Margaret Wertheim


Margaret Wertheim is an Australian-born science writer, curator, and artist based in the United States. She is the author of books on the cultural history of physics, and has written about science, including for the New York Times, Los Angeles Times, Guardian, Aeon and Cabinet. Wertheim and her twin sister, Christine Wertheim, are co-founders of the , a Los Angeles-based non-profit organization though which they create projects at the intersection of art, science and mathematics. Their IFF projects include their , which has been shown at the , Hayward Gallery, Museum of Arts and Design, and the Smithsonian's National Museum of Natural History. For her work with public science engagement, Wertheim won the 2016 Klopsteg Memorial Award from the American Association of Physics Teachers and Australia's Scientia Medal.

Education and research

Wertheim's education includes two bachelor's degrees, a Bachelor of Science in pure and applied physics from the University of Queensland and a Bachelor of Arts in pure mathematics and computing from the University of Sydney.
Wertheim has been a research associate at the American Natural Museum of Natural History located in New York, and is a fellow at the Los Angeles Institute for the Humanities,. She is currently a PhD candidate and researcher at Deakin University. She was the Discovery Fellow at the University of Southern California, as well as the Vice Chancellor's Fellow at the University of Melbourne.

Career

Books

Wertheim is the author of a trilogy that considers the role of theoretical physics in the cultural landscape of modern Western society. The first, Pythagoras' Trousers, is a history of the relationship between physics, religion and gender relations. Reviewing the book in The Independent, Jenny Turner writes that the introduction states the book's argument elegantly and compellingly; but the text disappointed her by losing sight of what Turner thought its most interesting goal, telling how physics has been motivated by "fantasies of universal mastery".
The second, The Pearly Gates of Cyberspace, charts the history of scientific thinking about space from Dante to the Internet. Andrew Leonard, reviewing the book for The New York Times, calls Wertheim's thesis, that cyberspace opens up spiritual possibilities, "ambitious and fascinating, although in lesser hands it would border on risibility." Leonard finds her account of the evolution of physicists' concept of space impressive, but expresses the view that ultimately she loses faith in her thesis: even if there is, indeed, something human about a great network of relationships that "cannot be captured by an equation or a telescope".
The third, Physics on the Fringe: Smoke Rings, Circlons, and Alternative Theories of Everything, looks at the idiosyncratic world of "outsider physicists" such as Jim Carter, people with little or no scientific training who develop their own alternative theories of the universe. Freeman Dyson, reviewing the book in The New York Review of Books, notes that it describes research by amateurs, who "offer an alternative set of visions... concrete rather than abstract, physical rather than mathematical." The leading character is Jim Carter, a man with an "unshakable belief" in a theory of the whole universe constructed of "endless hierarchies of circlons", circular mechanical objects that reproduce and split like smoke rings. Unknown to Carter, his basic idea that atoms could be explained as subatomic smoke rings had already been proposed in the 1870s by the renowned English physicist William Thomson, and the Scottish mathematician P.G. Tait. Tait and Thomson's theory of has been called by the historian Helge Kragh "a Victorian theory of everything", and is now regarded as an early kind of string theory.

Journalism

As a journalist, Wertheim has written for newspapers in various countries including The New York Times, Los Angeles Times, The Guardian, The Daily Telegraph, and Die Zeit. She has written science articles for magazines including New Scientist, The Sciences, Cabinet, Aeon, The Australian Review of Books, and Australian Geographic.
Her work has been included in The Best American Science Writing 2003, edited by Oliver Sacks; and Best Australian Science Writing ; and Best Writing on Mathematics 2018.

Television

Wertheim has scripted 10 television documentaries, as well as created and co-directed the award-winning series Catalyst, a six-part science and technology series for a teenage audience. She has produced several short films, and she wrote and directed the interactive Canadian public health program What About AIDS, an early use of laser-disc technology. Wertheim lectures around the globe promoting science within a social justice context.

Institute For Figuring

In 2003, Wertheim and her twin sister Christine, faculty member of the Department of Critical Studies at the California Institute of the Arts, founded the Institute For Figuring, an organisation based in Los Angeles that promotes the poetic and aesthetic dimensions of science and mathematics. The Institute proposes that people can interact directly with mathematical and scientific ideas via material construction methods, not simply via abstract equations and formulas. IFF is a nonprofit organization through which the sisters produce their Crochet Coral Reef project, an endeavor they created as an artistic response to climate change and the decimation of the Great Barrier Reef in their Australian homeland. The project also responds to the problem of oceanic plastic trash. While engaging audiences around the world with these environmental concerns, the Crochet Coral Reef also serves as way to teach non-Euclidean geometry. The frilly curling shapes of the Crochet Reef are manifestations of hyperbolic surfaces, the same forms made by living reef organisms. The ability to crochet such forms was discovered in 1997 by Daina Taimiņa, a Cornell University mathematician.
Through their work with IFF, the Wertheim sisters have created exhibitions on scientific and mathematical themes at art galleries and science museums around the world, including the 2019 Venice Biennale, Andy Warhol Museum in Pittsburgh, the Santa Monica Museum of Art, the Hayward Gallery, London, Art Center College of Design in Pasadena, California,
Machine Project, the Museum of Jurassic Technology in Los Angeles,
the Science Gallery at Trinity College in Dublin,
Museum of Arts and Design, the Cooper Hewitt in New York,
and the Smithsonian's National Museum of Natural History in Washington, D.C.,. These exhibitions and related public programming make mathematical and scientific concepts accessible to laypeople.

Crochet Coral Reef project

The Wertheim sister's project is one of the largest participatory art and science endeavor in the world. By creating giant installations that mimic living coral reefs, crocheted out of yarn and types of plastic, and using algorithms inspired by hyperbolic geometry, the project resides at the intersection of mathematics, science, handicraft, environmentalism and community art practice. The project teaches audiences about non-Euclidean geometry, while also engaging them with the subject of climate change and the decimation of reefs due to global warming. As of early 2020, more than 10,000 people from New York and London, to Riga and Abu Dhabi, have actively contributed pieces to Crochet Coral Reef exhibitions in more than 40 cities and countries. More than two million people have seen these shows. In the foreword to the Crochet Coral Reef book, Donna Haraway calls the project "palpable, polymorphous, powerful and terrifying stitchery". Wertheim was invited to speak about the project in a Ted Talk in February 2009. The talk has been transcribed into 22 different languages and has surpassed 1.3 million views on the Ted website.
Since its beginning in 2005,Crochet Coral Reef has expanded into a of individual reefs including a Bleached Reef, a Toxic Reef made of video-tape and plastic, a Branched Anemone Garden, and a giant Coral Forest – consisting of six large-scale sculptures, three crocheted from yarn and three from plastic. The plastic works are inspired by the Great Pacific Garbage Patch, a gigantic gyre of plastic debris in the Pacific Ocean.

Mosley Snowflake Sponge project

Inspired by and working with Jeannine Mosely, a software engineer and origami artist, Margaret Wertheim curated a project at the University of Southern California to create a giant model of a fractal, constructed from 48,912 business cards. Professors, librarians, local artists, school students, and hundreds of USC students all participated in over 3,000 hours of work to complete this object. Discovered by Dr. Mosely in 2006, the Mosely Snowflake is a cousin of the famous Menger Sponge, the first three-dimensional fractal known to mathematicians which was first described by Karl Menger in 1926. The at USC was the first-ever instantiation of this new fractal form, and has since been reproduced by other groups around the world, including in Madagascar. On display at the University of Southern California's Doheny Memorial Library, the completed Mosely Snowflake Sponge fractal was constructed out of specially designed business cards colored in the Trojans pallet of scarlet and gold, and using several geometric designs taken from the Oliver Byrne version of Euclid's Elements.

Awards and honours

; Physics trilogy
; Guides and catalogs