Lisa Yuskavage is an American artist who lives and works in New York City. She is known for her figure paintings, in which seemingly ignoble subjects are depicted with classic, historical techniques.
Since the early 1990s, Yuskavage has been associated with a re-emergence of the figurative in contemporary painting. Of the artist’s paintings, critic Roberta Smith has written: "The combination of mixed subliminal messages, deliciously artificial color and forthright sexuality is characteristic of Ms. Yuskavage's work, as is the journey from high to low to lower culture within a relatively seamless whole." Yuskavage’s oeuvre is characterized by her ongoing engagement with the history of painting, and in particular the genre of the nude. Her paintings also encompass landscape and still life genres, with all three often appear within a single work. Yuskavage’s unique use of color is imbedded in Renaissance techniques as well as Color Field painting, and she cites diverse inspirations, including Italian painter Giovanni Bellini, Dutch painter Johannes Vermeer, and French painter Edgar Degas. Theoretically, her paintings are associated with psychologically driven theories of viewing, such as that of the gaze. However, the complexities inherent in her paintings deny singular interpretation; as curator and critic Christian Viveros-Fauné explains: "Yuskavage’s oeuvre... succeeds exactly to the degree that it refuses to be pinned down to any one of its many conflicted meanings. 'I only load the gun', has been known to say to those who insist on viewing a painting as an explanation." She had a New York exhibit sell out before it opened, and one of her paintings sold at auction for more than $1 million. In September 2015, Lisa Yuskavage: The Brood opened at the Rose Art Museum of Brandeis University in Waltham, Massachusetts. This major solo exhibition presented the artist’s work spanning 25 years. Additionally, Yuskavage is featured in the Metropolitan Museum of Art’s new online series, The Artist Project, launched in March 2015, in which she discusses Édouard Vuillard’s The Green Interior. Lisa Yuskavage is represented by David Zwirner and by Greengrassi. She has had four solo exhibitions at David Zwirner and six solo presentations at Greengrassi.
In popular culture
Yuskavage's work Half-Family was featured in Season 2, Episode 4 of the Emmy-nominated Showtime series, The L Word. Her work is also mentioned in the novel China Rich Girlfriend of the Crazy Rich Asians trilogy by Kevin Kwan. In Tamara Jenkins' 2018 film Private Life, main characters Rachel and Richard claim to be good friends with Yuskavage, whose artwork, gifted to them as a wedding present, hangs in their living room.
Exhibitions
Solo exhibitions
Lisa Yuskavage: Babie Brood: Small Paintings 1985–2018, David Zwirner, New York
Lisa Yuskavage: The Brood, Rose Art Museum, Brandeis University, Waltham, Massachusetts
Yuskavage has been the recipient of honors and awards that include the Tiffany Foundation Grant ; the Founder's Day Certificate of Honor, Tyler School of the Arts, Philadelphia ; and the Temple University Gallery of Success Award, Temple University, Philadelphia.
Publications
. Texts by Christopher Bedford, Suzanne Hudson, Catherine Lord, Siddhartha Mukherjee, and Katy Siegel. Published by Skira Rizzoli, New York, 2015.
. Published by David Zwirner, New York, 2006.
. Texts by Tobias Ostrander and Christian Viveros-Fauné. Published by Museo Tamayo Arte Contemporáneo, Mexico City, 2006.
. Texts by Claudia Gould, Marcia B. Hall, and Katy Siegel. Published by the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1999.
. Texts by Chuck Close and Faye Hirsch. Published by Smart Art Press, Santa Monica, California, 1996.