"Los Angelenos" is a song written by Billy Joel that was first released on his 1974 album Streetlife Serenade. A live version was released on the 1981 album Songs in the Attic.
Lyrics and music
The Long Island-raised Joel wrote the song while living in Los Angeles, California, reflecting his impressions of the city. Authors Don and Jeff Breithaupt suggest that the song reflects the "Left Coast displacement" he was feeling at the time. Joel biographer Hank Bordowitz similarly describes "Los Angelenos" as showing "that Billy was beginning to feel a bit homesick." The lyrics to "Los Angelenos" celebrate the diversity of Los Angeles. They observe that the inhabitants of Los Angeles mostly have come from elsewhere, many far from California. They are searching for something that caused them to come to Los Angeles, but many get seduced by the nice weather and the availability of sex and drugs, and so remain even if they cannot find what they originally came for. Joel notes that these people are "goin' nowhere." Author Ken Bielen describes the song as having a "funky rock beat." Joel biographer Fred Schruers describes it as having "hip-swinging rhythms." Music criticMark Bego states that the song "rocks out" more intensely than any of Joel's work since he was with The Hassles in the 1960s. Bielen describes the melody as being similar to that of Bruce Springsteen's "Fire," which was written shortly after "Los Angelenos." Joel's electric piano is prominent in the mix.
Critical reception
critic Stephen Thomas Erlewine describes the "stomping 'Los Anegelenos'" as one of the "few winners" from the Streetlife Serenade album. Schruers describes it as Joel's "best attempt to sketch a portrait of" Los Angeles. Bego states that song "essays life in the West Coast beautifully, with a critical eye." But Bordowitz says it has "a cynical quality." And Rolling Stone critic Stephen Holden states that it "presents a hackneyed picture postcard of L.A. as sexual wasteland." Rolling Stone Album Guide critic Paul Evans states that it is one of several "narrative vignettes" on Streetlife Serenade that "strain to be clever." Billboard regarded it as one of the "best cuts" from Steetlife Serenade.
