Lisa Cartwright is a scholar, author, professor and critic best known for helping to found the field of visual culture studies and for coauthoring Practices of Looking, a widely translated visual studies textbook with Marita Sturken that is regarded as one of the first comprehensive books in the field after John Berger's Ways of Seeing. In Practices of Looking, Cartwright and Sturken examine the complexity of the relationship between viewers and objects in a variety of visual media ranging from film and photography to advertising, painting, and printmaking. They pay especially close attention to the historical, social, and psychological conditions that help to constitute 'seeing' at any given moment. Cartwright is also known for her work in feminist visual science and technology studies and disability studies. In her 1995 book Screening the Body, for example, she shows how technological and scientific developments in medical imaging converge with the popular and social imagination to "make the body visible in new ways". Here, among other things, she addresses how documentary imagery is produced and used for moralizing or spectacular ends, moves that undercut its supposedly scientific neutrality, and how 'seeing' through medical optical instruments continues a displacement of direct sensory engagement that has been ramping up since the Renaissance. Elsewhere, her essay on the Visible Human Project in The Visible Woman is cited as one that laid much of the groundwork for a critical examination of this large undertaking to create a complete set of cross-sectional photographs of the human body. Cartwright is a professor in the departments of Visual Arts, Communication and Science Studies at the University of California, San Diego. She was a founding member of the Program in Visual and Cultural Studies at the University of Rochester, where she taught from 1990 to 2002.
"Visual Science Studies: Always Already Materialist". In Visualisation in the Age of Computerization, ed. Annamaria Carusi, Aud Sissel Hoel and Timothy Webmoor. Routledge, 2014.
"How to Have Social Media in an Invisible Pandemic: Hepatitis C in the Time of H1N1". In Media Studies Futures, vol. 6, ed. Anghy Valdivia and Kelly A. Gates. Wiley Blackwell, 2013, pp. 215–240.
"The Hands of the Animator: Rotoscopic Projection, Condensation, and Repetition Automatism in the Fleischer Apparatus". Body and Society 18, 47-78.
"Mandy : On Voice and Listening in the Maternal Melodrama". In Medicine's Moving Pictures: Medicine, Health, and Bodies in American Film and Television, ed. Leslie J. Reagan, Nancy Tomes, and Paula A. Treichler. University of Rochester Press, 2008.
"Imagination, Multimodality and Embodied Interaction: A Discussion of Sound and Movement in Two Cases of Laboratory and Clinical Magnetic Resonance Imaging." Co-authored with Morana Alac, in Science Images and Popular Images of the Sciences, ed. Bernd Huppauf and Peter Weingart. Routledge, 2007.
. Co-authored with David Benin, Journal of Visual Culture 5:2, 155-171.
"Spectatorship and Pity: Representations of the Global Social Orphan in the 1990s." In Cultures of Transnational Adoption, ed. Toby Volkman. Duke University Press, 2005.
"On the Subject of Neural Prosthesis." Co-authored with Brian Goldfarb, in The Prosthetic Impulse: From a Posthuman Present to a Biocultural Future, ed. Joanne Morra and Marquard Smith. MIT Press, 2005.
Journal of Visual Culture 3:1.
"A Cultural Anatomy of the Visible Human Project". In Paula Treichler, Lisa Cartwright, and Constance Penley, eds., The Visible Woman: Imaging Technologies, Gender and Science. New York University Press, 1998.
