Mathilda Malling


Ingrid Mathilda Kruse Malling, known as Mathilda Malling, and even better known by her early nom de plume, Stella Kleve, was a Swedish novelist born January 20, 1864, on her family's farm, in North Mellby Parish, Kristianstad County, Sweden and died in København, Esajas sn, Sjælland, Copenhagen in 1942. Daughter of Danish estate owner, Frans Oskar Kruse, and Anna Maria Mathilda Borgström, she graduated from Lyceum for Girls in Stockholm, then studied at Lund University, in Switzerland, in 1884, and in Copenhagen, 1885-1886. In 1883 and was married in 1890 to merchant Peter Malling in Copenhagen.

Controversial early works

Malling debuted in 1885 with the novel Berta Funcke, followed in 1888 by the novel Alice Brandt, both published under the pseudonym Stella Kleve.
In 1886, she published the novel Pyrrhussegrar in the progressive feminist publication Framåt by Alma Åkermark.
Her contemporaries took note of her sensually colored depictions of young women, but posterity now considers her decadent late-naturalistic depiction of women as the female counterpart of the male breakthrough novels of this time. She had early contact with Ola Hansson who frequently corresponded with her and also courted and proposed to her. Hansen portrayed, after a difficult break-up with Malling, as a woman of the future. The young poets and the students Emil Kléen and Albert Sahlin wanted to do a small decadent publication in the late 1880s, but failed to persuade her. Anti-Semitism and misogyny in the decadence literary style have been the source of much scholarship.

Fictionalized Portrayal of Molly Brant

Detracting from presumed feminism, Malling's novel, Daybreak, published in 1906 by a respected "magazine of the world's best fiction," depicts entirely real characters and settings, by name, thus promoting the vilification of an early American feminist leader of native people. Today, the reader is impressed by its sensational, even slanderous, quality. The very real Mary Brant, and her culture, might well have considered such 'fictions' to be but a form of highly influential propaganda, presented with a thin veneer of fiction, and meant to degrade Brant, who was an influential Mohawk and the consort of Sir William Johnson.
A breakthrough female herself, perhaps insight into Malling's motivation, in scandalizing Brant through fiction, is somewhat explained in the University of Illinois's and Northwestern University's 1918 Scandinavian Studies and Notes: While "a popular writer of considerable talent... it is Mathilda Malling's pride to think that descendants of her own race did something to establish American freedom and they like so many others were resolved not to yield an inch from what they considered right."

Later works

After a long silence she resumed her writing, but in a very different character, with a novel about the First Consul, which was a huge success thanks to her skillful manipulation of historical material. Her work became hailed as well-done historically and even safe for family reading and included Madam Governor of Paris, Eremitageidyllen, Shooting on Munkeboda, the play Lady Leonora, Doña Ysabel, Ladies in Markby, Daybreak, Nina, Little Marica and Her Husband, Lady Elizabeth Percy, Her Hero, Mary Stuart, Nina's Honeymoon, Karl Skytles Wife, Sisters of Ribershus and The White House and Red House. The later work shows lush, but little original, storytelling imagination and a lot of free floating. The historical novels found a large readership in the early 1900s, but her breakthrough novel Berta Funcke still arouses interest.

European recognition

Malling's first two novels were heatedly discussed. Swedish feminist Ellen Key was famously connected with her.

American recognition

Malling's first novel was cited by prominent American psychologist G. Stanley Hall, in his pioneering study of adolescence, as a parallel to the famously frank authors Marie Bashkirtseff, Hilma Angered Strandberg, and Mary MacLane.