Ambi, who lives in Delhi with his wife Sweetie, arrives at Kumbakonam to meet his father Vembu Iyer who recently suffered a stroke and was paralysed after getting a message that Ambi separated from his wife. Ambi, feeling guilty. comes to see his father. A few weeks earlier, Ambi, who married Sweetie, came with her to meet his orthodox Brahmin parents Vembu and Janaki. Vembu insulted Sweetie and, unable to accept it, she decided to return immediately to Delhi and forced Ambi to leave with her. At Delhi, they continued quarrelling over it and finally separated. When Vembu got the news, he was upset and suffered a stroke. In the present, the doctor recognises that there is another side to Vembu's life. His son's separation from his wife reminded him of his separation from his beloved first wife Avayam. Slowy, Ambi understands that his father is longing to see has erstwhile wife, because though paralysed, Vembu keeps tapping his fingers as steps for a dance. Vembu now recollects his past. Vembu and Avayam loved each other and got married against the wishes of Vembu's mother. While Vembu sang well, Avayam sang and danced well. Both kept enjoying their singing and dancing, which was not liked by Vembu's mother whose husband abandoned her for a dancer many years back. Avayam's continued interest in singing and dancing angered her, and she accused Avayam of behaving like a prostitute. When Avayam protested, Vembu slapped her and threw her out of his house for opposing his mother, whom he respected dearly. Avayam walked out and filed for divorce. In court, Vembu accused her of moral turpitude to justify the divorce petition, which hurt Avayam deeply and they got separated. Though separated, Vembu felt guilty of wrongly accusing Avayam. Ambi's friend Murthy proposes that Arabi should bring Avayam so that his father can see her once before he dies. However, Janaki refuses. When Vembu's situation deteriorates. the doctor and others feel that his hours are numbered and is awaiting his death. However, Vembu hangs on to life. Murthy comes to know that Avayam Is now a famous dancer named Chitralekha and goes to meet her. In the meanwhile. knowing Vembu's grave condition, Sweetie returns home in traditional attire and seeks forgiveness from Janaki and Vembu. Janaki is hippy that her daughter-in-law is back ard Vembu s also happy, but still not satisfied. That is when Murthy brings Avayam. Looking al Avayam, Vembu is excited ard feels relieved that she has forgiven him. Avayam holds Vembu's hand tightly, which was tapping all along awaiting her return.
Cast
Sivakumar as Vembu Iyer
Radha as Avayam
Jayabharathi as Janaki
Sekar as Ambi
Gopi as Murthy
Veeraraghavan as the doctor
Yuvashree as Sweetie
Production
The film, produced by the National Film Development Corporation of India and Doordarshan and based on Indira Parthasarathy's novella Uchi Veyil, was made on a budget of 14 lakh. K. S. Sethumadhavan, in addition to directing, also wrote the screenplay. Cinematography was handled by D. Vasanth Kumar, and editing by G. Venkitaraman, while the background music was composed by L. Vaidyanathan. The film could not share its name with the source material due to a different film with the same name already having released in 1990.
Release and reception
Marupakkam won three awards at the 38th National Film Awards which took place in 1991: Golden Lotus Award for Best Film, Silver Lotus Award for Best Screenplay, and Silver Lotus Award for Special Jury Award / Special Mention. It was the first Tamil film to win the Best Film award. Sivakumar was a strong contender for the National Film Award for Best Actor, but lost to Amitabh Bachchan for Agneepath. The film was theatrically released on 6 March 1992. N. Krishnaswamy of The Indian Express wrote the following week, "Sethumadhavan's narration is designed to be impressive. Based on Indira Parthasarathy's novella, the script of Marupakkam tries to be offbeat by withholding information and by cutting back and forth time." The Tamil magazine Ananda Vikatan, in a review dated 15 March 1992, applauded Marupakkam as a sharply focused film on the subject without any diversion with good editing, superb acting, re-recording at the right places and nice presentation. The reviewer said only Sethumadhavan could translate a simple but meaningful story by Indira Parthasarathy into an amazing film like this, and felt more such films like this must come in Tamil cinema.
