as a double album. Uma Outra Estação was completed by the remaining members of the band plus keyboardist Carlos Trilha and the now late Tom Capone.
Acústico MTV is an MTV Unplugged album. Recorded January 28, 1992. Released October 27, 1999.
In September 1996 the band released its last album with Renato Russo still alive: A Tempestade. The CD has a very sad tone, directly connected to the fact that Russo and his health were deteriorating very quickly, both psychologically and physically.
Renato Russo would die one month after the release of Tempestade, on October 11, 1996, from an AIDS-related illness. Eleven days later, Bonfá and Villa-Lobos announced that the band was officially disbanded.
Uma Outra Estação was released in June 1997 and is the last album with previously unreleased songs, produced and finished by Villa-Lobos. In October 1999 EMI released a Live album, Acústico MTV, a concert which was presented on MTV Brasil in 1992. Another two albums, As Quatro Estações Ao Vivo and Como É Que Se Diz Eu Te Amo, are best-of compilations that achieved relative success among the fans and people whose interest in Legião Urbana grew after the death of Russo.

Discography

Studio albums
YearAlbum
1985Legião Urbana
1986Dois
1987Que País É Este
1989As Quatro Estações
1991V
1993O Descobrimento do Brasil
1996A Tempestade, ou O Livro dos Dias
1997Uma Outra Estação

;Live albums
YearAlbum
1992Música para Acampamentos
1999Acústico MTV: Legião Urbana
2001Como é Que Se Diz Eu te Amo
2004As Quatro Estações ao Vivo
2009Legião Urbana e Paralamas Juntos
2011Concerto Sinfônico - Legião Urbana ao Vivo No Rock In Rio

;Compilation albums
YearAlbum
1998Mais do Mesmo
2011Perfil

;Video albums
Yeardetails Album
1999Acústico MTV: Legião Urbana
2009Legião Urbana e Paralamas Juntos
2011Concerto Sinfônico - Legião Urbana ao Vivo No Rock In Rio

;Soundtrack
YearAlbum
1985A Era dos Halley

Singles

Members

Last line-up