The Mortuary Temple of Ramesses III at Medinet Habu was an important New Kingdom period temple structure in the West Bank of Luxor in Egypt. Aside from its size and architectural and artistic importance, the temple is probably best known as the source of inscribed reliefs depicting the advent and defeat of the Sea Peoples during the reign of Ramesses III.
Modern identification and excavation
The first European to describe the temple in modern literature was Vivant Denon, who visited it in 1799-1801. Champollion described it in detail in 1829. Initial excavation of the temple took place sporadically between 1859 and 1899, under the auspices of the Department of Antiquities. During these decades the main temple was cleared, and a large number of the Greco-Roman period buildings, including a substantial ByzantineChurch in the second court, were destroyed without notes or records being taken. The further excavation, recording and conservation of the temple has been facilitated in chief part by the Architectural and Epigraphic Surveys of University of Chicago'sOriental Institute, almost continuously since 1924.
Description
The temple, some long, is of orthodox design, and closely resembles the nearby mortuary temple of Ramesses II. The temple precinct measures approximately. by and contains more than of decorated wall reliefs. Its walls are relatively well preserved and it is surrounded by a massive mudbrick enclosure, which may have been fortified. The original entrance is through a fortified gate-house, known as a migdol. Just inside the enclosure, to the south, are chapels of Amenirdis I, Shepenupet II and Nitiqret, all of whom had the title of Divine Adoratrice of Amun. The first pylon leads into an open courtyard, lined with colossal statues of Ramesses III as Osiris on one side, and uncarved columns on the other. The second pylon leads into a peristyle hall, again featuring columns in the shape of Ramesses. The third pylon is reached by continuing up a ramp that leads through a columned portico and then opens into a large hypostyle hall. Reliefs and actual heads of foreign captives were also found placed within the temple, perhaps in an attempt to symbolise the king's control over Syria and Nubia. In the Greco-Roman and Byzantine period, there was a church inside the temple structure, which has since been removed. Some of the carvings in the main wall of the temple have been altered by Christian carvings. The royal palace was directly connected with the first courtyard of the temple via the "Window of Appearances".
The Medinet Habu king list is a procession celebrating the festival of Min, with the names of nine pharaohs. It can be found on the upper register of the eastern wall in the second courtyard.
