Lismonde lived in the villa called « Les Roches » where he spent 50 years of his life with his wife Albertine De Wispelaere.
Beginnings
Lismonde started drawing as a child, and was brought up in an artistic family that admired the work of Steinlen, Forain and fashionable English drawers. While a student at the Royal Athenaeum of Brussels, he collaborated to the Pallas review by publishing his drawings and caricatures there. Since he played the flute, he hesitated between a musical and artistic career, but he settled on the visual arts. As a young man, as early as 1925, he started painting the Brabantiancountryside with painterEdgar Bytebier .
Career
After practicing oil painting, of which there remain a few examples, he became passionate about drawing in a refined expression in black and white. It was also then that he discovered etching. In 1934, Jean Groffier wrote : « As a painter, let it be said, Lismonde was not a colorist. Under the painter's brush, a drawer was hiding. His colour is sad, wary, his effects are gray; but of a delicious melancholy. Actually, the "landscaper" that is Lismonde is one of the most interesting characters of the Belgian visual arts world and whose name will soon cross our borders. ». Though he did not exactly fit into any artistic "school", he participated in 1945 in the creation of the movement « Jeune Peinture belge » and to the group called « Cap d'Encre ». Lismonde was also a portrait painter and he completed in the 1930s and 40s a series of portraits, especially in charcoal, of personalities from the intellectual and literary world of his time like the poets Luc Indestege, Maurice Carême, Gaston Heux , the writers Constant Burniaux , Louis Lebeer, the philosopher Marcel De Corte , the architect Léon Van Dievoet or the painters Charles Dehoy or Jacques Veraart .
Exhibitions
His first personal exhibition took place in 1930 where his paintings were particularly popular. An exhibition of his works at the Palais des Beaux-Arts in Brussels in 1953 officially consecrated his art. Then he had personal exhibitions in Venice, Sao Paulo, Tokyo, and the Stedelijk Museum in Amsterdam in 1950. The 9th biennale of Black&White of Lugano dedicated him a room. In 1958, he represented Belgium at the 1958 Venice Biennale where he won the Renato Carrain Prize. There are tapestries and a sculpture by him in the Pétillon metro station in Brussels.
