Marino Mazzacurati


Renato Marino Mazzacurati was an Italian painter and sculptor belonging to the modern movement of the Scuola romana , of eclectic styles and able within his career span to represent the artistic currents of Cubism, Expressionism, and Realism. He believed that art could sustain social functions.

Biography

Moved to Rome in 1926, he befriended Scipione, Mario Mafai and Raphaël, creating with them an artistic movement called by Italian scholar Roberto Longhi the Scuola di via Cavour or Scuola Romana.
In 1931 Mazzacurati went to Paris, where he became particularly interested in the works of Rodin, Matisse and Picasso, as both his pictorial production and his sculptures show. Their expressionism emphasizes the physical structure, as in Ritratto del conte N., or deforms it into monstrously grotesque figures – e.g., see Imperatori e Imperatrici. Subsequently, Mazzacurati tended towards a cruder realism, joining in 1947 the "Fronte Nuovo delle Arti". His other works include Martyrs’ Monument in Beirut, Monumento al Partigiano in Parma and the Monumento alle quattro giornate in Naples.