The representation as a lion is derived from Mark’s description of John the Baptist as "...The voice of the one who cries in the wilderness: Prepare Ye the way of the Lord, make straight his paths", which artists compared to a roaring lion. The wings come from Ezekiel 1:10 and the application of the prophet's vision of four winged creatures to the evangelists. These appear again in Revelation 4:7. A second connection of Mark and lions comes from a tale recounted by Severus Ebn-El-Mokafa: "Once a lion and lioness appeared to John Mark and his father Arostalis while they were traveling in Jordan. The father was very scared and begged his son to escape, while he awaited his fate. John Mark assured his father that Jesus Christ would save them and began to pray. The two beasts fell dead and as a result of this miracle, the father believed in Christ." In some depictions the lion rests his front paws on the ground, often in cities with rivers or in ones close to water, indicating the Venetian balanced power on land and sea.
Mark and Venice
Venetian tradition states that when Mark was traveling through Europe, he arrived at a lagoon in Venice, whereby an angel appeared to him and said, "Pax tibi Marce, evangelista meus. Hic requiescet corpus tuum." This tradition was used as justification by Rustico da Torcello and Bon da Malamocco in 828 for stealing the remains of Mark from his grave in Alexandria, and moving them to Venice, where they were eventually interred in the Basilica of St. Mark. A fifteen-foot bronze statue of a lion stands atop a column of Egyptian granite in St. Mark’s Square. It was brought to the lagoon during the 12th century, and remained there until Napoleon moved it to Paris. Returned in 1815, it fell and was rebuilt. It was moved from its pedestal only at the end of the 1800s for restoration and during the Second World War for safekeeping. The Lion underwent careful restoration work in the 1990s. Restorers believe its body is roughly 2,300 years old. There are also lions carved in relief on the façade of the Doge's Palace, and at the Scuola Grande di San Marco The coats of arms of Popes Pius X, John XXIII, and John Paul I contain the Lion of St. Mark in recognition of their previous positions as Patriarchs of Venice.
Depictions
The Venetian lion appears in two distinct forms. One is as a winged animal resting on water, to symbolise dominance over the seas, holding St. Mark’s Gospel under a paw. These animals can be seen all around the Mediterranean, usually on top of a classical stone column. The other form is known as the lion "in moleca", in the form of a crab. Here the lion is depicted full-faced with its wings circled around the head and resembling the claws of a crustacean. It is emerging from water, so that the lion "in moleca" is associated with the lagoon and the city, whereas the standing winged lion is thought to be more associated with Venetian territory around the Mediterranean. The Latin words engraved on the book are Pax Tibi Marce Evangelista Meus means Peace unto you, Mark, my Evangelist. Other elements often included in depictions of the lion include a halo over his head, a book, or a sword in its paws. In British heraldry, "Lion of St. Mark" is commonly used to refer to all winged lions. These figures are depicted in arms as both passant and, more commonly, sejant, and also appear as supporters. The heraldist Arthur Charles Fox-Davies, however, defined the true Lion of St. Mark as being one used specifically within religious badges to signify the saint, and to have a halo.
