Lilla Watson is an Indigenous Australian or Murrivisual artist, activist and academic working in the field of Women's issues and Aboriginal epistemology. Lilla Watson is a Gangulu woman who grew up on the Dawson RiverCentral Queensland her "Mother's Mother's country". Moving to Brisbane in the late 1960s, she and other members of her family have become well known through their involvement in the Indigenous community. Watson obtained a Bachelor of Arts and worked at the University of Queensland for ten years, the last six as Lecturer in Aboriginal Welfare Studies within the Social Work Department, where she developed inter-disciplinary courses on Aboriginal perspectives, and served as an appointed member of the University Senate. Watson has served as the Inaugural President of the Aboriginal and Islander Child Care Agency, was a founding member of the Brisbane Indigenous Media Association, and was a member of the Aboriginal and Islander Independent School Board in the late 1980s. She has acted as a consultant and a member of working groups, panels and selection committees for many Government and non-Government bodies. After leaving her lecturer post in 1990s she developed her own medium for visual art: elaborate patterns of hundreds of holes scorched in layers of paper, pieces she calls "burnings." Many of her works draw their themes from traditional Aboriginal art and the landscape of Queensland. Watson describes her work as having an "ants eyeview", looking up through roots and foliage from beneath the ground, looking up through the earth, the "Land". As an artist, Watson has developed portrayals of her cultural and spiritual identity that are admired nationally and internationally. Watson has expanded her art practice greatly over the years. From collaborative works, such as Soft Night Falling with saxophonist, Tim O'Dwyer to public artworks which can be seen in the New State Library, the Roma Street Parkland and the new Brisbane Magistrates Court. In 2015, Watson was made an Honorary Doctor of the University of the Queensland University of Technology. She is often credited with the quote: This quote has served as a motto for many activist groups in Australia and elsewhere. A possible origin for the quote is a speech given by Watson at the 1985United Nations Decade for Women Conference in Nairobi. Watson has said of this quote that she was "not comfortable being credited for something that had been born of a collective process" and prefers that it be credited to "Aboriginal activists group, Queensland, 1970s."
