Mata Hari (musical)


Mata Hari is a musical with a book by Jerome Coopersmith, lyrics by Martin Charnin and music by Edward Thomas. The exotic dancer Mata Hari was accused of spying for the Germans during World War I and was executed by a French firing squad, but her guilt is still being debated. The musical is centered on her fictional affair with a French intelligence officer who plays a major role in her arrest and execution and later regrets it. A parallel sequence of events follows a young French soldier who fights in the trenches, illustrating what war is really about. The musical was perceived as an anti-war piece at a time when the US war in Vietnam was sinking in popularity.
The show's original production by David Merrick received a pre-Broadway tryout in December 1967 at National Theatre in Washington, DC, starring Austrian actress Marisa Mell in the title role opposite Pernell Roberts, who left Bonanza to star in the show; the crew included director Vincente Minnelli, set designer Jo Mielziner, costume designer Irene Sharaff, and choreographer Jack Cole. It was an immediate flop, and Merrick withdrew his support of the musical, taking a $500,000 loss. The production received scathing reviews and lost at least $500,000; Merrick cancelled the Broadway production. In December 1968, the authors brought a more modest version of it to New York's off-Broadway Theatre de Lys under the title Ballad for a Firing Squad. It lasted there for fifteen performances.
In 1996, York Theatre in New York revived the 1968 version under the original title Mata Hari. A cast recording of that production was released in 2001.

Synopsis

In 1917, Captain Henry LaFarge, a French military intelligence officer, believes that the exotic dancer, Mata Hari, is the most dangerous German spy in France; he is obsessed with bringing her to justice. While surveilling her, he falls in love and they have an affair. Still in doubt about her loyalty to France, he sets a trap for her, and she fails the test. She is tried and sentenced to death. LaFarge discovers that she may have been framed by his superiors, who wish to blame their military losses upon her supposed espionage. LaFarge tries to prevent the execution but fails. He falls into despair even as he is hailed as a hero for capturing the spy. The story is interwoven with scenes portraying a young soldier who evolves from a naïve and idealistic youth into a war-hardened, but disillusioned, killer. He sings the anti-war song "Maman", describing a letter to his mother from the trenches. The two story lines intersect when he becomes a member of Mata Hari's execution squad.

Musical numbers

; Act I
; Act II