Mayham


"Mayham" is the 68th episode of the HBO original series The Sopranos and the third of the show's sixth season. Written by Matthew Weiner and directed by Jack Bender, it originally aired on March 26, 2006.

Starring

* = credit only

Guest starring

Synopsis

On a tip from Vito, Paulie and a member of his crew, Cary DiBartolo, burglarize an apartment belonging to Colombian drug dealers in Newark. However, they find the apartment is not empty as expected, and a fierce firefight ensues. The building superintendent and the two drug dealers are killed. Paulie and Cary find a huge amount of money.
Tension surges within the DiMeo family. Silvio makes rulings on how the Colombian score, and how Eugene's former Roseville, New Jersey bookmaking revenue, should be split. None of the parties involved like his decisions. A reluctant boss, Silvio is later laid low by an asthma attack, and is himself hospitalised. Paulie and Vito delay paying the $200,000 cut they owe to Carmela, since they do not want to part with it in case Tony does not recover. Vito quietly starts a campaign to position himself as a potential new leader, pointing to his recent weight loss as a sign of better health, and maintaining a cordial relationship with the Lupertazzi acting boss Phil Leotardo, who is a second cousin of Vito's wife Marie. He also happens to be in the hospital when Meadow's fiancé Finn turns up, and makes a threatening pass at him.
Christopher and Bobby confront A.J. who has tried to buy a gun, and tell him not to go after Junior, who is in custody. They assure him that Tony would not want him involved.
Carmela sees a TV special about the shooting, in which A.J. says it is weird growing up a Soprano. She is livid, and tells her son she wants to kill him. She sobs in her room. The next day, she has a session with Dr. Melfi. She says she knew what Tony was when she married him, "but the kids, they don't decide who they're born to."
Chris' passion about entering the movie industry is reborn. He has Benny Fazio and Murmur rough up screenwriter J.T. Dolan, and orders him to write a script for a slasher mob film he wants to produce. Chris later arranges a meeting with potential investors for the production, their chief adviser and partner being Little Carmine. J.T. comes up with the title, Cleaver, and explains the premise, but the investors, who include Silvio, Vito and Larry Boy Barese, seem confused about its plot. Nevertheless, Chris assures them the film is a guaranteed success.
Although only family are allowed to see Tony, Silvio and Paulie are smuggled in by Carmela and Meadow. Left alone with Tony, Paulie proceeds to treat his unconscious boss to a tedious and discontented monologue about his current life. Tony's heart-rate escalates steadily, but Paulie does not notice it until he goes into cardiac arrest. Hospital staff rush in.
Tony's dream sequence from the previous episode has continued.
At his hotel room, he receives a court summons from the Buddhist monks addressed to Kevin Finnerty, and he begins to question his identity. He seeks answers from the bartender and the monks, but finds none.
He is disturbed by muffled sounds from an adjoining room at his hotel, and he bangs angrily on the wall for quiet. Having found a flier for the Finnerty family reunion in his briefcase, he is greeted outside the venue by a man who looks like his cousin Tony Blundetto. The man tries to get Tony to enter the light-festooned house, assuring him that "everyone's here" and that he is "coming home"; but he also tells Tony that he must first let go of his "business" and hand over his briefcase. Tony replies that he has already given away a briefcase once which had "his whole life inside" and does not want to do it again. Standing at the steps of the house, Tony hesitates for some time. With the figure of someone similar to his mother standing by the doorway in front of him, and the faint voice of a little girl coming from the trees behind him pleading with him not to go, Tony chooses not to enter the house.''
He awakes in the hospital. His first words to Carmela are, "I'm dead, right?"
Later, heavily sedated and still largely unable to talk, Tony sits in a chair at the foot of his bed and listens to an excited Christopher explain his movie venture to him; he says he left a position for Tony to become a major investor. Christopher then notices an Ojibwe saying taped onto the wall: "Sometimes I go about in pity for myself, and all the while, a great wind carries me across the sky."
With Tony now conscious, Paulie and Vito anxiously rush to get their cuts to Carmela. In the hospital lobby, when they hand over the cash, Carmela is initially grateful. However, before the elevator doors close, she turns round and sees them looking sour.

First appearances