List of compositions by Franz Schubert
, a Viennese composer of the late Classical to early Romantic eras, left a very extended body of work notwithstanding his short life. He wrote over 1500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions and around 20 stage works like operas and incidental music. His orchestral output includes a dozen symphonies and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.
Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as . A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates.
Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, opus numbers continued to be assigned to new publications of his work until 1867. In the meanwhile also publications without opus number had started, for instance, from shortly after the composer's death, many songs in Diabelli's fifty Nachlaß-Lieferung editions.
There are two attempts to publish everything Schubert has composed in a single edition:
- From 1884 to 1897 Breitkopf & Härtel published twenty-two series of, known as the Alte Gesamt-Ausgabe. From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website.
- The Neue Schubert-Ausgabe, also known as the New Schubert Edition, is published by Bärenreiter. It proposes around eighty-three volumes, in eight series. Publication of all volumes had been scheduled to conclude in 2016, but several volumes remain unpublished. Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany.
Works listed in the Deutsch catalogue
The 1951 first edition of the Deutsch catalogue attempted to list all dated works by Schubert in chronological order, assigning them a number from 1 to 965. Undated works were ordered in the range [|966–992]. Nos. 993–998 referred to manuscripts that had resurfaced shortly before the catalogue was printed.Later versions of the catalogue adhered to the general principles that Deutsch numbers below 966 referred, in a chronological order, to compositions by Schubert with an established time of composition, and that the range 966–992 was reserved for his compositions with an uncertain date of composition. Thus "Die Taubenpost", the last Lied Schubert composed, was reassigned from D 957 No. 14 to D 965A, and D 993, an early piano composition, to D 2E.
;Spurious and doubtful works : Annex I of the first edition of the catalogue contains only a single composition under the header Spurious and doubtful works, but however also points to some compositions with authentication issues elsewhere in the catalogue. The 1978 edition of the catalogue lists 32 spurious and doubtful works in its first Anhang, including some that were for that reason removed from the main catalogue.
;Arrangements by Schubert : The 1978 version of the catalogue lists 4 arrangements by Schubert in its second Anhang
;Works of others composers copied by Schubert : Annex II in the first edition of the catalogue contains compositions by other composers copied by Schubert. In the 1978 edition the list was expanded and became Anhang III.
;"Setting" vs. "version" distinction : the New Schubert Edition distinguishes between Bearbeitung and Fassung, the first meaning an independent composition, the second stages of the same composition. Usually different settings have different D numbers, while versions are grouped under the same D number, unless when set for a different performer. The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: is described as two settings of the same text in the original catalogue, the second having become "D deest" by the time it was published in Series IV, Volume 8 of the New Schubert Edition. On the other hand, despite a difference in key and number of movements, the original and were ultimately published under the same D number as two versions of the same sonata.
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Not in the Deutsch catalogue
The New Schubert Edition mentions several compositions without a Deutsch number, most of them lost or fragmentary:- Song for voice and piano, improvised for a play, possibly identical to
- "Seliges Genügen", on a text by Johanna Claudine von Ziglowski
- Song, fragment for voice and piano
- Fragment without text for vocal soloists, choir and orchestra
- "doch stärker ist die Mutterliebe", fragment for voice and orchestra
- Overture for orchestra
- String Quartet in B-flat major
- Fantasy for string quartet
- String Sextet, fragment for three violins, viola, cello and double bass
- Fugue for piano duet
- "Lieder für das Pianoforte": songs for voice and/or piano
- Minuet for piano?
- Canon a trè: fragment of a canon for three voices
- Canon in C major for five voices
- Three 2-part imitation exercises in invertible counterpoint
- Sketch of a composition "?" for unspecified voices and orchestra
- Mass in C major for mixed choir, two violins and organ
- Theme of a dance composition for piano
- Trio "Scherz-Terzett" for three altos
- Aria "?" for bass and piano
- Fragment of a composition for violin
- Sketch of a composition for unspecified instrument
- Fugue in F major for piano
- Piano piece in F major
- Fragment of an instrumental composition for violin, viola and guitar
- Four Dances in A major for piano
- Song "?" in C major for voice and piano
- Song "Die Nacht" for voice and guitar
- Sketch of a theme for unspecified instruments/voices "Themenentwurf"
- Sketch of a theme in A minor for unspecified instruments/voices "Themenentwurf"
- Ecossaise in G major, Ländler in F major and Ländler in F minor for piano
- Vocal composition "?" for mixed choir
- Accompaniment for a vocal composition "?"
- Vocal composition "?" for unspecified voices
- Tantum ergo in C major for mixed choir and orchestra
- Fragment of a composition for unspecified instruments
- Sketch of a composition for orchestra
- Piano Sonata in C-sharp major
- Trio "?" in D major for unspecified voices