Works from Gaumont's time studying at the Beaux-arts de Paris, l'école nationale supérieure
Figure modelée d'après l'antique
This was Gaumont's submission to the school's 1900 competition for a "figure modelée" in the classical mode.
Psyché
This was Gaumont's marble Ronde-bosse executed whilst a pupil at the school.
Le jeune Sophocle après la victoire de Salamine
This was the plaster composition with which Gaumont shared the "Prix de Rome". The work is kept in the archives of the École nationale supérieure des beaux-arts in Paris
This university in Paris' 14th arrondissement and near the Porte d'Orléans includes a series of ēresidences for the students built in the style of various countries, The Fondation Biermans-Lapôtre building is that built in the Flemish style mainly to house students from Belgium, Gaumont created reliefs on the building's entrance.
Le Printemps
This statuette in plaster was commissioned from Gaumont by the Architect Albert Laprade for the bathroom of the "Studium" pavilion at the 1925 Paris internationale des Arts décoratifs exhibition. It is held in the collection of the Musee Antoine Lecuyer in Saint-Quentin
This work can be seen at Fort-de-France in Martinique. The inauguration took place on 15 September 1935. Another work designed by Pierre Leprince Ringuet, the statue can be seen in the "Parc de la Savane".
Reliefs for the 1937 Exposition internationale des arts et des techniques
Gaumont executed four bas- reliefs "Triton", "Trois Nymphes", "Centaure" and "Eros" for the exhibition. They now decorate the exterior wall of the Musée d'Art Moderne de la Ville de Paris.
The belfry was the only part of the church of Saint-Martin to survive the French Revolution when the church was destroyed and in 1922 Gaumont was commissioned to add four sculptures to the corners of the belfry tower. These depicted four figures from Cambrai history; a Frankish warrior, a soldier of the militia, Louise de Savoie, the mother of François 1st who signed the 1529 "Paix des Dames" and the Marquis de Cézen, the first governor after Cambrai was reunited with France in 1667.
The whole of the centre of Cambrai was destroyed by the Germans in 1918 and the Chamber of Commerce building emerged from the reconstruction with decoration by Gaumont and Paul Simon.
From 1920 onwards Gaumont often collaborated with Sèvres. One such work in "biscuit de porcelaine" was called "Petit coursier". . Other Sèvres works include "Joueuses de Boules", "La mort de Narcisse", "Samson et Dalila", "Le sommeil", "Enfants a la flèche" and "L'amour Endormi"
The village of Flesquières was razed to the ground by the Germans in 1918 and Pierre Leprince Ringuet was commissioned to plan the reconstruction. The rebuilding of the church was started in 1923 and the building consecrated in 1926. Gaumont carried out sculptural work both inside and outside the church.
Église Saint-Joseph de la Vacquerie
This church in Villers-Plouich replaced a chapel which was destroyed on the eve of the battle of Cambrai in 1917. It was built between 1923 and 1930 and the designing architect was Pierre Leprince-Ringuet. On the front of the church there is some sculpture around the church's rose window by Gaumont, executed in 1928, and depicting a " Christ in majesty" surrounded by angels.
During the 1914–1918 war, Arras cathedral was almost totally destroyed and had to be restored in 1920 but further damage was sustained when in 1944 the building was hit by a bomb. There is much to be seen inside the church including the "Stations of the Cross" by Descatoires, several marble statues in the nave given by the église Sainte Geneviève of Paris and a pulpit with sculptural decoration by Gaumont who depicts Christ amongst his disciples and the four evangelists; the winged Matthew, Mark with a lion, Luke with a winged bull and John with eagle. Gaumont also added the sculptures on the baptismal font. He depicts Jesus being baptized by John the Baptist and St Vaast blessing a group of the faithful.
Église Saint-Martin d'Abancourt, Nord
This church designed by Pierre Leprince Ringuet was decorated in the arts déco style and Gaumont executed sculpture in moulded cement for the church façade.
Another church designed between 1924 and 1930 by Pierre Leprince Ringuet to replace the building destroyed in 1917. In June 1928 Gaumont added a depiction of the Crucifixion to the front of the church.
This is one of the five churches restored by Pierre Leprince-Ringuet and Gaumont created several sculptural works including the pediment depicting St Martin handing his cloak to a beggar.
War memorials
Le Monument de la rue Conté
The École centrale des arts et manufactures lost many of her pupils in the 1914–1918 war and Gaumont carried out the sculpture on the school's entrance, carried out in 1923 to honour those 550 "Centraliens" killed.
The Lycée Saint-Louis War Memorial
Gaumont carried out sculptural work for this memorial to the pupils of the Lycée killed in the 1914–1918 war.
This 1925 memorial dedicated to was designed by Pierre Leprince Ringuet with sculpture by Gaumont. Originally located in the Fontainebleau school of artillery it is now held in the Musée de l’école d’Artillerie in Draguignan
The Laon war memorial lies at the intersection of the rue du Mont de Vaux, the Avenue Gambetta and the avenue Aristide Briand. The monument is 17 metres high and made from reinforced concrete and Lavoux stone. It was inaugurated in 1926 and Gaumont has sculpted an image of Minerva, daughter of Jupiter and the goddess of war, wisdom, strategy and intelligence. She carries a shield and a sword which she points downwards.
Dating to 1923, Gaumont's sculpture for this memorial, given by Gaumont as a gift to a commune where he had spent much of his infant life, depicts an angel of victory with wings spread wide supporting the body of a dead soldier. The architect of the memorial was Maurice Boille.
Memorial to the 88th Regiment Indre-et-Loire
This monument in Tours is dedicated to the 88th "régiment de mobiles" and their role in the 1870–1871 Franco-Prussian war and was inaugurated 12 July 1914. Gaumont sculpted in limestone a soldier protecting a woman who in turn guards the coat of arms of Tours. Behind them another soldier lies either dying or wounded. The monument is positioned just before the Saint-Symphorien bridge. Originally the monument stood in Tours' Place du Chardonnet. The architect was Bernard Chaussemiche.
