Leitis in Waiting is the story of Tonga leitis, native transgender women fighting a rising tide of religious fundamentalism and intolerance in their South Pacific kingdom. They are led by LGBT rights activistJoleen Mataele, who founded the Tonga Leitis Association, which provides support and shelter to transgender women. The film centers on the Miss Galaxy Queen pageant, an annual beauty competition for leitis, and on a national consultation on LGBT rights initiated by Mataele.
Production & Release
Dean Hamer and Joe Wilson met Joleen Mataele during a screening of Kumu Hina arranged by her long-time friend Hinaleimoana Wong-Kalu. They had originally intended to make a short film about the Miss Galaxy Queen pageant, but expanded the project when Joleen Mataele launched a national discussion in 2016 on LGBT rights in Tonga, documenting the opposition she faced from conservative church groups. Leitis In Waiting was presented at the Documentary Edge Festival's DOC Pitch Competition 2017 as a project-in-development. Hamer has explained that discussion of LGBT in Tonga is often dominated by outside voices from countries like Australia, and that part of the motivation for making the film was to raise the profile of Tongalese voices. He has also cited the continued existence of anti-sodomy laws as an important part of the discussion. “Colonial era laws are still on the books in eight Pacific countries. We want to bring more awareness to these issues across the Commonwealth.” Leitis in Waiting would later have its European premiere at the inaugural Festival of Commonwealth Film. According to Joleen Mataele, the film is a means of speaking plainly and directly to decision makers. “I’ve always wanted to have a document of the work that we do. This film can help us advocate and make our voices heard internationally. There’s no substitute for putting your story out there without concealment. We’re telling it like it is.” The filmmakers employed an unusual release strategy. Alongside major festival screenings, they screened the film across the Pacific and worked with Pacific LGBT groups to create advocacy events, where the film screening was a means to gather people and resources in different communities. The film was produced in association with Pacific Islanders in Communications and was broadcast on PBS television.
