Madeline Gins
Madeline Helen Arakawa Gins was an American artist, architect and poet.
Life
Gins was born in New York City and studied physics and Eastern philosophy at Barnard College.Gins met her partner and later husband, artist Shusaku Arakawa, in 1963. One of their earlier collaborations, "The Mechanism of Meaning", was shown in its entirety at the 1997 Guggenheim exhibition, Arakawa/Gins – Reversible Destiny/We Have Decided Not to Die.
In 1987, as a means of financing the design and construction of works of architecture, Arakawa and Gins founded the Reversible Destiny Foundation. The Foundation actively collaborates with practitioners in a wide range of disciplines including, experimental biology, neuroscience, quantum physics, experimental phenomenology, and medicine. Their architectural projects included residences, Reversible Destiny Lofts, parks and plans for housing complexes and neighborhoods.
She and Arakawa "lost their life savings" to the Bernie Madoff ponzi scheme.
Death
On March 18, 2010, Arakawa died, after a week of hospitalization. Gins would not state the cause of death. "This mortality thing is bad news," she stated. She planned to redouble efforts to prove "aging can be outlawed."On January 8, 2014, Gins died of cancer at age 72.
Reversible Destiny Foundation
Arakawa and Gins cofounded the Reversible Destiny Foundation, an organization dedicated to the use of architecture to extend the human lifespan. They have co-authored books, including Reversible Destiny, which is the catalogue of their Guggenheim exhibition, Architectural Body, and Making Dying Illegal, and have designed and built residences and parks, including the Reversible Destiny Lofts, Bioscleave House, and the Site of Reversible Destiny–Yoro.Works
Architectural works by Arakawa and Gins
- "UBIQUITOUS SITE, NAGI'S RYOANJI, Architectural Body
- "Site of Reversible Destiny – Yoro Park
- "Shidami Resource Recycling Model House
- "the Reversible Destiny Lofts MITAKA – In Memory of Helen Keller
- "Bioscleave house – LIFESPAN EXTENDING VILLA
- "Biotopological Scale-Juggling Escalator
Books by Arakawa and Gins
- The Saddest Thing Is That I Have Had To Use My Words. Catskill: Siglio Press, 2020.
- Making Dying Illegal, Architecture Against Death: Original to the 21st Century.. New York: Roof Books, 2006 ; Tokyo: Shunjusha, 2007.
- Le Corps Architectural. Paris: Editions Manucius, 2005.
- Architectural Body. Tuscaloosa: University of Alabama Press, 2002.
- Reversible Destiny: We Have Decided Not to Die, Guggenheim Catalog, New York: Abrams, Inc. .
- ARCHITECTURE: Sites of Reversible Destiny . London: Academy Editions .
- Helen Keller or Arakawa. Santa Fe: Burning Books with East/West Cultural Studies .
- Pour ne pas mourir. To Not To Die. Paris: Editions de la Différence .
- What the President Will Say and Do!! Barrytown, NY: Station Hill Press .
- Mechanismus der Bedeutung. The Mechanism of Meaning. Munich: Bruckmann ; New York: Harry N. Abrams, Inc. ; New York: Abbeville Press .
- For Example . Milan: Alessandra Castelli Press
- Intend. Bologna: Tau/ma
- Word Rain . New York: Grossman/Viking
Essays by Gins
- '"The Architectural Body – Landing Sites", Space in America: Theory History Culture
- '"LIVING BODY Museum", Cities Without Citizens, pp. 243–57
- '"Gifu-Reversible Destiny", Architectural Design, Games of Architecture, pp. 27–35
- '"Housing Complexity", Journal of Philosophy and the Visual Arts, No. 6, pp. 88–95
- '"Landing Sites/The End of Spacetime", Art and Design
- '"Person as Site in Respect to a Tentative Constructed Plan". ANYWHERE, pp. 54–67
- The Tentative Constructed Plan as Intervening Device for a Reversible Destiny A+U: Architecture and Urbanism'', pp. 48–57.
- '"The Process in Question," Critical Relations. Highgate Art Trust, Joan Burns, Williamstown, Massachusetts
- '"To Return To!", Marcel Duchamp and the Avant-Garde Since 1950. Köln: Ludwig Museum
- 'Essay on Multi-Dimensional Architecture"
- '"Forum: Arakawa's The Sharing of Nameless, 1982–83," DRAWING, Jan.-Feb. 1985, pp. 103–04
About Arakawa and Gins
Books
- Architecture and Philosophy: New Perspectives on the Work of Arakawa & Madeline Gins. Architecture – Technology – Culture. Jean-Jacques Lecercle and Françoise Kral, Amsterdam: Rodopi, 2010.
- On Architecture, Fred Rush, New York: Routledge, 2009., pp. 47–52.
- Bodies in Code: Interfaces with Digital Media, Mark B. N. Hansen, CRC Press, 2006. pp. 183–191, 219–220 ; New York, London: Routledge, 2006.
- Architectures of Poetry, María Eugenia Díaz Sánchez, Craig Douglas Dworkin, Rodopi, 2004, pp. 77–89.
- Reimagining Textuality: Textual Studies in the Late Age of Print, ed. Elizabeth Bergmann Loizeaux and Neil Fraistat. Madison, Wis.: University of Wisconsin Press, 2002, pp. 123–48, 178–85.
Reviews
- Charles Bernstein, "What Happens When the Artists Drops Away",
- Andrew Levy. "Biotopology with No Annual Fee", New York: ON: Contemporary Practice, pp. 65–77.
- Daniel Ross, "Passages to Immortality: Arakawa and Gins, Stiegler, and September 11", Reconstruction
- Jean-Francois Lyotard. Que Peindre?, Adami, Arakawa, Buren. Paris: Hermann Editeurs
- R. Klanten, L. Feireiss. Eds. Strike a Pose: Eccentric Architecture and Spectacular Spaces
- Jondi Keane and Evan Selinger. "Architecture and *'Philosophy: Refelections on Arakawa and Gins". Footprint
- Fred Bernstein. "A House Not for Mere Mortals", New York Times
- 'J. Keane. "Exert Yourself in Wholly Other Ways", Kerb
- 'J. Keane. "Situating Situatedness through Æffect and the Architectural Body of Arakawa and Gins", Janus Head,, pp. 437–57
- Florentine Sack. Open House: Towards a New Architecture, pp. 131–43
- "Design Innovation House: Reversible Destiny Lofts", Archiworld
- Mari Hashimoto. "How to Live in Reversible Destiny Lofts with Directions for Use", Casa Brutus
- 'Yoshihio Sano. "The trial to cross-over", Japan Architect
- Lawrence B. Nagy. "Parcours vita a domicile", Le Monde
- Tomoko Otake. "Home sweet: 'death-defying' condo homes", The Japan Times
- Takeshi Matsuda. "Closeup: Building a Residence with Tubes, Spheres and Cubes", Nikkei Architecture
- Joel David Robinson. "From Clockwork Bodies to Reversible Destinies ", Art Papers
- Lisa Licitra Ponti. "Arakawa + Gins. Living Bodies", Domus 879
- Susan Stewart. "On the Art of the Future." The Chicago Review
- Karen MacCormack. "Mutual Labyrinth: A Proposal of Exchange", Architectures of Poetry. Amsterdam: Rodopi, 2004
- 'Michel Delville. "How Not to Die in Venice: The Art of Arakawa and Madeline Gins", Architectures of Poetry. Amsterdam: Rodopi, 2004
- 'Michelle Delville. "How Not to Die in Venice: The Art of Arakawa and Madeline Gins" Reading the Illegible , Northwestern University Press, Chicago, Illinois
- David Kolb. Review of Architectural Body. Continental Philosophy Review, 2003
- Patrick Pardo. "Regarding the Lives of Human Snails: Arakawa/Gins and the Architectural Body", Daily NY Arts Newsletter, May 15, 2003, p. 1
- Aaron Kunin. "Stay Alive: Gins and Arakawa vs. The Grim Reaper", The Village Voice
- Joel David Robinson. Review of Architectural Body. Parachute
- Geraldine McKenzie. Review of Architectural Body. How2
- Jean-Michel Rabaté, ed. "Architecture Against Death Architecture" Interfaces A + G
- 'Mary Ann Caws. "Taking Textual Time" Reimagining Textuality: Textual Studies in the Late Age of Print. University of Wisconsin Press
- Charles Bernstein. "Every Which Way But Loose" Reimagining Textuality: Textual Studies in the Late Age of Print. University of Wisconsin Press
- Arthur C. Danto. "Arakawa-Gins", The Nation, pp. 31–34; reprinted in 2000 in The Madonna of the Future: Essays in a Pluralistic Art World, New York: Farrar, Straus and Giroux, pp. 265–272
- 'Samira Kawash. "Bodies at Risk- The Architecture of Reversible Destiny", PAJ 59, pp. 17–27
- 'Tom McEvilley. "Arakawa and Gins at the Guggenheim Soho", Art in America, pp. 100–01
- Mark Amerika. "Astrophysical Grammatology – Helen Keller or Arakawa", American Book Review, February–March 1996, Vol. 17, No. 3, p. 18
- Gendai Shiso. The Journal of Contemporary Thought, Tokyo
- Serge Gavronsky. "Dot Lamour", Witz, A Journal of Contemporary Poetics, Winter 1994, Volume III, No. 1
- 'Mary Ann Caws. "Madeline Gins- Helen Keller or Arakawa." Journal of Philosophy and the Visual Arts, no. 6, Complexity, 1995, p. 96
- Charles Bernstein and Susan Bee, "Meaning the Meaning: Arakawa's Critique of Space." Content's Dream: Essays 1975–1984, Sun & Moon Press; 184–195
- 'Robert Creeley. "Someplace Enormously Moveable" – The Collaboration of Arakawa and Madeline Gins, Art Forum, Vol. 18, pp. 60–65.