Luis Alberto Ambroggio
Luis Alberto Ambroggio is an Argentine American poet, independent scholar and writer. Full Member of the North American Academy of the Spanish Language and correspondent of the Spanish Royal Academy. His works include award-winning essays, poetry and translations. Influenced by F. Nietzsche, César Vallejo, Jorge Luis Borges, Vicente Aleixandre, his poetry has been described by Pulitzer-prize winner Oscar Hijuelos as:
His critically acclaimed poems have been translated into English, French, Italian, Rumanian, Mandarin, Korean, Catalan, Hebrew, Portuguese, Japanese, Turkish and are recorded in the Archives of the Hispanic-American Literature of the U.S. Library of Congress.
Early life
Born in Rio Tercero, between the Pampas and the mountains of the province of Cordoba, Argentina, a village, river and reservoir that had been researched by Charles Darwin 100 years ago, Luis Alberto Ambroggio is the son of Dr. Ernesto Pedro Ambroggio, dentist, founder of one of the first institutes of Orthodontics in Cordoba and Perla Lutereau de Ambroggio, philosophy professor at the National and Catholic Universities of Cordoba, a "recognized and feared teacher, anti-dictatorship, who was expelled from the campus by mounted police, a woman of deep faith and at the same time admirer of Nietzsche, she certainly has had a decisive influence on the personality and calling of her son." He attended primary school in Cordoba and high school in Rosario. From an early age he felt a great attraction to books such as those written by Salgari and Verne which he would later leave for the study of classical Greek philosophers and his great revelation, Erasmus. Before the age of fifteen he had written poems and won poetry contests. His mother, noticing this ability, gave him an anthology of César Vallejo; this would mark the beginning of his important history in the world of poetry.College
During his college years he continued his interest in Plato, Aristotle, Augustine of Hippo and then he was attracted by the writings of Racine, Voltaire, Kant, and Nietzsche. Hence, his first publication was a philosophical textbook of epistemology written in collaboration with his mother. Today his philosophical readings are more inclined to the thoughts of Ricoeur and Wittgenstein. In Argentina, he received his doctoral degree in philosophy and completed other doctoral studies in social science at The Catholic University of America. He also has an MBA from Virginia Tech.Arrival in the U.S.
He came to the United States in 1967. Under the Leadership Program of the United Nations, he served as an intern in the U.S. Congress and then on the White House Cabinet Committee for the advancement of the Hispanic population during the Nixon administration. He also worked at the Pan American Development Foundation and at the Embassy of Argentina in Washington, DC.Business career
In 1976 Ambroggio founded a successful company, Aerospace International Marketing, which he sold in 2001 and would continue as the Chief Advisor to the Board until 2008. Due to the successful international outreach of his company by trading in different continents, he took advantage of his travels to various countries to increase his knowledge in their poetic leading figures and events. Throughout his life he attended meetings and participated in recitals to exchange ideas and friendship with the likes of Jorge Luis Borges, Ernesto Cardenal, Claribel Alegría, Pablo Antonio Cuadra, José Saramago, Robert Pinsky, among many others.Writings
Classified as one of the most important poets amongst the Hispanic writers in the United States 1, Ambroggio has given recitals and lectures at over 30 universities including the University of Salamanca, Wake Forest, Hofstra, New York, Virginia, Georgetown, Jerusalem, the National Universities of Córdoba, Tucumán, Mar del Plata, UNAN Nicaragua, UNAM Mexico, Austral de Chile and the National Libraries of Madrid, Buenos Aires, Santiago, El Salvador, Ottawa and the Library of Congress. As a member of the faculty of the University of Massachusetts Amherst and Florida Gulf Coast University, Ambroggio has taught seminars and lectured on various topics including the art of writing poetry. He has translated poems by William Carlos Williams, DH Lawrence, Dylan Thomas and Robert Pinsky. He has published twenty books of poetry, four of which are bilingual, a book on the art of writing poetry, a collection of short stories, and a book of essays:• Todos somos Whitman/We are all Whitman. Arte Público Press, Univ. Of Houson, 2016.
• Tribute to the Road/Homenaje al Camino. México-Barcelona, Vaso Roto Ed.: 2015.
• Estados Unidos Hispano. Nueva York, Colección Dorada, Long Island al Día Ed.: 2015.
• Antología Poética de Luis Alberto Ambroggio Madrid, Lord Byron Ed.: 2015.
• En el jardín de los vientos. Obra poética 1974-2014. Critical edition published by the North American Academy of the Spanish Language, New York: 2014, elected by Infobae as one of the best books of the year.
• Todos somos Whitman. España-México, Vaso Roto Ed.:2014.
• Cuentos de viaje para siete cuerdas y otras metafísicas. Indianapolis: Palibrio Ed.: 2013.
• Homenaje al camino . Córdoba: Alción Editora, 2012.
• Arqueología del viento / The Wind's Archeology. Barcelona-Mexico: El Vaso roto Ediciones Broken, 2011..
• Difficult Beauty. Selected Poems 1987-2006. Yvette Neisser-Moreno, ed. New York: Cross-Cultural Communications, 2009.
• La desnudez del asombro . Madrid: Ediciones Lord Byron, 2009.
• El Arte de escribir poemas. Apuntes para no llevar necesariamente el apunte . New York: Urpi Editors, 2009.
• Los tres esposos de la noche . San Jose, Costa Rica: La Casa de la poesía, 2005.
• Laberintos de Humo . Buenos Aires: Ed Tierra Firme, 2005.
• El testigo se desnuda . Madrid: Asociación Prometeo de Poesía, 2002.
• Por si amanece: cantos de Guerra . Washington D.C: Horizonte21 Publishers, 1997.
• Los habitantes del poeta . Washington DC: Horizonte 21 Publishers, 1997.
• Poemas desterrados . Buenos Aires: Ibero-American Academy of Poetry, 1995.
• Oda Ensimismada . Buenos Aires: Alicia Gallegos, 1994.
• Hombre del Aire . Sevilla: Gallo de Vidrio, 1992.
• Poemas de amor y vida . Los Angeles: Puerta Press, 1987.
Among the anthologies that he has compiled are:
• Knocking on the Door of the White House: Latina and Latino Poets in Washington, D.C., Luis Alberto Ambroggio, Carlos Parada and José Ballesteros, Zozobra Publishing, 2017.
• Labios de Arena. Embajada de los Estados Unidos de América Managua, Nicaragua: 2014.
• Antología. Festival Latinoamericano de Poesía. Ciudad de Nueva York 2012. Carlos Aguasaco, Luis Alberto Ambroggio, Karla Coreas, eds. Nueva York: Urpi Editores, 2012.
• De azul a rojo . Nicaraguan Poetic Voices of the XXI century. Managua: Embassy of the United States and Nicaraguan Writers Center, 2011.
• Al pie de la Casa Blanca ''. Hispanic Poets from Washington, DC., Luis Alberto Ambroggio and Carlos Parada Ayala, eds. New York: North-American Academy of the Spanish Language, 2010.
He has several unpublished books: three books of essays: Filosofía, poesía y memoria and Whithman, Borges, Darío, Vallejo y otras literaturas, Revolución Religion y Cultura; análisis antropológico de las ideologías de la liberación de América Latina en los 60' and three books of short stories: Cuentos perdidos. Ficciones en el Museo de la Risa and La felicidad de las sombras. And one book of poems: Principios póstumos.
Essays
As a critic and essayist he has specialized in the poetry of the United States written in Spanish on issues related to bilingualism, identity and critical studies of renowned poets such as Borges, Vallejo, Gabriela Mistral and Dario that have contributed to his appointment as Honorary Member of Ruben Dario Cultural Heritage Institute. The following are some of his most representative essays:• "Ruben Dario and Walt Whitman". New York: North-American Academy of the Spanish Language, 2017.
• "Thomas Jefferson and the Spanish Language: Praxis, vision, and political philosophy", en https://www.academia.edu/7435568/THOMAS_JEFFERSON_AND_THE_SPANISH_LANGUAGE_PRAXIS_VISION_AND_POLITICAL_PHILOSOPHY
• "Spanish is my land." La Tolteca : 54-55 https://issuu.com/latolteca/docs/latolteca_fall_2014-70pgs-final3
• "Anti-olvido", Homenaje a Nicanor Parra, en Decenio, Revista Centroamericana de Cultura, No. 15, Diciembre 2015, 11-13.
• Memoria poética hispana de EE.UU.: historia y contexto teórico. , New York: North-American Academy of the Spanish Language, 2012.
• "La filosofía de la memoria poética" Alba de America 31.59 : 274-86.
• "Gabriela Mistral, La extranjera: complejidad poética de su desarraigo y pertenencia" in Gabriela Mistral y los Estados Unidos , Gerardo Piña-Rosales et al., Eds. New York: North-American Academy of the Spanish Language, 2011.
• "Representantes de los movimientos literarios: en la poesía escrita en español en los Estados Unidos: Modernismo, Pre/Post/Neo y otros ismos." Alba de América 30.57-58 : 214-27.
• "Rubén Darío y Antonio Machado: dos poetas, dos continentes, tres poemas y un camino" in Fondo Documental de Prometeo: http://www.prometeodigital.org/FD_LISTATOTAL.htm
• "Rubén Darío y César Vallejo: unidos en un poema 'El Retablo'." Revista Carátula http://www.caratula.net/archivo/N28-0209/Secciones/critica/luis%20ambroggio%20-%20vallejos%20y%20dario%20unidos.html
• "Esperanza en la piedra del silencio: la poesía de César Vallejo y Paul Celan." Essay read at Hofstra University. Fondo Documental de Prometeo, 2008 http://www.infolizer.com/prom5et5eod4i7git1ala1or7g/Cesar-vallejo-y-paul-celan.html
• "Borges y Rubén Darío." Fondo Documental de Prometeo, 2007 http://www.infolizer.com/prom5et5eod4i7git1ala1or7g/Borges-y-dario.html
• "Convergencias y divergencias: Rubén Darío y Pablo Antonio Cuadra." Fondo Documental de Prometeo: http://www.prometeodigital.org/FD_LISTATOTAL.htm
• "Bilingüismo e identidad.". Key note speech read at Toronto's City Hall, Canadá: https://web.archive.org/web/20150928175532/http://revistadebate.ca/portal/index2.php?option=com_content&do_pdf=1&id=566
• "La poesía puertorriqueña.", Enciclopedia del Español en los Estados Unidos. New York: Instituto Cervantes y Editorial Santillana, 2008. 672-77.
• "El teatro puertorriqueño.", Enciclopedia del Español en los Estados Unidos. New York: Instituto Cervantes y Editorial Santillana, 2008. 738-42.
• "La poesía de Estados Unidos en español." Hispanos en los Estados Unidos: Tercer pilar de la Hispanidad. . Gerardo Piña-Rosales et al., eds. Nueva York: Teachers College, Columbia University, 2004. 197-213. http://www.ildialogo.org/poesia/islanegra128especialeupoen.pdf
• "The Latin American Man and his Revolution." Conscientization for Liberation''. Louis Colonnese, ed. Washington, DC: Division for Latin America United States Catholic Conference Washington, DC. 1971. pp. 3–22.
Style
Ambroggio writes several poems and in various genres at the same time: poetry, essays, stories that he keeps in notebooks. In some of his poems he reflects different stages of his life: agnostic, socially committed, loving, a period of exile. In If Dawn Comes: War Songs he interprets the theme of violence in war while at the same time emphasizing the culture of peace. In Poems of Loving and Living he incorporates what he calls "a multifaceted love" of son, father, husband. Amateur aviator in Air Man , from an airplane, he meditates on the volatility and the contradictions of existence. The theory of Exiled Poems is that "we are all exiles, we all come from a lost paradise." However, in almost all of his books, his word strays from the central issues and generates unexpected adventures, as seen in The Wind's Archaeology or Ode in and of Myself : "If I give myself to the sky / and its score of stars /I do not need weight / I will be part of a growing place/ to the light of my dreams. / I will have weighted my abyss / and the extent of my summit ". His quest for knowledge has been so relentless that his poetry moves between the perplexities and certainties of life with great expressive control and outstanding beauty.Critical reception
According to Gerardo Piña-Rosales, Director of the North-American Academy of the Spanish Language, "in the poetry of Luis Alberto Ambroggio sometimes we hear the mournful voice of César Vallejo, the cryptic voice of Jorge Luis Borges, the tormented voice of Luis Cernuda, the loving voice of Pedro Salinas, the manly voice of José Hierro, the muted voice of Rilke, the ventriloquist voice of Fernando Pessoa". For Poet Laureate Robert Pinsky "the essential quality of Luis Alberto Ambroggio's poetry is immediacy: the vividness of images that feel unmediated, though we know they are, profoundly, the products of art. Here is a philosophical mind that insists always on the unfathomable primacy of encounter".According to Oscar Hijuelos, Ambroggio has an inimitable expression: "one savors the shadows of his words." To Moraima Semprúm de Donahue, "he is a wordsmith, a defender of the oppressed by the policies of the First World and a poet of the heavens"; the one of the blue space and its derivatives... sky, blue, air, flight, space, clouds, universe, stars, the Pleiades, Scorpio and Sagittarius with its many metaphors that represent parallels: starships, Sputnik, birds, space stations, and Dario's forms of mythological and historical symbols... He calls himself "pilot of the winds, pilot of the immense and microscopic, pilot of the punished bones". Adriana Corda states "Luis Alberto Ambroggio chooses an invisible power, without land nor identity, as a symbol of a deep cultural malaise at a collective level and responsible for refracting the dantesque domaines at the individual level; he parodizes, he shows the irony, he accuses, he limits..." Miguel Fajardo Korea indicates that the epigraphs are crucial because Ambroggio reflects "a kind of archive of the soul of the writer". Not only the titles of Ambroggio's books but "the subtitles are a unique universe that seduces, which propels the imagination to be caught in them, as seen in the poems 'The dry lantern' or 'The time of Death' from The Witness Bares Its Soul , in 'Evaporated Rites' from The Inhabitants of the Poet or 'Playing with Smoke in Labyrinths of Smoke ... Ambroggio has a relentless intellectual curiosity that is screened in the verse as a consistent desire to understand human existence without ever losing the tragic dignity... All his books are literary gems as well as metaphysical treatises in miniature".
Critical Reviews
Books
• Tezanos-Pinto, Rosa, ed. El exilio y la palabra. La trashumancia de un escritor argentino-estadounidense . Buenos Aires: Editorial Vinciguerra, 2012.• Zeleny, Mayra, ed. El cuerpo y la letra. Poética de Luis Alberto Ambroggio . New York: North-American Academy of Spanish Language: 2008.
Conferences and courses
• Corda, Adriana. "Poética del retorno en 'Azahares de la Memoria' de Luis Alberto Ambroggio." XLVII Congress Hispanists Canadian Association of Hispanists, ACH-CAH. University of New Brunswick and Saint Thomas University, Fredericton, New Brunswick, Canada, May 2011.• Palacios, Conny. "Arte poética y palabra en Los Habitantes del Poeta de Luis Alberto Ambroggio. ". XLVII Canadian Association Congress Hispanists ACH-CAH, University of New Brunswick and Saint Thomas University, Fredericton, New Brunswick, Canada, May 2011.
• "Dos poemas migrantes: "La lengua materna" de Eduardo Espina y "Otredad" de Luis Alberto Ambroggio.". XXXIV International Symposium of the Hispanic Cultural Literal Institute, Tribute to Ernesto Sábato, Buenos Aires, Argentina. October 2010.
• Pozzi, Edna. "Bilingüe, un verdadero desafío." XXXIII International Symposium of the Hispanic Cultural Literary Institute, University of Jujuy, Argentina, August 2008.
• Corda, Adriana. "El discurso del poder, la memoria y el exilio en los textos poéticos de Luis Alberto Ambroggio.", Universität zu Köln, Faculty of Philosophy, January, 2006.
• Corda, Adriana "Identidad y memoria en la lírica de Luis Alberto Ambroggio.", First International Conference on Literature, Buenos Aires, October, 2006.
• Corda, Adriana. "El Discurso de la Identidad en Los habitantes del poeta de Luis Alberto Ambroggio.", X National Congress of Linguistics, Catholic University of Salta, July 2005.
• Corda, Adriana. Disociación del signo poético en Laberintos de Humo de Luis Alberto Ambroggio.", XXVI International Symposium on Present and Future of American Literature University of Los Lagos, Puerto Montt, Chile. August, 2005.