Li Yu (Southern Tang)


Li Yu, before 961 known as Li Congjia, also known as Li Houzhu, was the third ruler of the Southern Tang state during imperial China's Five Dynasties and Ten Kingdoms period. He reigned from 961 until 976, when he was captured by the invading Song dynasty armies which annexed his kingdom. He died by poison on orders of Emperor Taizong of Song after 2 years essentially as an exiled prisoner.
Although an incompetent ruler, he was a representative lyric poet during his era, even to the extent of having been called the "first true master" of the ci form.

Early life

In the same Chinese year Li Congjia was born, his grandfather Xu Zhigao, also known as Xu Gao founded the state Qi, renaming it Tang 2 years later. When Li Congjia was 6, his father Li Jing became the next Southern Tang emperor. With Li Jing naming his younger brother Li Jingsui his heir apparent, his sixth eldest son Li Congjia seemed unlikely to ever succeed the throne. However, many of Li Congjia's brothers died very young, and after the death of the second eldest brother Li Hongmao in 951, Li Congjia all of a sudden found himself right behind Li Hongji — the eldest brother — and uncle Li Jingsui in the succession line.
Li Hongji, a withdrawn and troubled young man, resented his crown prince uncle, whom he saw as a political enemy standing in his way. He also disliked his younger brother Li Congjia, even though they shared the same biological mother, Empress Zhong. Fearing the possible results of this family enmity, Li Congjia tried hard to be inconspicuous and focused on the arts, including poetry, painting and music. He loved reading, a passion encouraged by his father, also an acclaimed poet. At the age of 17, Li Congjia married Zhou Ehuang, chancellor Zhou Zong's daughter and a year his senior. Lady Zhou was not only highly educated but also multi-talented in music and the arts and the young couple enjoyed a very intimate relationship.

Accession to the throne

In 955, a year after Li Congjia's marriage, Southern Tang was invaded by Later Zhou. The resistance war did not end until spring 958, after Li Jing ceded all prefectures north of the Yangtze River to his powerful northern neighbor. Li Jing also relinquished all imperial trappings, degrading his own title from emperor to king. The national humiliation was soon followed by familial tragedy: later that year Li Hongji poisoned uncle Li Jingsui to death, which was followed by his own death a few months later, allegedly hastened by many encounters with Li Jingsui's vengeful ghost.
Not long after Li Hongji's death in 959, Li Congjia was given the post of royal secretary so that he could familiarize himself of governmental affairs. However, despite being the king's eldest surviving son, a few ministers considered him too dissolute and weak for the crown prince position, including Zhong Mo, who pleaded to have Li Congjia's younger brother Li Congshan chosen instead. Li Jing found Zhong's suggestion offensive and demoted him.
Suffering from poor health, Li Jing decided to transfer all responsibilities to his successor. He named Li Congjia the crown prince in spring 961 to take over in the capital Jinling while he retired to the southern city of Hongzhou. A few months later he died, and Li Congjia officially succeeded the throne, not without a last-second effort by Li Congshan to challenge him. By then Zhong Mo had also died, so Li Congshan asked chancellor Xu You to bring Li Jing's last will to him. Xu refused and confided in Li Congjia of Li Congshan's intentions. Li Congjia — changing his name to Li Yu — did not punish his younger brother other than a slight demotion.

As Southern Tang ruler

Appeasing the Song Dynasty

A year before Li Yu ascended the throne, Southern Tang's nominal overlord Later Zhou had been replaced by the Song dynasty established by former Later Zhou general Zhao Kuangyin, who had earlier participated in several campaigns against Southern Tang. Knowing the limit of Southern Tang's military strength and trying hard to be subservient to the northern court, Li Yu immediately sent a high official Feng Yanlu with a letter — whose language was of extreme humility — to inform Song of his succession. Things got to a rocky start: during his accession to the throne Li Yu built a golden rooster, a symbol of imperial power, the news of which infuriated Zhao Kuangyin. In the end, the Southern Tang ambassador in the Song capital of Bianliang had to give the explanation that the golden rooster was actually a "weird bird" to satisfy the Song emperor.
Such an embarrassing relationship would define Li's entire reign, as tribute payments, both regular and irregular, drained the Southern Tang treasury. Essentially Li was ready to fulfill Emperor Taizu of Song's every demand except go to Bianliang himself. In 963, Li Congshan who accompanied a tributary mission was held hostage in Bianliang and had to write letters on behalf of the Song emperor asking his elder brother also join him at the Song court. Li Yu, naturally, did not heed the request.

Successive deaths in the family

Li Yu remained close to his musically gifted wife Zhou Ehuang — now Queen Zhou — so close that he sometimes canceled government meetings to enjoy her performances. The absences continued until a censor spoke out against it.
In around 964, the second of the couple's 2 sons, a 3-year-old still called by his milk name Ruibao, died unexpectedly. Li would mourn his son by himself so as not to sadden his wife more than necessary, but Queen Zhou was completely devastated and quickly deteriorated in health. During her illness, Li attended her so devotedly that he did not disrobe for days. When the queen finally succumbed to illness, Li mourned so bitterly until "his bones stuck out and he could stand up only with the aid of a staff." In addition to several grieving poems, he chiseled the roughly 2000 characters of his "Dirge for the Zhaohui Queen Zhou" — "Zhaohui" being her posthumous name — to her headstone himself. Part of the dirge read :


While Li Yu was almost certainly sincere in his love for his wife, during her last days he also engaged in a secret sexual relationship with Queen Zhou the Younger, the queen's younger sister, who was only around 14 at that time. Worst of all, the queen discovered the "affair" which probably hastened her demise and multiplied Li Yu's regret. A few months later, in late 965, disaster stroke again: Queen Dowager Zhong died after several months of attentive care-taking by Li. The subsequent mourning period delayed Li's marriage to the younger Lady Zhou until 968.

Deaths of Lin Renzhao and Pan You

After conquering Jingnan, the Hunan region and Later Shu, the Song Dynasty army set off to invade Southern Han in 971, Southern Tang's southwestern neighbor. Lin Renzhao, the Southern Tang military governor of Zhenhai Command centering in Wuchang, believed the opportunity golden to attack the Song cities around Yangzhou as the main Song army would be a long distance away and already severely fatigued. Li Yu immediately rejected Lin's request: "Stop the nonsense talks, destroying country!"
What Li was perhaps unaware was a year before, the Song military had gotten hold of an important chart with detailed measurements of Yangtze River crossing points, provided by a Southern Tang defector named Fan Ruoshui. After the conquest of Southern Han, their next step was to eliminate Lin Renzhao. In 974, Emperor Taizu of Song got hold of a Lin portrait through agents working in Southern Tang, and Li Congshan, the hostage kept in Bianliang, was then made to believe that Lin's loyalty was with Song. When Li Yu was told of this, he without a thorough investigation secretly poisoned Lin to death. Chancellor Chen Qiao angrily reacted to Lin's death: "Seeing loyal ministers killed, I don't know where I will die!".

Fall of Southern Tang

Not known for his governing skill, Houzhu was nevertheless a highly accomplished scholar, he allowed himself indulgence with artistic and literature pursuits, with little regard to the strong Song Kingdom that was eying its weaker neighbor. In 971, Houzhu dropped the name of Tang from its Kingdom's name, in a desperate move to please the mighty Emperor Taizu of Song.
Of the many other kingdoms surrounding the Southern Tang, only Wuyue to the east had yet to fall. The Southern Tang's turn came in 974, when, after several refusals to summons to the Song court, on the excuse of illness, Song dynasty armies invaded. After a year long siege of the Southern Tang capital, modern Nanjing, Li Houzhu surrendered, in 975; and, he and his family were taken as captives to the Song capital at present-day Kaifeng. In a later poem, Li wrote about the shame and regret he had on the day he was taken away from Jinling :

Devotion to the arts

Although, Li Yu indeed was a great exponent and developer of the Ci poetry form, which form sometimes or often seems to characterize poetry of the Song Dynasty, there is also some difficulty in categorizing him as a Song poet: the Southern Tang state is more of a continuation of Tang than a precursor on the Song side of the divide of the history of the Tang-Song transition, also known as the Five Dynasties and Ten Kingdoms period. Li Yu represents both a continuation of the Tang poetry tradition, as well as representing the Ci poetic style which is so especially associated with the poetry of Song.
Li Houzhu devoted much of his time to pleasure-making and literature, and this is reflected in his early poems. A second phase of Li's ci poems seems to have been the development of an even sadder style after the death of his wife, in 964. His best-known, and saddest, poems were composed during the years of his captivity, after he formally abdicated his reign to the Song, in 975. He was created the Marquess of Wei Ming, a token title only: actually, he was a prisoner, though with the outward accoutrements of a prince. Li's works from this period dwell on his regret for the lost kingdom and the pleasures it had brought him.
He developed the ci by broadening its scope from love to history and philosophy, particularly in his later works. He also introduced the two stanza form, and made great use of contrasts between longer lines of nine characters and shorter ones of three and five. Only 45 of his ci poems survive, thirty of which have been verified to be his authentic works, the other of which are possibly composed by other writers: also, seventeen shi style poems remain to his credit. His story remains very popular in many Cantonese operas.

Death

He was poisoned by the Song emperor Taizong in 978, after he had written a poem that, in a veiled manner, lamented the destruction of his empire and the rape of his second wife Empress Zhou the Younger by the Song emperor. After his death, he was posthumously created the Prince of Wu.

Writing

''Ci'' poetry

The roughly 40 ci poems possibly written by Li Yu are summarized in the table below. The ci as a poetic form follows set patterns or tunes.
A few poems have been set to music in modern times, most notably the 3 songs in superstar Teresa Teng's 1983 album Light Exquisite Feelings. Some of the songs are mentioned below.
TuneFirst lineNotes
Cǎi Sāng Zǐ Lù Lú Jīn Jǐng Wú Tóng Wǎn
Cǎi Sāng Zǐ Tíng Qián Chūn Zhú Hóng Yīng Jìn
Cháng Xiāng Sī Yún Yī Guā
Dǎo Liàn Zǐ Ling Shēn Yuàn Jìng
Dié Liàn Huā Yáo Yè Tíng Gāo Xián Xìn Bù
Huàn Xī Shā Hóng Rì Yǐ Gāo Sān Zhàng Tòu
Làng Táo Shā Lián Wài Yǔ Chán Chán Tune written as Làng Táo Shā Lìng
Làng Táo Shā Wǎng Shì Zhǐ Kān Āi
Lín Jiāng Xiān Qín Lóu Bù Jiàn Chuī Xiāo Nǚ Tune written as Xiè Xīn Ēn
Missing 1 character in the sixth line
Lín Jiāng Xiān Yīng Táo Luò Jìn Chūn Guī Qù Authenticity of the last 3 lines questioned
Liǔ Zhī Fēng Qíng Jiàn Lǎo Jiàn Chūn Xiū
Pò Zhèn Zǐ Sì Shí Nián Lái Jiā Guó Shiao Lih-ju sang it in Mandarin
Pú Sà Mán Huā Míng Yuè Àn Lóng Qīng Wù
Pú Sà Mán Péng Lái Yuàn Bì Tiān Tái Nǚ
Pú Sà Mán Rén Shēng Chóu Hèn Hé Néng Miǎn Tune written as Zǐ Yè Gē
Pú Sà Mán Tóng Huáng Yùn Cuì Qiāng Hán Zhú
Pú Sà Mán Xún Chūn Xū Shì Xiān Chūn Zǎo Tune written as Zǐ Yè Gē
Qīng Píng Yuè Bié Lái Chūn Bàn
Ruǎn Láng Guī Dōng Fēng Chuī Shuǐ Rì Xián Shān Possibly by Feng Yansi
Sān Tái Lìng Bù Mèi Juàn Cháng Gèng Authorship questioned
Wàng Jiāng Nán Duō Shǎo Hèn
Wàng Jiāng Nán Duō Shǎo Lèi
Wàng Jiāng Nán Xián Mèng Yuǎn
2nd line: Nán Guó Zhèng Fāng Chūn 		Tune written as Wàng Jiāng Méi
Wàng Jiāng Nán Xián Mèng Yuǎn
2nd line: Nán Guó Zhèng Qīng Qiū 		Tune written as Wàng Jiāng Méi
Wū Yè Tí Zuó Yè Fēng Jiān Yǔ
Xǐ Qiān Yīng Xiǎo Yuè Zhuì
Xiāng Jiàn Huān Lín Huā Xiè Liǎo Chūn Hóng Teresa Teng sang it in Mandarin
Xiāng Jiàn Huān Wú Yán Dú Shàng Xī Lóu Teresa Teng sang it in Mandarin
Shiao Lih-ju sang it in Mandarin
Xiè Xīn Ēn Jīn Chuāng Lì Kùn Qǐ Huán Yōng Missing the rest of the poem
Xiè Xīn Ēn Rǎn Rǎn Qiū Guāng Liú Bù Zhù Possibly missing lines and/or characters
Xiè Xīn Ēn Tíng Kōng Kè Sàn Rén Guī Hòu
Xiè Xīn Ēn Yīng Huā Luò Jìn Chūn Jiāng Kùn Missing 2 lines
Xiè Xīn Ēn Yīng Huā Luò Jìn Jiē Qián Yuè
Yī Hú Zhū Wǎn Zhuāng Chū Guò
Yú Fù Làng Huā Yǒu Yì Qiān Chóng Xuě
Yú Fù Yī Zhào Chūn Fēng Yī Yè Zhōu
Yù Lóu Chūn Wǎn Zhuāng Chū Liǎo Míng Jī Xuě Chang Chen sang it in Mandarin
Yú Měi Rén Chūn Huā Qiū Yuè Hé Shí Liǎo Teresa Teng sang it in Mandarin
Chan Ho Tak sang it in Cantonese
Huang Yee-ling and others sang it in Taiwanese
Huang Fei sang it in Taiwanese
Yú Měi Rén Fēng Huí Xiǎo Yuàn Tíng Wú Lǜ

Poetry Examples

Poems like these are often invoked in later periods of strife and confusion by literary figures.
"Western Tower"
One of Li Yu's most famous poems, popularly known as "Alone Up the Western Tower", was written after his capture. As translated by Chan Hong-mo: This was also rendered into a song by Teresa Teng, one of the most popular Asian singers ever.


<<望江南>> "Jiangnan Remembrance"
多少恨，Such hatred,
昨夜梦魂中。Last night I departed in my dream.
还似旧时游上苑，To enjoy the park as of yore,
车如流水马如龙。The carriages flow like water and the horses like dragon.
花月正春风。 Blossoms and the moon in the spring breeze

''Shi'' poetry

Li Yu's poems in the form of shi include:
"To the Tune of Liǔ Zhī" mentioned in the ci section may also be classified as a shi.

Prose writing

Though miscellaneous in character, Li Yu's surviving prose writings also demonstrated his poetic genius. For example, "Dirge for the Zhaohui Queen Zhou" is rhymed and almost entirely in regular four-character metre, resembling the dominant fu form a millennium before.

Calligraphy

Li Yu's calligraphy style has been dubbed "golden inlaid dagger" for its perceived force and clarity. As one Song Dynasty writer noted: "The large characters are like split bamboo, the small ones like clusters of needles; altogether unlike anything done with a brush!"

Television series

Three independent television series focused on the complex relationships between Li Yu, Emperor Taizu of Song and the various women in their lives. They are: