In Romanian mythology, Meșterul Manole was the chief architect of the Curtea de Argeș Monastery in Wallachia. The myth of the cathedral's construction is expressed in the folk poem Monastirea Argeșului. The ballad "Monastirea Argeșului", alongside "Miorița", "Toma Alimoș" and "Dolca", was published by Vasile Alecsandri in the first collection of Romanian folk creations in 1852, entitled "Poezii populare, balade adunate și îndreptate de Vasile Alecsandri". Although the popular text has several variants, because the author is anonymous, and the ballad was transmitted orally from generation to generation, the one published by Alecsandri is consecrated in literary form. The artistic value of these folk creations was - probably - the reason for which Alecsandri placed at the beginning of the collection of popular "gems" a quotation which became renowned: "The Romanian is born a poet". Popular ballad "Monastirea Argeșului" illustrates the aesthetic myth in folkloric literature and is based on the belief that nothing durable and unique can be built without the creator's self-sacrifice, making this creation a philosophical poem.
Plot
The Legend of Master Manole: Prince Radu the Black wanted to build the most beautiful monastery in the country, so he hired Master Manole, the best mason of those times, along with his 9 men. During construction, because the walls of the monastery would continuously crumble, the Prince threatened to kill Manole and his workers. Desperate about the way construction went, one night Manole had a dream in which he was told that, for the monastery to be built, he had to incorporate into its walls some person very loved by him or his masons. He told his masons about his dream, and they agreed that the first wife who would come there with lunch for her husband the following day should be the one to be built into the walls of the monastery so that their art would last. The next day, Manole looked over the hills and sadly saw his wife, Ana, coming from afar. He prayed to God to start rain and storm in order for her to stop her trip or go back home. But her love was stronger than the storm, and she kept going. He prayed again, but nothing could stop her. When she arrived, Manole and the builders told her that they wanted to play a little game, which involved building walls around her body. She accepted happily, but she soon realized that this was no game and implored Manole to let her go. But he had to keep his promise. And that was how the beautiful monastery was built. When the monastery was completed, the Prince asked the builders if they could ever make a similarly splendid building. Manole and his masons told the Prince that they surely could always build an even greater building. Hearing that and fearing they'll build a bigger and more beautiful building for someone else, the Prince had them all stranded on the roof so that they would perish and never build something to match it. They fashioned wooden wings and tried to fly off the roof. But, one by one, they all fell to the ground. A well of clear water, named after Manole, is believed to mark the spot where Manole himself fell.
Many Romanian writers had the legend as a motif and source of inspiration. Among them, Lucian Blaga brought forth a modern take on the myth. In Blaga's version, Manole's self-sacrifice is not prompted by any gesture of Prince Radu, but it is instead a personal journey. A similar tale in the Hungarian culture is Kőműves Kelemen, whose synopsis is essentially equivalent to the story of Manole. Another story is that of Rozafa, the castle in Shkodra, Albania. Rozafa was the wife of the youngest of three brothers that could only built the castle after they had to wall her alive. Similar stories exist in Inner Mongolia and in the Southern Balkans, in Serbia, Montenegro, Bulgaria, and Greece. In Bulgaria there is also a legend about a master-builder by the name of Manol who flew from the minaret of the Selimiye Mosque in Edirne using eagle wings he crafted. Another similar story is the legend of the Matsue Castle in Japan.
