Lorelei


The Lorelei, also spelled Loreley in German, is a 132 m high, steep slate rock on the right bank of the River Rhine in the Rhine Gorge at Sankt Goarshausen in Germany. The Loreley Amphitheatre on top of the rock is a UNESCO World Heritage Site.

Etymology

The name comes from the old German words lureln, Rhine dialect for 'murmuring', and the Celtic term in the area created a murmuring sound, and this combined with the special echo the rock produces to act as a sort of amplifier, giving the rock its name. The murmuring is hard to hear today owing to the urbanization of the area. Other theories attribute the name to the many boating accidents on the rock, by combining the German verb with the same "ley" ending, with the translation "lurking rock".
After the German spelling reform of 1901, in almost all German terms, the letter "y" was changed to the letter "i", but some proper nouns have kept their "y", such as Bayern, Speyer, Spay, Tholey, Orsoy and including Loreley, which is thus the correct spelling in German.

Original folklore and modern myth

The rock and the murmur it creates have inspired various tales. An old legend envisioned dwarfs living in caves in the rock.
In 1801, German author Clemens Brentano composed his ballad Zu Bacharach am Rheine as part of a fragmentary continuation of his novel Godwi oder Das steinerne Bild der Mutter. It first told the story of an enchanting female associated with the rock. In the poem, the beautiful Lore Lay, betrayed by her sweetheart, is accused of bewitching men and causing their death. Rather than sentence her to death, the bishop consigns her to a nunnery. On the way thereto, accompanied by three knights, she comes to the Lorelei rock. She asks permission to climb it and view the Rhine once again. She does so and thinking that she sees her love in the Rhine, falls to her death; the rock still retained an echo of her name afterwards. Brentano had taken inspiration from Ovid and the Echo myth.
In 1824, Heinrich Heine seized on and adapted Brentano's theme in one of his most famous poems, "Die Lorelei". It describes the eponymous female as a sort of siren who, sitting on the cliff above the Rhine and combing her golden hair, unwittingly distracted shipmen with her beauty and song, causing them to crash on the rocks. In 1837 Heine's lyrics were set to music by Friedrich Silcher in the art song "Lorelei" that became well known in German-speaking lands. A setting by Franz Liszt was also favored and dozens of other musicians have set the poem to music. During the Nazi regime and World War II, Heinrich Heine became discredited as author of the lyrics, in an effort to dismiss and hide Jewish contribution to German art.
The Lorelei character, although originally imagined by Brentano, passed into German popular culture in the form described in the Heine–Silcher song and is commonly but mistakenly believed to have originated in an old folk tale. The French writer Guillaume Apollinaire took up the theme again in his poem "La Loreley", from the collection Alcools which is later cited in Symphony No. 14 of Dmitri Shostakovich.

Accidents

A barge carrying 2,400 tons of sulphuric acid capsized on 13 January 2011, near the Lorelei rock, blocking traffic on one of Europe's busiest waterways.

In popular culture

Literature

;Heine's poem
;Other
;Opera
;Rock
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